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Wyświetlanie 1-4 z 4
Tytuł:
Inność, którą trzeba chronić. O empatii zbudowanej na dystansie
Otherness that deserves to be protected. Empathy built upon distance
Autorzy:
Winiecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1534858.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
personalistic reading
otherness
emphatic reading
emphatic criticism
poetry
Opis:
The article is a review of Krystyna Pietrych’s book Co poezji po bolu.Empatyczne przestrzenie lektury (Łodż 2009) [What good pain and sufferingbring in poetry. Emphatic dimensions of reading]. Since the reviewedbook presents a bold and, to a large extent, novel approach topersonalistic reading — based on a subjective, compassionate experienceof an encounter with uncognizable and unreductible otherness oftormented man-poet, the reviewer focuses on the issues viewed as themost important for the method of emphatic reading adopted by the author.E. Winiecka analyses aesthetical and epistemological, as well asaxiological possibilities and risks that emphatic criticism opens up forreexamination. Formulates her own opinion on the analytical methodused by K. Pietrych in examining poetry, which is a recording of one’smind in agony and suffering experienced by seven authors: AleksanderWat, Zbigniew Herbert, Miron Białszewski, Stanisłw Barańzak, JanuszSzuber, as well as Julian Przybośand Anna Swirszczyńka. Outlinesthe methodological perspectives of the discussed work that tracesthe stages in the formation of literary depiction and representation ofsuffering. The text is also an attempt at defining and indicating the cognitiveperspectives of emphatic criticism.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 203-223
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czytanie jako działanie, dzieło jako zdarzenie. Czy możliwa jest poetyka literatury interaktywnej?
Reading as an action, a work as an event. Is poetics of interactive literature possible?
Autorzy:
Winiecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1041769.pdf
Data publikacji:
2017-09-28
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
media of literature
electronic literature
new literary genres
interactivity
reading
Opis:
The article describes new phenomena in the field of literature that have developed under the influence of digital technology. It points out to the conversion of the ontology of works and modification of the nature of perception that are associated with digital media. Literature created in digital technology becomes an audiovisual and multimedia experience. Its audience is given a new kind of experience based on participation. Participation is related to interactivity, which is one of the basic features of digital objects. They need action rather than contemplation to reveal. The authoress points out that, in new literary phenomena, digital medium becomes an important part of the work. It influences its structure, functions, manner of existence, and strategies for impact on the recipient. Every act of interactive reading is transformed into a performance – a oneoff and a unique event. Reading is transformed from contemplation into action engaging the reader’s physicality. Description of this modification of literary communication and the poetics of reception can be the key to understanding the essence of e-literature.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 30; 185-218
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Drogi czytelniku, kategorycznie oświadczam, że nie jestem pewien”
„Dear Reader, I Declare Categorically that I Am Not Sure”
Autorzy:
Winiecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1533340.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Eugeniusz Tkaczyszyn-Dycki’s poetry
interpretation
deconstructionist reading
rhetoricality
aporia
anti-essentionalism
Opis:
The essay is devoted to Krzysztof Hoffmann book dubitatio o poezji Eugeniusza Tkaczyszyna-Dyckiego [dubitatio on poetry by Eugeniusz Tkaczyszyn-Dycki]. The author discusses the critic’s interpretative strategies, as well as his theoretical and metatheoretical assumptions. The author demonstrates how deconstructionist philosophy influences the modes of reading of poetical languages proposed by the young critic and his critical consciousness shaped by doubt and uncertainty. This distinguishes him from modern scientific strategy (structuralism) that treats interpretation as a way to reach the truth of a work. Hoffmann writes about the difficult, rhetorically sophisticated poetry by Eugeniusz Tkaczyszyn-Dycki, and more specifically, about its early stage before 2005. The story is built around four words: home, friendship, schizophrenia, disbelief. The most important problem, however, is the language of the poetry: its status, problematic referentiality, and difficult link to existence. The author, thus, reads dubitatio as a metaphorical discussion of theory and practice of poetry interpretation in general, and Tkaczyszyn-Dycki’s poetry in particular.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 297-312
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niejednoznaczny urok tajemnicy. Tajniki lektury hipertekstów
Ambiguous charm of mystery. Secrets of hypertexts reading
Autorzy:
Winiecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/32054798.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
hypertext
non-sequential narrative
text coherence
multiple reading
repetition
mystery
hipertekst
narracja niesekwencyjna
spójność tekstu
czytanie wielokrotne
powtórzenie
tajemnica
Opis:
The article discusses the phenomenon of multiple reading of literary hypertexts. The construction of electronic hypertext is conducive to creating uncertainty and generates both: story and structural puzzles. The author on the example of the afternoon. a story by Michael Joyce discusses the characteristics of this type of literary works, which by involving the reader in the process of creating the course of the plot, put him before new challenges. Hypertext multiplies questions and riddles, plays with suspense as a ploy that promises a solution, and delays the fulfillment of the promise indefinitely. At the same time, it refers to solutions known from twentieth-century experimental novels.
Źródło:
Przestrzenie Teorii; 2022, 38; 192-218
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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