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Wyświetlanie 1-2 z 2
Tytuł:
Spectral Economies in Graham Swift’s Mothering Sunday: A Romance (2016)
Autorzy:
Więckowska, Katarzyna ---
Powiązania:
https://bibliotekanauki.pl/articles/632447.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
haunting
spectres
modernism
Graham Swift
women
WWI
textuality.
Opis:
This article employs the concepts of spectres and haunting to analyse Graham Swift’s Mothering Sunday: A Romance (2016) as a commentary on (literary) history and its economy of spectres. Referring to Jacques Derrida’s notions of haunting, inheritance, and time, I focus on the spectres of literary modernism and the First World War to explore the ways in which Swift’s novella questions the canonical representation of modernism and revises the conventional means of writing about the past, memory, and history. The analysis of Mothering Sunday approaches the spectre as a figure of repressed otherness and a reminder of what has been excluded or silenced, so as to trace some of the ghosts that appear in the book and to underline its melancholic, spectral character. Situating Swift’s novella within the context of contemporary cultural criticism, I propose to see it as a sign of a larger cultural and critical turn, where spectres have been assimilated into the structure of the everyday and where the experience of haunting has become a major expression of the present condition.
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Applied Hauntologies: Spectral Crossings and Interdisciplinary Deconstructions
Autorzy:
Lorek-Jezińska, Edyta
Więckowska, Katarzyna ---
Powiązania:
https://bibliotekanauki.pl/articles/632590.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
Keywords: hauntology, spectres, knowledge, deconstruction, philosophy, literary studies, cultural studies, film studies
Opis:
This issue of AVANT is dedicated to hauntology, an approach originally defined by Jacques Derrida as a “logic of haunting” that is “larger and more powerful than an ontology or a thinking of Being,” and that “harbor[s] within itself, but like circumscribed places or particular effects, eschatology and teleology themselves” (Derrida 1994: 10). At a most general level, hauntology is a study of spectrality and spectres-that is, entities and processes that exceed any definite categorization; accordingly, it inevitably questions the established notions of being, thereby transforming the status of the objects and subjects of knowledge, and contesting the possibility of objectivity. The very idea of spectres-positioned as they are between worlds and times-disrupts the conventional means of measuring time and space, as well as all kinds of dichotomous conceptualizations, including “the sharp distinction between the real and the unreal, the actual and the inactual, the living and the non-living, being and non-being” (Derrida 1994: 11). Significantly for the articles collected in this issues, the figure of the spectre questions the divisions between texts, and the separation between the individual and the social/communal, thus palpably demonstrating the impossibility of examining any concept or text independently of others. Accordingly, instead of looking for certainties, the scholar of spectres looks for sites of crossings, borrowings, and contaminations, re-discovering traces of other times, places, and beings in the seemingly solid here and now, and producing somewhat melancholic accounts of a culture that is both already haunted and potentially haunting.
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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