Temat: Seneca - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Artysta na obrzeżach świata, czyli wszyscy jesteśmy Odyseuszami. Kilka refl eksji ogólnych w nawiązaniu do Cycerona, Owidiusza i Seneki
Autorzy:: Wesołowska, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/631198.pdf
Data publikacji:: 2010
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Odysseus
Cicero
Ovid
Seneca
exile
centre
periphery
Opis:: Th e paper discusses three grand personalities of antiquity: Cicero, Ovid and Seneca in the circumstances of their exile, Th eir attitudes to the punishment received (whose severity varied) were diverse. Nevertheless, all they left a trace in the shape of literary works and letters. Upon reading, one discovers ambiguous attitudes towards their per-sonal misfortunes. Finally, the situation of the exiles and their return may be compared with the archetypal fi gure of Odysseus.
Źródło:: Studia Europaea Gnesnensia; 2010, 1-2; 141-147
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Dwie lub trzy Kasandry i co o nich wiem. Kilka uwag
Two or three Cassandras and what I know about them. Some observations
Autorzy:: Wesołowska, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/2013686.pdf
Data publikacji:: 2014-06-02
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Homer
Ajschylos
Eurypides
Seneka
wieszczenie
wykluczenie
niedowierzanie
motyw zemsty
Aeschylos
Euripides
Seneca
foretelling
isolation
disbelief
motif of revenge
Opis:: Cassandra is a peculiar female character in ancient mythology and literature. She appears as early as Homer’s epic, and then incidentally in Aeneid. A would-be lover of Apollo, seer, doomed to disbelief, concubine of Agamemnon, and killed with him on their arrival to Mycenae, she is tragic and it is the tragedy, where she is presented most fully, i.e. in plays by Aeschylus, Euripidesand Seneca. However, her personality traits are so poorly determined that it leaves room for the authors’ actions organising her profile anew. Andso, in Aeschyluss he is a prophetess of her impending death, but she does not try to defend herself. In Seneca, she relates what is covered from spectators’ eyes. She happens to be the symbol of reconciliation, but in Euripides’ Helen she personifies the element of revenge. She is Apollo’s medium, and at the same time she apparently discredits his prophetic power since she was able to cheat him on some occasions. Her attitude towards Agamemnon is vague, because she bemoans his death the same way Helen, whom she hates, mourns Hector’s death. Only the Greek Troades provides an opinion on the beauty of the prophetess. Afterall, Helenand Cassandra’s fatesare mysteriously intertwined. We have the right to suppose that Clytaemestra’s calling Cassandraa female swan is not accidental, although it formally seems to refer to her stage “muteness”.
Źródło:: Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 35-46
2084-6045
2658-2503
Pojawia się w:: Prace Filologiczne. Literaturoznawstwo
Dostawca treści:: Biblioteka Nauki

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