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Wyszukujesz frazę "Medieval Studies" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Prezentacja książki prof. dr hab. Piotra Skubiszewskiego „Studies in Medieval Iconography”
Presentation of the book ‘Studies in Medieval Iconography’ by Prof. Piotr Skubiszewski
Autorzy:
Walczak, Marek
Powiązania:
https://bibliotekanauki.pl/articles/23352239.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Piotr Skubiszewski
Studies in Medieval Iconography
Opis:
Prezentacja książki prof. dr hab. Piotra Skubiszewskiego "Studies in Medieval Iconography"
Presentation of the book ‘Studies in Medieval Iconography’ by Prof. Piotr Skubiszewski
Źródło:
Biuletyn Historii Sztuki; 2022, 84, 1; 201-208
0006-3967
2719-4612
Pojawia się w:
Biuletyn Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Badania nad sztuką średniowieczną w Polsce po roku 1989
Research on Medieval Art in Poland after 1989
Studien zur mittelalterlichen Kunst in Polen nach 1989
Autorzy:
Horzela, Dobrosława
Walczak, Marek
Powiązania:
https://bibliotekanauki.pl/articles/666110.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Geschichte der Kunstgeschichte
Mittelalterforschung
Methodologie der Kunstgeschichte
Mittel- und Osteuropa
1989
the history of art history
medieval studies
art history methodology
Central and Eastern Europe
Opis:
The geopolitical changes in Central and Eastern Europe which began in 1989 influenced also changes in the status of the field of history. In an attempt to change the perception of the field, a turn to the Middle Ages could be observed, as the times of prosperity in the Kingdoms of Bohemia, Hungary and Poland could serve as an excellent foundation for building a national identity. Thus, the authors propose a complex picture of historically and artistically oriented Medieval Studies in Poland against the backdrop of the situation in Central and Eastern Eu‑ rope, trying to ascertain how and to what extent the events of 1989 influenced the status and development of the discipline. Thirty years after the Yalta Conference, what can be observed is a gradual process of opening the discipline onto new methodologies and technological changes, as well as realizing its capabilities, which were hitherto suppressed by the oppressive political system. The natural generational change contributes to solidifying practices which the youngest generation of art historians takes for granted. However, the influences of inertia, deeply-rooted complexes and post-mortem victory of communist propaganda cannot be omitted. For the ma‑ jority of academic centers in Poland, it is virtually paradigmatic to talk about art in a very nar‑ row geographical context, accompanied by the tendency to isolate phenomena with clear ties to the European context. Too often is art in Poland seen as an expression and a consequence of its peripheral status, while almost overlooking the uniqueness and originality of many artistic phenomena. Moreover, a vision of Poland as a homogenous entity in its contemporary borders persists in the subconscious of the society, which constitutes a serious hindrance in the spread‑ ing of knowledge and is often used as a tool in historical politics. In addition, it should be noted that, unfortunately, many good practices, such as the obligation of familiarity with the entirety of the literature on the subject, begin to disappear, perhaps in connection with the “publish or perish” mentality and the need to fulfill the obligations towards the academic institution. Para‑ doxically, then, the political upheaval of 1989 brought in the discipline of art history, as well as the field of humanities as a whole, both positive as well as detrimental changes.
Źródło:
Średniowiecze Polskie i Powszechne; 2019, 11; 262-297
2080-492X
2353-9720
Pojawia się w:
Średniowiecze Polskie i Powszechne
Dostawca treści:
Biblioteka Nauki
Artykuł
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