- Tytuł:
-
Locus horribilis pod zamkniętymi drzwiami. Trzy paralaktyczna Janusa Secundusa (el. I 5, II 5, III 1) wobec tradycji klasycznej
Locus horribilis behind the closed door. Three paraclausithyra by Johannes Secundus (el. I 5, II 5, III 1) in the light of classical traditio - Autorzy:
- Urban-Godziek, Grażyna
- Powiązania:
- https://bibliotekanauki.pl/articles/2013687.pdf
- Data publikacji:
- 2014-06-02
- Wydawca:
- Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
- Tematy:
-
paraklausithyron
elegia miłosna
Johannes Secundus
poezja nowołacińska
eschatologia elegijna
love elegy
Neo-Latin poetry
elegiac eschatology - Opis:
- The article presents an elegiac motif of paraclausithyron (a song sung behind the closed door) in the poetical output of a Dutch Latinist, Johannes Secundus (1511−1536). The night vigil behind the closed door experienced by a rejected poet-lover who tries in vain to gain his beloved’s favour and access to her alcove is compared by the Roman elegiacs(Prop. II 17, Tib. I3) to the infernal torments of the mythical heroes: Tantalus, Ixion, Sisyphus and Tytios. Being very close to their goal, yet unable to get the object of their desire, they suffer a great anxiety. This kind of metaphor, taken probably from Lucretius, finds its continuation evenlater (Paulus Silentiarius), and is developed in the Renaissance poetry. Two scandalous paraclausithyra (el.II 5andIII 1) by Secundus –not yet analysed in the light of this convention − seem to be the settlement with ancient masters, who were proudly announcing that each girl could be conquered with their poems (Prop. III 2; Ovid.Am. II 1). At the same time, it is an ironic reinterpretation of Secundus’s own triumphalism, and of his previous belief in the power of his own poetry − the poetry which is actually more important than its subject matter − love. However, behind the closed door and in confrontation with the rival’s money, the song loses its supernatural power and the hurt feeling brings hellish torments to the poet. In the elegiac paraclausithyra the threshold of an inaccessible house defines the lover’s locus horribilis. Stayingin such an inferno brings the desire of revenge and the will to expose the guilty ones to eternal torment. This initiates an eschatological perspective (inscribed in the represented elegiac world), where true lovers receive the Elysian award, while their traitors and rivals − eternal punishment (Tib. I 3; Prop. IV 7, and others Renaissance elegiacs).
- Źródło:
-
Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 17-33
2084-6045
2658-2503 - Pojawia się w:
- Prace Filologiczne. Literaturoznawstwo
- Dostawca treści:
- Biblioteka Nauki
Artykuł