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Wyszukujesz frazę "elegia" wg kryterium: Wszystkie pola


Wyświetlanie 1-2 z 2
Tytuł:
Elegia na progu. Antyczne dziedzictwo motywu paraklausithyron w twórczości elegijnej renesansu (usque ad Ioannem Cochanovium)
Elegy on a threshold. Classical heritage of the paraklausithyron motif in the Renaissance elegiac poetry (usque ad Ioannem Cochanovium)
Autorzy:
Urban-Godziek, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/1534743.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
paraclausithyron
exclusus amator [shut-out lover]
serenade
Neo-Latin poetry
Jan Kochanowski
Giovanni Pontano
Cristophoro Landino
Opis:
Paraklausithyron — a lover’s lament at the closed door of the beloved, desiring entry, is a very old literary and musical motif, deriving from the archaic genre of komos, characteristic for Greek comedy. Paraklausithyron was successfully adopted by Roman literature to become one of the basic motifs of love elegy in the Roman Empire of Augustan times. The present study explores the history of the motif and outlines the main features of its Roman variety. Then, its reception in Italian elegiac poetry of the Renaissance period is presented, and, within this context, the use of the motif in elegies written in Latin and Polish by Jan Kochanowski is discussed. Vigils at the beloved one’s door are presented here as an essential element of an elegiac confession of love containing a characteristic line of arguments and distinguishable key words which, in the course of time, came to substitute the motif and the confession of love itself. The motif also pervaded other forms of modern lyric love poetry, in particular the serenade; just as the elegiac sense of love initiated the sentimental trend in European poetry.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 45-82
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Locus horribilis pod zamkniętymi drzwiami. Trzy paralaktyczna Janusa Secundusa (el. I 5, II 5, III 1) wobec tradycji klasycznej
Locus horribilis behind the closed door. Three paraclausithyra by Johannes Secundus (el. I 5, II 5, III 1) in the light of classical traditio
Autorzy:
Urban-Godziek, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/2013687.pdf
Data publikacji:
2014-06-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
paraklausithyron
elegia miłosna
Johannes Secundus
poezja nowołacińska
eschatologia elegijna
love elegy
Neo-Latin poetry
elegiac eschatology
Opis:
The article presents an elegiac motif of paraclausithyron (a song sung behind the closed door) in the poetical output of a Dutch Latinist, Johannes Secundus (1511−1536). The night vigil behind the closed door experienced by a rejected poet-lover who tries in vain to gain his beloved’s favour and access to her alcove is compared by the Roman elegiacs(Prop. II 17, Tib. I3) to the infernal torments of the mythical heroes: Tantalus, Ixion, Sisyphus and Tytios. Being very close to their goal, yet unable to get the object of their desire, they suffer a great anxiety. This kind of metaphor, taken probably from Lucretius, finds its continuation evenlater (Paulus Silentiarius), and is developed in the Renaissance poetry. Two scandalous paraclausithyra (el.II 5andIII 1) by Secundus –not yet analysed in the light of this convention − seem to be the settlement with ancient masters, who were proudly announcing that each girl could be conquered with their poems (Prop. III 2; Ovid.Am. II 1). At the same time, it is an ironic reinterpretation of Secundus’s own triumphalism, and of his previous belief in the power of his own poetry − the poetry which is actually more important than its subject matter − love. However, behind the closed door and in confrontation with the rival’s money, the song loses its supernatural power and the hurt feeling brings hellish torments to the poet. In the elegiac paraclausithyra the threshold of an inaccessible house defines the lover’s locus horribilis. Stayingin such an inferno brings the desire of revenge and the will to expose the guilty ones to eternal torment. This initiates an eschatological perspective (inscribed in the represented elegiac world), where true lovers receive the Elysian award, while their traitors and rivals − eternal punishment (Tib. I 3; Prop. IV 7, and others Renaissance elegiacs).
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 17-33
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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