Temat: THEATRE - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Against Great Civilizing Missions. Working on “How to Save the World on a Small Stage?”
Autorzy:: Sztarbowski, Paweł
Wawrzyńczak, Marcin
Powiązania:: https://bibliotekanauki.pl/articles/1955930.pdf
Data publikacji:: 2021-12
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: ecology
globalisation
climate change
ecological theatre
Powszechny Theatre in Warsaw
Opis:: From a practice-as-research perspective, the author analyses his dramaturgical work on the performance How to Save the World on the Small Stage? directed by Paweł Łysak (Teatr Powszechny in Warsaw, 2018). This particular case is the starting point for complex research of methods and tools for ecological theatre. Una Chaudhuri’s idea of “Fifth Wall Dramaturgy” becomes the inspiration to exceed only human perspective and involve inhuman actors to the theatrical structure.
Źródło:: Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 70-89
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Árpád Schilling: Strzaskać skorupę teatru
Árpád Schilling: To Crack the Carapace of Theatre
Autorzy:: Sztarbowski, Paweł
Powiązania:: https://bibliotekanauki.pl/articles/889453.pdf
Data publikacji:: 2020-04
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: Árpád Schilling
political theatre
populism
Krétakör
Hungary
Opis:: This article covers the work of Hungarian director Árpád Schilling in the perspective of his direct political activities against Viktor Orbán’s manipulations of democracy. The author situates the theatrical activities of this director as a vehicle for understanding contemporary populism. Using the political and sociological categories (like “stubborn structures” or “deep history”), he describes how Schilling generates the vision of politically engaged theatre based on very simple gestures and texts with “deep histories” and how his activities try to transcend the division between “artistic” and “political”.
Źródło:: Didaskalia. Gazeta Teatralna; 2020, 156; 1-28
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Przeciw wielkim misjom cywilizacyjnym O pracy nad spektaklem „Jak ocalić świat na małej scenie”?
Against Great Civilizing Missions: On Working on the Performance How to Save the World on the Small Stage
Autorzy:: Sztarbowski, Paweł
Powiązania:: https://bibliotekanauki.pl/articles/1815492.pdf
Data publikacji:: 2021-04
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: ecology
globalisation
climate change
ecological theatre
Teatr Powszechny
Opis:: From a practice-as-research perspective, the author analyses his dramaturgical work on the performance How to Save the World on the Small Stage? directed by Paweł Łysak (Teatr Powszechny in Warszawa, 2018). This particular case is the starting point for complex research of methods and tools for ecological theatre. Una Chaudhuri’s idea of “Fifth Wall Dramaturgy” becomes the inspiration to exceed only human perspective and involve inhuman actors to the theatrical structure.
Źródło:: Didaskalia. Gazeta Teatralna; 2021, 162; 27-46
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 4.

Tytuł:: Oliver Frljić i nowy koszmar Europy
Oliver Frljić and Europe’s New Nightmare
Autorzy:: Sztarbowski, Paweł
Powiązania:: https://bibliotekanauki.pl/articles/889428.pdf
Data publikacji:: 2020-06
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: Oliver Frljić
political theatre
nationalism
European crisis
leftist populism
agonism
Opis:: This article covers the works of the Croatian director Oliver Frljić from the perspective of the political influence of his performances. The frame for this research is Walter Benjamin’s historiosophical concept of „angel of history” and Chantal Mouffe’s theory of agonism concentrated on positive aspects of political conflicts. The author situates the director’s theatrical activities and his biography (especially his personal experience of the Yugoslav Wars) as a tool for understanding inexorable nationalistic tendencies in contemporary Europe. Frljić’s strategy of creating “radical fiction” and strong, shocking images is analysed as a vehicle for breaking the postdemocratic and postpolitical order. It means that theatre can be treated as a new form of protest and political subjectivity. For this reason Frljić’s performances are concerned with social debates about refreshing democracy
Źródło:: Didaskalia. Gazeta Teatralna; 2020, 157-158; 1-32
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 5.

Tytuł:: Lola Arias: Pozostać w fikcji, by przekroczyć fikcję
Lola Arias: To Remain in Fiction in Order to Transcend It
Autorzy:: Sztarbowski, Paweł
Powiązania:: https://bibliotekanauki.pl/articles/1815517.pdf
Data publikacji:: 2021-02
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: Lola Arias, Argentina, social theatre, memory performance, overlapping realities, speculative fabulation
Opis:: In this article, the author describes the work of the Argentinian artist, Lola Arias, from the perspective of her interest in individual and collective memory. The frame for this research is the notion of „time machine” compared with Maria Janion’s notion of „archive of existence”. The author situates the work and biography of Lola Arias the director, filmmaker and visual artist within the „archeontology in action”. Also, he describes Arias’ strategy of overlapping reality and fiction to project the new vision of the future. Her performances are juxtaposed with Donna Haraway’s notion of „speculative fabulation” according to whichsmall, individual stories help us to understand complex reality and new modes of perception.
Źródło:: Didaskalia. Gazeta Teatralna; 2021, 161; 7-35
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

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