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    Wyświetlanie 1-4 z 4
    Tytuł:
    Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Stupko-Lubczyńska, Anastasiia
    Powiązania:
    https://bibliotekanauki.pl/articles/1681587.pdf
    Data publikacji:
    2019-08-05
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Temple of Hatshepsut
    Main Sanctuary of Amun
    relief decoration
    pot-stands
    dedicatory formula
    proscription of Hatshepsut
    Amarna erasures
    Opis:
    On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer. One of the stands preserves traces of an inscription which was erased in ancient times in two phases. The first phase of erasure may be dated to the reign of Tuthmosis III, while the second one was executed during the Amarna period. The paper presents the legible parts of the text, which was a standard dedication formula, along with a reconstruction of the damaged areas
    Źródło:
    Polish Archaeology in the Mediterranean; 2018, 27(2); 365-374
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Third Intermediate Period openwork piece of funerary equipment from the Chapel of Hatshepsut at Deir el-Bahari
    Autorzy:
    Stupko-Lubczyńska, Anastasiia
    Powiązania:
    https://bibliotekanauki.pl/articles/1632260.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Third Intermediate Period
    funerary
    openwork craft
    Hatshepsut
    Opis:
    A set of wooden figures representing female deities with painted fronts and flat backs was identified in the archaeological material coming from recent excavations in the Chapel of Hatshepsut. The fragments were scattered through the shafts of Third Intermediate Period date. Most probably they had once formed a single piece of funerary equipment from one of the burials. Remains of nine figures were distinguished. These were divided into two groups by size. The smallscale figures had outstretched arms, while the big-scale ones were shown with one arm raised and the other lowered alongside the body. They are presumed to have been attached to a flat wooden background. Both iconographical types are attested in the decoration of mortuary equipment from the New Kingdom on, though no object decorated with the same set of goddesses has been found so far.
    Źródło:
    Polish Archaeology in the Mediterranean; 2015, 24(2); 169-182
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Inscribed Vessels Represented in the Chapel of Hatshepsut at Deir el-Bahari? Inscribed Vessels Represented in the Chapel of Hatshepsut at Deir el-Bahari?
    Autorzy:
    Stupko-Lubczyńska, Anastasiia
    Powiązania:
    https://bibliotekanauki.pl/articles/484188.pdf
    Data publikacji:
    2014
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    iconography
    inscribed vessels
    offerings
    temple of Hatshepsut
    Deir el-Bahari
    New Kingdom Egypt
    Opis:
    During documentation of the offering scenes decorating the Chapel of Hatshepsut (the so-called Southern Hall of Offerings) in the mortuary temple of the queen at Deir el-Bahari, on some vessels represented among piled offerings on the upper part of its north wall, deep gouges typical for the iconoclasm of the Amarna period have been observed. Closer examination revealed similar traces of deliberate destruction also on depictions of other pottery forms, recorded on blocks attributed to the scene in question in its eastern section. It is interesting to remark that the described erasures have been noted (with only one exception) exclusively on the north wall of the Chapel, while all the vessels depicted in the corresponding area of the south wall bear no such traces. The aim of the paper is an attempt at reconstructing inscriptions placed on the vessels in question on the basis of similar representations coming from the other parts of Djeser-djeseru, the actual inscribed vessels known from the archaeological context and th depictions of similar artifacts found in some Eighteenth Dynasty tombs of the nobles.
    Źródło:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2014, 27; 405-420
    2084-6762
    2449-9579
    Pojawia się w:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    On the Question of So-called Amun-vases: Observations from the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Stupko-Lubczyńska, Anastasiia
    Powiązania:
    https://bibliotekanauki.pl/articles/484181.pdf
    Data publikacji:
    2015
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    New Kingdom Egypt
    temple of Hatshepsut
    Deir el-Bahari
    iconography
    Amarnean iconoclasm
    ‘Amun vases’
    Opis:
    It is well known that during the post-Amarna period, depictions and texts vandalized in the course of the religious revolution of Akhenaten were restored. On the whole, they were reworked without changes. However, in the case of some elements of the wall decoration, the repaired image differed somewhat from the original one. This is the case of liturgical utensils represented in the offering table scenes in the Chapel of Hatshepsut and Thutmose I, where instead of hes-vases with conical covers so-called Amun-vases were restored. These were hes-vases with ram-headed lids which are known to have been carried in processions heading to the Nile during the New Year celebrations. The paper aims at answering the questions, what was the reason for the destruction of the mentioned cult implements during the Amarna period and why in the course of the post-Amarna repair some of the libation vessels were restored as ‘Amun-vases’.
    Źródło:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2015, 28; 159-189
    2084-6762
    2449-9579
    Pojawia się w:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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