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    Wyświetlanie 1-3 z 3
    Tytuł:
    Wpływ medium cyfrowego na konstruowanie nowych zależności pisma i obrazu
    Digital Medium Impact on Construction of New Relation of Writing and Image
    Autorzy:
    Smaga, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/555605.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    medium
    source code
    website
    comparative studies
    digital graphics
    the iconification of writing
    the literate image
    Opis:
    The difference between word and image, known from analog culture, ‘breaks’ at the level of generating digital transmission − Internet media, web applications, websites, web browser. The suggested identity of the ‘material’ aspect of writing and image, defined as the assignment of figures for both, finds its consequences at operational level, that is in means of communication.
    Źródło:
    Załącznik Kulturoznawczy; 2014, 1; 449-470
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Transparency as a Functional and Visual Tool. The GUI of the Windows 10 Operating System as an Example
    Autorzy:
    Smaga, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1186766.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    applied graphics
    comparative media studies
    screen transparency
    Graphical User Interface (GUI)
    Mixed Reality
    User Experience (UX)
    Fluent Design
    transparency of operation
    Opis:
    Transparency mediates between a body and light, and the surrounding multidirectional reality, and then their observer, that is, at the meeting point of various physicalities. Transparency suggests an existence of a hidden depth which adds a mysterious and magical dimension. Transparency exists mainly at the surface level (signifiant), within arm’s reach, thus it is controllable. Unlike the depth of the message (signifié), which, when obscured, creates an inaccessible, hidden impression. Transparency in the digital environment becomes a medium with the laws of technology applied to it – as an activity and a tool for effective communication and use. Transparency is therefore considered as an operational category – accompanying the process of generating and using a message – and an instrument – supporting software. Both types of transparency mutually condition each other at different levels of the digital world – operating systems, applications, websites, search engines and web browsers, etc. The last version of Windows offers various forms of GUI transparency at the hardware level in terms of operating, and at the software level in terms of functionality and aesthetics, where aesthetics is connected with the literal visualisation effect and the mental building of structures. Transparencies conduct, at various levels of their saturation, a kind of multi-level game: between their form and the content hidden behind it, visible and invisible, an illusion and a disillusion, materialisation and dematerialisation, self-reality and reality existing beyond it, finally between itself and recipients, forcing them to specific perceptions, reactions, behaviours, and valuations.
    Źródło:
    Załącznik Kulturoznawczy; 2018, 5; 171-183
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Comparative Analysis of Media. The Transformation of Relations between Script and Image − from Analogue Media to Interactive Environment
    Autorzy:
    Smaga, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1187008.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    comparative literature
    applied graphics
    comparative media
    studies
    intermediation
    hypermediation
    transmediation
    Opis:
    A digital communiqué operates with GUI not to depict, describe or structure the meanings but, above all, to transfer them. At the moment of clicking, that is, when a specific question is being asked by the user (customer), specific semiotically varied content is downloaded and displayed on the screen in accordance with the pre-designed, graphic template. Thus, graphical interface treats writing and image on the one hand as heterogeneous units – stored in databases, in a way that makes them quick and easy to find; on the other hand – heteronomous, that is, affecting each other at the level of presentation and manipulation of the message. Graphical edition skillfully combines the expectations of recipients concerning the access to the message: on the one hand – precise (along the lines of the language), on the other – economic, reducing (iconic), and it merges in this way two structures of reception, considered in our culture to be different. Pragmatic functionality of digital message is understood as accurate and synthetic mediation, which results in further analogous features from the level of semiotics and semantics, where the highlighted three planes of the communiqué circulate in the feedback loop.
    Źródło:
    Załącznik Kulturoznawczy; 2017, 4; 251-263
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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