- Tytuł:
- Wkład Lwowa w polską muzykę sakralną. Od Missa Paschalis Marcina Leopolity po Stabat Mater Karola Szymanowskiego
- Autorzy:
-
Piekarski, Michał
Sławecki, Michał - Powiązania:
- https://bibliotekanauki.pl/chapters/1040234.pdf
- Data publikacji:
- 2018
- Wydawca:
- Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
- Tematy:
-
Lwów
organiści i organmistrzowie
Karol Szymanowski
Stabat Mater
Missa Paschalis Marcina Leopolity - Opis:
- Lwów and its impact on Polish sacred music. From Missa Paschalis by Marcin Leopolita to Stabat Mater by Karol Szymanowski. The traditions of Western sacred music in Lwów (nowadays Lviv) date back to the late 15th century, when compositions by Guillaume Dufay and Josquin des Prés were performed. In the 16th century Lwów worked the most outstanding Polish Renaissance composer – Marcin Leopolita. During the subsequent periods, sacred music in Lwów was played (conducted) and composed by: Johann Philipp Kirnberger (a pupil of J.S. Bach), Karol Mikuli (a pupil of F. Chopin), Henryk Jarecki (a pupil of. S. Moniuszko), Mieczysław Sołtys (a pupil of C. Saint-Saëns), Stefan Surzyński and Michał Woźny. The last one was the organist at St. Elisabethʼs church in Lwów, which boasted the biggest organ in interwar Poland. Lwów was also very often visited by Karol Szymanowski. Szymanowski’s decision to compose the Stabat Mater was closely connected with the tragic death of his sister’s daughter, a pupil at the Sacré Coeur School in Lwów.
- Źródło:
-
MUZYKA SAKRALNA W DRODZE KU NIEPODLEGŁEJ; 58-81
9788364615375 - Dostawca treści:
- Biblioteka Nauki
Artykuł