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Wyświetlanie 1-2 z 2
Tytuł:
Quelques axes du champ littéraire francophone belge au sortir du Premier Conflit mondial
The Belgian francophone literary field after the First World War
Autorzy:
Quaghebeur, Marc
Powiązania:
https://bibliotekanauki.pl/articles/571910.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
Belgium
WWI
history of francophone literature Walloon movement
mythical France
Opis:
After the armistice, Belgium had to reconstruct itself politically and culturally. In literature, this led to latinization that very quickly became a sort of assimilation to France. At the same time, this caused an increase of national conscience that developed among young people as a movement alongside the literary, which has returned under French suzerainty. Some writers (Gauchez, Perier, etc.), however, began to celebrate Belgian francophone authors in order to claim the existence of a different corpus of French literature per se. In 1919, young author Henry Soumagne returned from the German camps and gave in “Les épaves” a fable that attests to the tension between the weight of the 19th-century Belgian myth and 1920s modernism.
Źródło:
Acta Philologica; 2016, 49; 189-199
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Traces mémorielles de la Première Guerre mondiale et mutations esthétiques après 1918
Memories of the First World War and aesthetical mutations after 1918
Autorzy:
Quaghebeur, Marc
Powiązania:
https://bibliotekanauki.pl/articles/1048750.pdf
Data publikacji:
2016-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
First World Warl
Francophone Literature
Fantastic
War story
Avant-garde
Opis:
The German invasion and occupation of Belgium in 1914-1918 deeply impacted the Belgian literary field. In many regards, the country’s political and linguistic evolution was also impacted by the war, although it cannot be reduced to its consequences. The imaginary that impregnated the first attempts of building a francophone literature in Belgium flickered due to the collapse of the Germanic myth that inspired the whole 19th Century. What may be called a “Latin shift”, which began with Maurice Maeterlinck, lead to a renewed subjugation to the French doxa, culminating with the Manifeste du lundi [Monday’s Manifesto]. Nevertheless, after the war and the Russian Revolution, the collapse of traditional values gives birth, on the one hand, to masterpieces by surrealist Paul Nougé, expressionist playwright Fernand Crommelynck or avant-gardist poet Henry Michaux. In all these masterpieces, it’s the nature of language itself that is questioned. For instance, Michaux’s “Lettre de Belgique” [“Letter from Belgium”] shows how the writer works with his Belgian roots in order to paradoxically keep them at bay. On the other hand, the “Fantastique réel” [“Fantastic Real”] tries to keep the language unspoiled by holding on to the Symbolist idealism and acknowledging the wounds of war at the same time, through sudden shifts from Realism to the Uncanny. There are traces of the conflict in literary texts, which were though forgotten by Literary History because of their realistic facture, despite their great efficiency without pathos.
Źródło:
Studia Romanica Posnaniensia; 2016, 43, 4; 5-38
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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