Temat: German Literature - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: MARIA CALLAS W DRAMACIE MARIA CALLAS. LEKCJA ŚPIEWU TERRENCE’A MCNALLY’EGO I W POWIEŚCI WIELKI BAGAROZY HELMUTA KRAUSSERA
Maria Callas in the Drama Master Class by Terrence McNally and in the Novel The Great Bagarozy by Helmut Krausser
Autorzy:: Pilipowicz, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/444658.pdf
Data publikacji:: 2011-12-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: German literature,
American literature,
opera,
Callas,
devil
Opis:: The text deals with Maria Callas and with the connections of art and love, fame, cognisance and death. Callas is shown as a person whose voice builds a space turning the auditors into the characters that are evoked by her singing and made of human emotions. That is the way the people not only meet themselves but also discover some parts of their nature that they could not get known in the real world.
Źródło:: Acta Neophilologica; 2011, XIII; 251-270
1509-1619
Pojawia się w:: Acta Neophilologica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Der tödliche Nachkrampf des Schoßes. Die antik-christliche Dialektik und ihre Variabilität in Die Braut von Korinth von Johann Wolfgang Goethe und in Die Ertrunkene von Taras Schewtschenko
The Deadly Post-Cramp of the Womb. The Antique-Christian Dialectic and Its Variability in The Bride of Corinth by Johann Wolfgang Goethe and in The Drowned Woman by Taras Shevchenko
Autorzy:: Pilipowicz, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/445044.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: German literature
Ukrainian literature
Christianity
Antiquity
womb
Opis:: The article shows the relationship between the mothers and the doughters in the context of the Antique-Christian antagonism. The conflict caused by the belonging of the women to the adverse cultures leads to the doughters’ death that bears signs of an adjourned miscarriage.
Źródło:: Acta Neophilologica; 2013, XV/2; 149-163
1509-1619
Pojawia się w:: Acta Neophilologica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: JENSEITS DES SALOME-TANZES. ANHAND EINER BEZIEHUNG ZWISCHEN DEM 2. TEIL DES GEDICHTS DREI BLICKE IN EINEN OPAL VON GEORG TRAKL UND DEM GEDICHT SCHLEIERTANZ VON GÜNTER GRASS
Beyond Salome’s Dance. On the Basis of a Relation between the 2nd Part of the Poem Three Gazes into an Opal by Georg Trakl and the Poem Veil Dance by Günter Grass
Autorzy:: Pilipowicz, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/444323.pdf
Data publikacji:: 2014-06-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Austrian literature
German literature
Georg Trakl
Günter Grass
Salome
Opis:: The death of John the Baptist is the result of Salome’s dance in the Bible. In the 2nd part of the poem Three Gazes into an Opal by Georg Trakl and in the poem Veil Dance by Günter Grass the image of Salome is evoked by veils which are identifi cation marks of that fi gure in the drama Salome by Oscar Wilde. The dance of a woman in both poems is not connected with death any more but with life – with the return into mother’s womb in the text by Trakl and with the entrance to the art’s womb in the text by Grass.
Źródło:: Acta Neophilologica; 2014, XVI/1; 203-213
1509-1619
Pojawia się w:: Acta Neophilologica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Diabeł w operze. „Pajac” Tomasza Manna w kontekście „Fausta” Johanna Wolfganga Goethego
The devil in the opera: “The clown” by Thomas Mann in the context of “Faust” by Johann Wolfgang Goethe
Autorzy:: Pilipowicz, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/967400.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: German Literature
French Opera
Mann
Goethe
Gounod
Opis:: The protagonist of Thomas Mann’s short story "The Clown" ("Der Bajazzo") cannot became an artist because he hasn’t got enough talent. He is also unable to live among people as an ordinary citizen because his social competencies haven’t been completely developed. That is why he can be regarded as a literary figure who tries to leave the real world and to penetrate the literary world. The devil who appears in Charles Gounod’s opera "Faust" based on Johann Wolfgang Goethe’s drama "Faust" and who is watching the protagonist from the stage during the opera performance seems to be the only person who can help him to find his existential space.
Źródło:: Acta Universitatis Lodziensis. Folia Germanica; 2015, 11; 193-211
2449-6820
Pojawia się w:: Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Vom Engel zum Menschen. Uber Hans Erich Nossacks und Karl Jaspers’ kognitive Struktur des Ichs
Autorzy:: Pilipowicz, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/444140.pdf
Data publikacji:: 2007
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: German literaturę
German philosophy
Hans Erich Nosasack
Karl Jaspers
angel
Opis:: The article "From the angel to the man. About Hans Erich Nossack’s and Karl Japsers’s cognitive structure of the I” relates the problem of forming of the human nature. The protagonists of Nossack’s works experience their angels when the deepest part of man’s I sets free as result of the friction between the internal and external world. It is revealed as an impalpable glittering that strikes with the vision of the existence of a higher level - a glittering whose tension is produced by an absorbing contact with death, with art or with another individual. The angels by Nossack keep silence over what the angels by Jaspers talk about. They deny that the man coming into the world is ready-made and summon him to look for the sense of the existence through the incessant (re)constructing of himself. Owing to that they give the direction to the existence and constitute themselves as the most exacting and ownest idea. A dare devil who tries to robe it with the matter annihilates himself. He dies by condemning his angel to the extermination in that consequence because in the empiric reality filled brim-full there is neither a place for doubling the matter of one being nor a place for living without the idea that completes the life with the spirit.
Źródło:: Acta Neophilologica; 2007, IX; 175-188
1509-1619
Pojawia się w:: Acta Neophilologica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: DER REGEN - METAPHER DER EINSAMKEIT. EINE STUDIE UBER R.M. RILKES EINSAMKEIT UND K.K. BACZYŃSKIS DESZCZE
The Rain - Metaphor of Solitude. A Study About R.M. Rilke’s Solitude and K.K. Baczyński’s The rains
Autorzy:: Pilipowicz, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/444829.pdf
Data publikacji:: 2008-12-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: German literature
Polish literature
Rainer Maria Rilke
Krzysztof Kamil Baczyński
solitude
Opis:: The rain is a strikingly modest metaphor of solitude. However, it can deliver both its mutable intensity and dynamics (The solitude by Rainer Maria Rilke) and its life-giving and death-bringing power (The rains by Krzysztof Kamil Baczyński). The solitude proves that existential element that almost abolishes the limit between God and the man: The divine and the human get mixed in the raindrops that falling down embrace the world like God and that reflect the man as much as he seems to be inside.
Źródło:: Acta Neophilologica; 2008, X; 147-159
1509-1619
Pojawia się w:: Acta Neophilologica
Dostawca treści:: Biblioteka Nauki

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