Temat: march - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Uśpiony temat. O (nie)obecności problemu Marca 1968 roku w kinie dokumentalnym okresu PRL
Dormant topic. About the absence of the events of March 1968 in Polish documentary films before 1989
Autorzy:: Pietrzak, Maciej
Powiązania:: https://bibliotekanauki.pl/articles/923321.pdf
Data publikacji:: 2019-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: March ‘68
Polish documentary films
film and politics
film and propaganda
Opis:: The vast majority of documentary films relevant to the events of March ‘68 and its consequences were created after 1989, when the abolition of censorship and the opening of previously hidden archives allowed Polish filmmakers to explore previously prohibited topics. The article focuses on the earlier period, and its main objective is to find echos of this political crisis in documentary films created before the collapse of the communist regime in Poland.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 26, 35; 63-75
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Wygnanie ocalonych. Doświadczenie emigracji pomarcowej w filmach Mariana Marzyńskiego i Leszka Leo Kantora
The exile of survivors. The experience of post-March ‘68 emigration in films of Marian Marzyński and Leszek Leo Kantor
Autorzy:: Pietrzak, Maciej
Powiązania:: https://bibliotekanauki.pl/articles/921258.pdf
Data publikacji:: 2017-08-17
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Marian Marzyński
March 1968
Leszek Leo Kantor
documentary films
emigration
autobiographical films
Opis:: Autobiographical threads occupy an important place in films of Marian Marzyński and Leszek Leo Kantor. Interesting is the convergence of life experiences common to both authors. We can indicate a lot of parallelisms in biographies of both directors. Certainly, the most important analogy is the fact that both of them survived the Holocaust as children. Common to both artists is also experience of anti-Semitic campaign of March 1968, as a result of which they were forced to emigrate from Poland. The objective of this article is to demonstrate how this personal experience of exile resonates in their work.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 137-147
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

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