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    Wyświetlanie 1-3 z 3
    Tytuł:
    Włoskie inicjacje Aleksandra Wata
    Aleksander Wat’s Italian Initiations
    Autorzy:
    Pietrych, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1040800.pdf
    Data publikacji:
    2020-10-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Aleksander Wat
    journey
    poetry
    Italy
    Mediterranean culture
    tradition
    Opis:
    The article presents the stages of Aleksander Wat’s first journey to Italy in 1949 – starting from Venice, through Florence and Rome, finishing in Naples and Capri. Most of all, the article interprets the poetic records of the places visited by the poet and his impressions written down in letters. As a result, what the journey to Italy becomes for Wat is not only a discovery of the beauty of landscape and the plenty of art, but, most importantly, an experience of physical contact with the Mediterranean land, an initiation into the fascinating witnessing of the incarnation of cultural tradition into a visible landscape, a sensual initiation into the legacy of the Mediterranean. The coda of the text is his unexpected reminiscence from the first journey to Italy recorded in a social realist drama.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 38; 157-179
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Prze-pisywanie romantyzmu? O jednej z poetyckich dykcji Aleksandra Wata
    Re-writing Romanticism? About One of the Poetic Dictions of Aleksander Wat
    Autorzy:
    Pietrych, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1389734.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poems by Aleksander Wat
    modernist poetry
    Romanticism
    subjectivity
    intertextuality
    Opis:
    The article is an attempt to read Wiersze śródziemnomorskie (Mediterranean Poems) – one of the most prominent texts of the modernist Polish poet Aleksander Wat. The author is interested in the relation of this text with Romanticism, consisting not only in a variety of intertextual and aesthetic references, but, what is most significant, in the realization of a Romantic concept of subjectivity in the way of perceiving and experiencing the world. The author follows the demonstrations of this subjectivity in the consecutive fragments of the Mediterranean poem, indicating multifaceted character of Romantic trappings and dependencies, especially those of epistemological kind. This kind of reading of the Mediterranean poem inclines one to pose a fundamental question: why Wat, in a revisionist fashion, makes use of the Romantic diction in Mediterranean Poems, making of it a kind of a subcode of his own language? It happens so because the difficulties of modernist identity have their source in Romanticism, which, firstly, discovers the world as a domain of conflicting oppositions, secondly, – as a meditative consciousness questioning the substantive unity of the subject, thirdly, – subjectivity as a task to be realized by various types of articulations and narrations.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 213-228
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Elegijne dykcje Aleksandra Wata
    Aleksander Wat’s elegiac diction
    Autorzy:
    Pietrych, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1534672.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    elegiac mood
    twentieth-century Polish poetry
    literature and Communism
    the topos of the old poet
    Aleksander Wat
    Opis:
    The present article tries to show and characterize Aleksander Wat’s poetic diction included in the pool of the kinds of the literary elegiac mood and mournful strains used by the writer. Wat does not employ just one language that would offer the power of expressing oneself and convey one’s own existential experience — he speaks with varied elegiac voices: be it full of sadness, melancholy and despair, be it filled with irony and sarcasm. In fact, the elegiac tone in its traditional variation is to be found only in one war poem, whereas all his post-war poetic volumes bring a rich polyphony of varied elegiac voices. Wat’s late poetic writings is underlined by a necessity to renew what has already happened, to repeat the existing pattern of expressing oneself, and thus forms a particular elegiac intertextuality. In this way, such rhetorical dimension of the word is revealed that challenges the feasibility of getting the content through in a straightforward manner. The awareness of repetition, however, does not restrict the author to silence — just the opposite, it makes him aware of a necessity to draw from codes lodged in tradition and thus to create a collage-like diction of his own.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 147-162
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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