Autor: Ożóg, Kazimierz S - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Spotkanie nad morzem: początki i rozkwit legendy o św. Augustynie w sztuce europejskiej
Meeting at the seaside: The beginning and the rise of a legend about St. August according to the European art
Autorzy:: Ożóg, Kazimierz S.
Powiązania:: https://bibliotekanauki.pl/articles/595486.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Opolski. Redakcja Wydawnictw Wydziału Teologicznego
Opis:: Text treated about the issue connected with St. August iconography which is medieval legend about the child encountered on the beach who is explaining to the Doctor of a Church the absurdity of his trial to understand the mystery of Holy Trinity. Analysis take over the earliest — generally of 15th Century painting from Italian area — images, as well as, engravings that contemporary belong to the British Museum, and originating mainly in German countries in 16th Century. Variety of possible frames according to this legend shows not only differences in a form of crafts, but also opposite ways of looking at the figure of August and a value of this anecdote in order to understand the meaning of all his achievements. Apart from literally correctness of illustrations from this story, there is also a image of a child being present in a study of the Saint, who accompanied him at work.
Źródło:: Studia Teologiczno-Historyczne Śląska Opolskiego; 2014, 34; 285-297
0137-3420
Pojawia się w:: Studia Teologiczno-Historyczne Śląska Opolskiego
Dostawca treści:: Biblioteka Nauki

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Tytuł:: "Święte" pomniki w pejzażu Polski po 1989 roku
“Religious” monuments in the Polish landscape after 1989
Autorzy:: Ożóg, Kazimierz S.
Powiązania:: https://bibliotekanauki.pl/articles/595507.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Opolski. Redakcja Wydawnictw Wydziału Teologicznego
Opis:: The text presents the monuments dedicated to saints, priests and martyrs erected in Poland in the public space. The year 1989, apart from the economic, social and cultural changes, brought about essential modifications in monuments. This so-called catching up resulted in, among others, “the explosion” of the monuments of John Paul II as well as other works related with the sacrum. These were the figures and monuments of local God’s servants, the beatified and saints, patrons and other clergymen associated with a given place. After 1989, one can notice the return of the patrons into, for example, town heraldry. Their significance for local history and culture is accentuated more than before. In the collection under analysis, one can find both the monuments which are the figures of saints: Michael, Lawrence or saint Martin (horse monument in Odolanów) as well as the images of native saints: Adalbert, Bruno from Querfurt, Hedwig of Silesia. The objects which are more known are bigger; they are often of poor artistic quality. The examples include Jesus Christ in Świebodzin or the collection of sculpting stations making up the Beskidzka Calvary in Radziechowy. What is also noteworthy is the fact that he memory of local priests, sometimes martyrs, is also revived. Some of them, however, are amateur works. Another problem is connected with the situations in which those moments come into being quite fast, in which the transparency of procedures, good taste or law and required permits are not well taken care of. The examples of the Cracow monuments of Piotr Skarga (in pl. św. Marii Magdaleny) or John Paul II (in Wawel Castle) are good cases in point. The last part of the text pertains to the symbol of the cross, employed in monuments (the examples are the Millennium Monument in Kołobrzeg as well as the Papal monument erected in pl. Piłsudskiego in Warsaw).
Źródło:: Studia Teologiczno-Historyczne Śląska Opolskiego; 2013, 33; 153-169
0137-3420
Pojawia się w:: Studia Teologiczno-Historyczne Śląska Opolskiego
Dostawca treści:: Biblioteka Nauki

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