Temat: literature of the 20. century - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: The foundations of a poetic dialogue: Leopold Staff and Ryszard Krynicki
Podstawa poetyckiej rozmowy: Leopold Staff i Ryszard Krynicki
Autorzy:: Misiak, Iwona
Powiązania:: https://bibliotekanauki.pl/articles/2088445.pdf
Data publikacji:: 2019
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Polish literature of the 20th century
avant-garde poets
the dialogic relationship
new materialism
postphenomenology
plasticity
transformation masks
alterations in the passage of time
Delphic maxims
Leopold Staff (1878–1957)
Ryszard Krynicki (b. 1943)
plastyczność
maska transformacyjna
sentencje delfickie
przemiany czasu i podmiotowości
Opis:: This article brings together two authors/two poems and makes them enter into an intertextual dialogue that involves the discourses of the new materialism (Catherine Malabou), postphenomenology (Natalie Depraz and Marc Richir) and Delphic maxims. Concepts like plasticity, transformation masks, alterations in the passage of time (chronos, kairos, aeon), subjectivity, emotional excess, and the living body are used to establish the foundations a poetic conversation, which, for all one knows, may be fortuitous or in a way preordained.
Źródło:: Ruch Literacki; 2019, 2; 237-248
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: The Cads of Young Poland according to Julian Przyboś: echoes of the early modernist apocalyptic tone
Młodopolskie chamuły według Juliana Przybosia – o apokaliptycznej tonacji przyjętej z wczesnego modernizmu
Autorzy:: Misiak, Iwona
Powiązania:: https://bibliotekanauki.pl/articles/2087995.pdf
Data publikacji:: 2020
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Polish literature of the early 20th century
Young Poland
Modernism
literary dialogue
Quarrel between the Moderns and the Ancients
spoof
manifesto
plasticity
Julian Przyboś (1901–1970)
Jacques Derrida (1930–2004)
Catherine Malabou (b. 1959)
pamfletowy manifest
apokalipsa
plastyczność
awangarda i ariegarda
Opis:: This article presents a new reading of the spoof poetic manifesto ‘Chamuły poezji’ [‘The Cads of Poetry’] written by Julian Przyboś in 1926. His use of the apocalyptic tones of early modernist poetry to lampoon a trio of acclaimed poets associated with Young Poland (especially Jan Kasprowicz) suggests a complex nature of Przyboś’s rejection and dependence on that movement. In general, the influence of Young Poland, though quite conspicuous in is juvenilia and early publications, tends to fade away. ‘Chamuły’ is a pejorative nonce word which alludes to the Biblical Ham as well as a Polish word for a cad or ill-bred bumpkin. This article adds to it another layer of meaning, based on Derrida’s interpretation of the Apocalypse, with allusions to sexual and genital imagery. And more generally, it reframes the whole Przyboś’s poetic work (not just his early poems) using Catherine Malabou’s concept of plasticity. Seen in a broader historical perspective, Przyboś’s struggles to break with Young Poland are not unlike the predicament of many eighteenth-century writers caught in the dispute between the Moderns and the Ancients, satirized in Swift’s Battle of the Books. The overall conclusion of this study is that at all times the avant-garde and the arrière-garde remain in a continuous dialogue and the innovators never lose sight of those left behind. Poetry is, after all, metamorphic and cannot be contained within within the bounds of manifestoes and artistic programmes.
Źródło:: Ruch Literacki; 2020, 1; 48-68
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

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