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Wyszukujesz frazę ""Herodotus"" wg kryterium: Wszystkie pola


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Tytuł:
Król gniewny czy król szalony? Herodotowy portret Kambizesa
AN ANGRY KING OR A MADMAN? HERODOTUS PORTRAIT OF CAMBYSES
Autorzy:
Marchewka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/702719.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Herodotus
Cambyses
Opis:
Delineating various characters in his Histories, Herodotus is influenced by his theories on national character. This is why he presents Cambyses as a cruel barbarian despot. Many of the king’s deeds result from anger which the historian tries to justify. Other crimes, such as cruel treatment of his family and friends, and profanation of Persian and foreign religious cults, Herodotus seems to treat as signs of madness. In this article, it is shown that some of these actions could have stemmed from cultural misunderstandings: the king did not know enough about foreign religions and customs.
Źródło:
Meander; 2008, 63, 1-4; 76-88
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Portret Herodota w świetle traktatu De Herodoti malignitate Plutarcha z Cheronei
Autorzy:
Marchewka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/944459.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Plutarch
Herodotus
truth
liar
malice
moralist
Opis:
Portrait of Herodotus in the light of Plutarch’s treatise De Herodoti malignitate As a Platonist and moralist Plutarch paid particular attention truth. No wonder that in his reference to Herodotus’ Histories he took into consideration the issue of historical truth, which was for him very important - both in its ethical as well as didactic aspect. In his De Herodoti malignitate the Chaeronean moralist is concerned with truth as well as with offering moral uplift. Plutarch presents Herodotus as a perfidious liar who falsely presented such famous and heroic Greeks as Miltiades, Leonidas, Themistocles or Pausanias and - above all - depreciatingly treated the Boeotians and Corinthians. Moreover, Plutarch accuses the historian of Halicarnassus of being malicious (κακοήθεια). For him Herodotus’ lies were deliberate and slandering. Herodotus was also a blasphemer, a pro-barbarian historian; a man who disregarded women. Finally, we get the Plutarchan portrait of Herodotus himself as a blunt barbarian (ὁ ἔσχατος Καρῶν). Such a presentation of Herodotus seems to attest to Plutarch’s own prejudices, if not wickedness. By the same, however, one must take into consideration the literary tradition in which the whole treatise is rooted. So De Herodoti malignitate contains features of historical polemics and is an example of judicial rhetoric, in which the biographer attempts at persuading his readers that his charges against Herodotus are well justified. The treatise is a work representing the new intellectual trend, the so-called Second Sophistic; a polemic written in a period when the Greek intellectuals were deeply engaged in taking issues with past writers. Moreover, a fundamental aspect of De Herodoti malignitate should be taken into account - truth which is analyzed from a moral and psychological perspective. Although a leading motif of the treatise is truthfulness, the direct subject-matter of Plutarch’s considerations remains a lie, or - to put it exactly - lying. Accordingly, the Boeotian moralist singles out and analyses all the fundamental forms of lying. A suitable interpretation of the treatise De Herodoti malignitate depends thus on our knowledge of the cultural distance between Herodotus and Plutarch, although both authors were the representatives of Greek prosa.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2017, 7, 2; 233-246
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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