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Wyświetlanie 1-3 z 3
Tytuł:
Antyutopia - o gatunku, którego nie było
Anti-utopia: A Genre that Never Was
Autorzy:
Maj, Krzysztof M.
Powiązania:
https://bibliotekanauki.pl/articles/579020.pdf
Data publikacji:
2019
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
anti-utopia, utopia, eutopia, dystopia, utopian studies, utopianism, Polish utopian studies
Opis:
The article collects a number of recent (and not-so-recent) arguments together against the common Polish usage of the term “anti-utopia” as synonymous with “dystopia” or, more often, as a name for a specifically defined genre which introduction requires producing confusing differentiations based on the degree of satire, criticism, or the lack of thereof in the fantastic extrapolation. The main thesis of the text comes from an observation that such scholarship seems to neglect a widely acknowledged discrepancy between utopia as a narrative or a world and utopianism as a transformative idea - which results in erroneous genological attribution of works famous inasmuch as George Orwell’s Nineteen Eighty-Four. To support the thesis, the article follows up with a series of etymological, philological, philosophical, and logical arguments in favour of using a term “dystopia” to denote any kind of narrative or world that deconstructs eutopian idealism, and reserving the predicate “anti-utopian” for a sociological critique of failed transformative efforts in society and philosophy.
Źródło:
Zagadnienia Rodzajów Literackich; 2019, 62, 4; 9-29
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Redukcja rzeczywistości u Ursuli le Guin. O narodzinach narracji utopijnej
World Reduction in Le Guin. The Emergence of Utopian Narrative
Autorzy:
Jameson, Fredric
Maj, Krzysztof M.
Powiązania:
https://bibliotekanauki.pl/articles/520050.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Ursula le Guin
utopia
sex
sexuality
ambisexuality
biopolitics
capitalism
Opis:
A part of the fascination of Left Hand of Darkness—as well as the ambiguity of its ultimate message—derives from the reductive and subterranean drive within it toward a utopian „rest,” toward some ultimate „no-place” of a collectivity untormented by sex or history. The attempt, in the portrayal of feudal Karhide, to imagine something like a West that has never known capitalism is of a piece, structurally and in spirit, with Le Guin’s attempt, in the portrayal of the ambisexuality of the Gethenians, to imagine biology without desire. Le Guin’s underlying identification between sex as a well-nigh gratuitous complication of existence and capitalism as a disease of change and meaningless evolutionary momentum is powerfully conveyed by the technique of world-reduction: in world reduction, omission functions as utopian exclusion. Karhide is not, of course, a utopia, but it is now clear that The Left Hand of Darkness served as a proving ground for The Dispossessed. The Odonian civilization of barren Annares becomes the most through-going application of the world reduction technique at the same time that it constitutes a timely rebuke to present attempts to parlay American abundance and consumerism into some ultimate vision of the „great society”.
Źródło:
Creatio Fantastica; 2018, 2(59); 25-38
2300-2514
Pojawia się w:
Creatio Fantastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Utopia, czyli tam i z powrotem. O założeniach światotwórczych narracji eu- i dystopijnych
Autorzy:
Maj, Krzysztof M.
Powiązania:
https://bibliotekanauki.pl/articles/638952.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
utopia, dystopia, światotwórstwo, narracje światocentryczne, voyages imaginaires, fantasy i SF
Opis:
Utopia, or There and Back Again. On Worldbuilding Strategies in Utopian and Dystopian NarrativesThe paper aims to analyse worldbuilding strategies in a variety of eutopian (predominantly in literature) and dystopian narratives (in literature, movies and video games), in relation to the world-centred analyse that disseminates in contemporary narrative studies. Consequently, the study derives two possible worldbuilding models from a representative number of utopian texts, that is (1) a typical for early modern utopias and modern imaginary voyages “portal-quest” model (world W1 → gate / journey → world W2) and (2) an emblematic for the most postmodern dystopias model juxtaposing the centre and the peripheries, that deconstructs the first one in postcolonial perspective. Therefore, it becomes possible to compare worldbuilding foundations in so different a narrative like precursory 16th century Thomas More’s Utopia (1516) and 21st century video game Bioshock: Infinite by Irrational Games – which subsequently encourages utopian studies to notice the most contemporary narrative achievements within the genre.
Źródło:
Wielogłos; 2014, 3(21)
2084-395X
Pojawia się w:
Wielogłos
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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