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Wyszukujesz frazę "Shakespeare" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Shakespeare’s representations of rape
Autorzy:
Kujawińska Courtney, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/571950.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
Shakespeare
rape
Lucrece
suicide
patriarchy
gender politics
Elizabethan England
Opis:
The essay surveys representations of rape in selected Shakespeare’s works. The subject fascinated Shakespeare throughout his career. It appeared for the first time in his early narrative poem “The rape of Lucrece” and in one of his first tragedies “Titus Andronicus”. Though his later works, unlike these two, do not represent sexual assaults upon women graphically, rape is present in almost all his Roman and history plays (e.g. “Coriolanus”, “Henry V”, “Henry VI”), comedies (e.g. “A midsummer night’s dream”, “Measure for measure”) and romances (e.g. “Cymbeline”, “Pericles”, “The tempest”). Since in Shakespeare’s England the social structure prioritized male power, women were treated as men’s property. Any accomplished or attempted sexual violation of women polarized male legal and emotional bonding, and it also disrupted and/or empowered homosocial solidarity. A preliminary study of the presence and dramatic use of rape shows a distinctive evolution in Shakespeare’s attitude to this omnipresent subject. One reason for this change might be a shift in the legal classification of rape in Elizabethan England: from a crime against (male) property to a crime against an individual.
Źródło:
Acta Philologica; 2016, 49; 91-98
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Cultural Role and Political Implications of Poland’s 1947 Shakespeare Festival
Autorzy:
Kujawińska Courtney, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/641673.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Communist regime
World War 2
Marxist ideology
Soviet culture
Shakespeare in Poland
Cold War
Opis:
Emerging from the atrocities of war, and still hoping to avert the results of the Yalta conference during which the countries of Central and South–Eastern Europe, including Poland, were “handed over” to Stalin, Poland’s 1947 Shakespeare theatre festival was a sign of courage and defiance. At the Festival 23 productions of 9 Shakespeare’s dramas were staged by theatres in 11 towns, with its finale in Warsaw. My paper will show that the Festival was an attempt to demonstrate both Polish cultural links with Europe, and to subvert Marxist ideology and Soviet culture.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2017, 7; 183-193
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings
Autorzy:
Almási, Zsolt
Kujawińska Courtney, Krystyna
Nicolaescu, Mădălina
Škrobánková, Klára
Vyroubalova, Ema
Zaharia, Oana-Alis
Powiązania:
https://bibliotekanauki.pl/articles/39776472.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
race
racism
political theater
William Shakespeare
Jan Kott
adaptation
cultural mobility
cultural transmission
microhistories
translation
Opis:
This essay discusses how productions of Shakespeare’s plays that transcend various geographical, national, and linguistic boundaries have influenced the theatrical-political discourse in East-Central Europe in the twenty-first century. It focuses primarily on the work of four internationally-established directors: Andrei Şerban (Romania), Jan Klata (Poland), David Jařab (Czech Republic), and Matei Vișniec (Romania), whose works have facilitated interregional cultural exchange, promoting artistic innovation and experimentation in the region and beyond. Among the boundary-crossing productions analysed in detail are Vișniec’s Richard III will not Take Place, Jařab’s Macbeth – Too Much Blood, Klata’s Measure for Measure, and Serban’s Richard III. The essay also notes that while there has been a relative scarcity of Shakespearean productions in this region engaging closely with gender and race inequalities, productions such as Klata’s African Tales or Vladimír Morávek’s Othello manage to work with these politically charged topics in subtler but still productive ways. The essay concludes that the region’s shared historical experience of totalitarian regimes followed by the struggles of nascent democracies, provides a fertile ground for a diverse and internationally ambitious Shakespearean theatre.  
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 28, 43; 45-68
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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