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Wyświetlanie 1-2 z 2
Tytuł:
A Heideggerian Reading of Knut Hamsun’s Growth of the Soil
Autorzy:
Kruszelnicki, Michał
Powiązania:
https://bibliotekanauki.pl/articles/600427.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
The article proposes a reading of Knut Hamsun’s Nobel Prize winning novel Growth of the Soil that will simultaneously follow the interpretive inspirations provided for it by the philosophical thought of Martin Heidegger. The “eco-critical” reading of Hamsun with Heidegger is encouraged by some intriguing similarities to be found between Heidegger’s and Hamsun’s perspectives of seeing the world and the relations human beings enter with it. It is argued that both Heidegger and Hamsun hoped for an existence that would be sensitive to the significance of the everydayness (both to the things created by man, and those brought forth by nature), but also open to receiving the world as a mysterious and extraordinary gift which exceeds human comprehension. I believe Hamsun’s famous novel provides the reader with a fine model of a “poetic dwelling” – the paramount idea late Heidegger was trying to illuminate.
Źródło:
Internetowy Magazyn Filozoficzny Hybris; 2012, 17
1689-4286
Pojawia się w:
Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Natura (nie)odzyskana. Pan Knuta Hamsuna
Nature (un)regained. Knut Hamsun’s Pan
Autorzy:
Kruszelnicki, Michał
Powiązania:
https://bibliotekanauki.pl/articles/1391489.pdf
Data publikacji:
2018-05-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Knut Hamsun
Pan
Thomas Glahn
nature
Rousseau
modernity
reflectivity
nearness of being
Opis:
The Norwegian novelist Knut Hamsun’s outstanding early novel Pan. From Lieutenant Thomas Glahn’s Papers (1894) is often acknowledged as a manifestation of the specificity and profundity of Hamsun’s perception of nature. Contrary to the prevailing opinion, I argue that the novel’s main protagonist cannot be simply seen as the happily fulfilled “man of nature” for whom he wishes to pass. In a critical dialogue with the post-Romantic interpretations of Pan and drawing on some classic philosophical traditions (i.e. Rousseau, Schiller) as well as the modern Norwegian scholarship, I explore the psychological dimension of Hamsun’s masterpiece and present Glahn as an individual who attempts to erase or at least mystify within a personalized narrative the conflict between the objective world and his subjective perception of reality. This predicament seems essential to understanding Glahn’s character and ipso facto Hamsun’s less obvious position in the philosophical debate on the essence of modernity conceived as “Disenchantment”. By carefully following Glahn’s narratives centered on his experience of nature, I reveal their artificial and simulating character. Such a reading allows me to argue that Hamsun’s Pan concurs in a subtler language of literature with the philosophical acknowledgement, dating back to Rousseau, of the impossibility of the individual’s return to the pre-modern time, as if to the realm of original, transcendental sense and immediacy of our experience of the world. The horizons of the modern – perhaps suffice to say: mature? – historicized and highly reflexive consciousness cannot be transgressed; the Romantic sensitivity, in its naïve search for the authentic experience of nature as a source of the self and the sense, can only regain it in discourse, which amounts to positing nature as a beautiful appearance and thus compensating for one’s dramatic feeling of alienation from nature and being conceived of as a metaphysical “wholeness”.
Źródło:
Przestrzenie Teorii; 2017, 28; 239-256
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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