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Wyszukujesz frazę "archeologia" wg kryterium: Wszystkie pola


Wyświetlanie 1-8 z 8
Tytuł:
Olgierd Ławrynowicz, Joanna Żelazko (red.), Archeologia totalitaryzmu. Ślady represji 1939–1956, Instytut Archeologii Uniwersytetu Łódzkiego, Instytut Pamięci Narodowej Komisja Ścigania Zbrodni Przeciwko Narodowi Polskiemu Oddział w Łodzi, Łódź 2015
Autorzy:
Kobiałka, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/1023896.pdf
Data publikacji:
2016-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Źródło:
Folia Praehistorica Posnaniensia; 2016, 21; 523-528
0239-8524
2450-5846
Pojawia się w:
Folia Praehistorica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Archeologia poza archaīos. Przykład obozu jeńców wojennych i internowanych w Tucholi (woj. kujawsko- -pomorskie)
Autorzy:
Kobiałka, Dawid
Kostyrko, Mikołaj
Kajda, Kornelia
Powiązania:
https://bibliotekanauki.pl/articles/1023917.pdf
Data publikacji:
2016-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
archaeology of the recent past
prisoner of war camp
memory
heritage
materiality
remote sensing
LiDAR
Tuchola
Opis:
This paper is a case study of a prisoner of war and internment camp in Tuchola (Kujawsko-Pomorskie Province, Poland). The camp operated between 1914 and 1923. During the First World War it was run by Germans and later, during the Polish-Soviet War, by the Poles. The site provides a context for discussing two issues around archaeological research of the recent past. The first issue is how archaeology can be used to analyse the transformations of landscapes related to modern armed conflicts. The second point deals with the documentation and analysis of the remains of the camp using ALS derivatives. The main conclusion of this paper is that LiDAR technology can be also a useful tool in the context of approaching landscapes from the recent past.
Źródło:
Folia Praehistorica Posnaniensia; 2016, 21; 177-200
0239-8524
2450-5846
Pojawia się w:
Folia Praehistorica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kufer pełen wspomnień: (auto)biograficzne podejście do dziedzictwa
A Trunk Full of Memories: an (Auto)Biographical Approach to Heritage
Autorzy:
Kobiałka, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/681997.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
archeologia nas samych
dziedzictwo
materialność
pamięć
rzeczy
the archaeology of us
heritage
materiality
memory
things
Opis:
This paper analyses the so-called biography of a thing as a way of thinking about the value and meaning of heritage. A certain, almost 100 years old, trunk is used as a case study to present how heritage is constituted trough relations between people, things, and places. Indeed, heritage is a kind of relation between humans and non-humans. To back up this thesis, this article offers a five-step approach. First, the starting point is Michael Shanks’ thesis that “we are all archaeologists now”. The British archaeologist – it can be said – argues for broadening the archaeological discourse and to look archaeologically at the world we all live in. From this point of view, a Neolithic pot sherd and a contemporary thing such as a trunk, for example, represent the same category of an archaeological artefact. Through their materiality, they both might be objects of an archaeological scrutiny. Second, I shortly discuss the archaeological research on the recent past. Archaeology is a practice anchored here and now. One of the archaeological perspectives that analyses the relics of the recent past is the approach where archaeologists study their own heritage i.e. the histories of their own families. This is the perspective developed further in this paper. Third, it is argued that the theoretical concept known as biography of a thing, can be useful in the context of the archaeology of the recent past. It is the concept that takes into account the past and present of each artefact, landscape or practice. This approach allows for studying both the social and the material memories which are crucial apropos of the archaeological research on the recent past. Here, archaeologists take into account things as well as people’s memories about them. Fourth, an analysis of a trunk which the author found in the grandmother’s basement is used as a case study to present the potential of the archaeological research on the recent past. Some episodes of the biography of a trunk are highlighted to claim that heritage is constituted through different kinds of relations between many agents, both humans and non-humans. And the last point, the trunk is a good example that shows the limitations of archaeological thinking about heritage through the lens of its preservation and management. Indeed, the crucial conclusion of this article is that, sometimes, the less preservation and management of (archaeological) heritage the better for heritage itself. In other words, destruction and decay of heritage are the very part of its biography.
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Źródło:
Acta Universitatis Lodziensis. Folia Archaeologica; 2017, 32; 191-213
0208-6034
2449-8300
Pojawia się w:
Acta Universitatis Lodziensis. Folia Archaeologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„The dead are sleeping here” - the history, archaeology and ethnography of Chojnice’s Death Valley
„Tutaj zmarli śpią” - historia, archeologia i etnografia chojnickiej Doliny Śmierci
Autorzy:
Kobiałka, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/27313845.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
war crimes
World War II
mass graves
Death Valley
Chojnice
archaeology
history
Opis:
Death Valley in Chojnice, Poland, is a mass murder site from World War II where Germans and various officials of the Third Reich organised and carried out mass executions of Poles. The site and the events that took place there have been the subject of scholarly research and war crimes prosecutions since 2020. This paper intends to outline three aspects of them: 1) how playing in Death Valley as a child determined the later scholarly interest in the site, 2) how reading of a book Chojnice 1939–1945, about World War II and the crimes committed in the region, drew attention to undiscovered aspects of the site, 3) the last parts present the course and preliminary results of three seasons of scientific research and prosecution of war crimes committed on the northern outskirts of the town.
Źródło:
Folia Praehistorica Posnaniensia; 2023, 28; 76-101
0239-8524
2450-5846
Pojawia się w:
Folia Praehistorica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ruiny, wszędzie ruiny: Czarnobyl i archeologiczny wymiar dziedzictwa niedawnej przeszłości
Ruins, Ruins Everywhere: Chernobyl and an Archaeological Value of Heritage of the Recent Past
Autorzy:
Kobiałka, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/681935.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czarnobyl
archeologia współczesności
dziedzictwo
ruiny
materialność
pamięć
Chernobyl
contemporary archaeology
heritage
ruins
materiality
memory
Opis:
For many centuries, scientists, philosophers, artists and others have been fascinated with ruins. However, this fascination usually focused upon ancient and medieval relics. Indeed, it can be metaphorically said that archaeology was built upon ruins. Nonetheless, the archaeological analyses of ruins, their functions, meanings, uses and re-uses over the next centuries had been very selective. In short, modern ruins have been out of closer archaeological attention. It seems as if modern ruins were deprived of social, cultural, and archaeological dimensions. However, this changed during the first decade of the 21st century when archaeologists started to pay attention to the modern ruins. The so-called archaeology of (modern) ruins is one of the most interesting, provocative, and subversive fields of the contemporary archaeological discourses. The starting point of this paper is that there is no “ontological difference” between the Greek, the Roman and the Soviet ruins. All of them can and should be part of archaeological thinking. A two-step approach is applied here. First, the archaeological value of ruins in Chernobyl is discussed. A documentary entitled Czarnobyl – Wstęp Wzbroniony (2015) (Eng. Chernobyl – No Entry) is reviewed to highlight the processes of transformation of the unimaginable nuclear catastrophe into valuable heritage of the recent past. It is argued that Chernobyl can be seen as “Pompeii of our times”. Second, the review of Czarnobyl – Wstęp Wzbroniony is used as a pretext to shortly present different categories of modern ruins that one can encounter in contemporary Poland. Many of them are related with the Soviet occupation in Poland between 1945 and 1993. The point that I try to back up in this paper is that these Soviet ruins are also part of the archaeological heritage of the recent past. Accordingly, this paper is a call for a closer archaeological interest in the ruins of the recent past in general.  
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Źródło:
Acta Universitatis Lodziensis. Folia Archaeologica; 2017, 32; 365-384
0208-6034
2449-8300
Pojawia się w:
Acta Universitatis Lodziensis. Folia Archaeologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kreatywność za drutem kolczastym: archeologia i sztuka okopowa z pierwszowojennego obozu jenieckiego w Czersku (woj. pomorskie)
Creativity behind barbed wire: archaeology and trench art from a prisoner of war camp in Czersk (Pomeranian province)
Autorzy:
Kobiałka, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/1023861.pdf
Data publikacji:
2019-09-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the Great War
prisoner of war camp
Czersk
trench art
archaeology
Opis:
This article discusses the results of archaeological and anthropological research concerning material remains of a prisoner of war camp in Czersk (Pomeranian province, Poland) (Kriegsgefangenenlager Czersk). In the first part, I sketch a broader historical context related to building and functioning of the camp in forests around Czersk between 1914–1919. After that, the role and meaning of  archaeological research on such type of archaeological sites are presented. In the third part, I focus on a very special category of the camp heritage which is called trench art. The last part of this paper is a case study where an assemblage of objects classified as trench art that was found at the camp is described and interpreted. This text aims at highlighting the value of such prisoners and camp’s heritage. Such material culture is a material memory of extraordinary prisoners’ creativity behind barbed wire. It makes one aware of how every piece of trash, rubbish was re-cycled during day-to-day life behind barbed wire.
Źródło:
Folia Praehistorica Posnaniensia; 2018, 23; 105-136
0239-8524
2450-5846
Pojawia się w:
Folia Praehistorica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Archeologia, pamięć, sztuka. Archeoetnografia i sztuka okopowa związana z obozem jeńców wojennych i internowanych w Tucholi, woj. kujawsko-pomorskie
Archaeology, art, memory: Archaeo-ethnography and trench art from a prisoner of war and interment camp in Tuchola, Poland
Autorzy:
Kobiałka, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/1023798.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Tuchola
prisoner of war camp
internment camp
archaeology
memory
trench art
Opis:
Lidar-derivatives gathered during the realization of IT System of Country’s Protection Against Extreme Hazards (so-called ISOK programme) have initialized the non-invasive archaeological research concerning the preservation of the relicts of the former prisoner of war and internment camp in Tuchola, Poland. The camp functioned during the Great War (1914–1918) and the Polish-Soviet War (1919–1921). This paper discusses and summaries the preliminary results of this research. It argues that the use of ethnographic methods can supplement and enrich the historical records related to the camp. The article discusses in detail the assemblage of material culture made, remade, or personalized by prisoners and internees documented during the research. These artefacts are unique examples of trench art. Discussionconcerning the objects is the main goal of this paper. They are the first examples of the trench art related to the Tuchola camp analyzed in the archaeological literature.
Źródło:
Folia Praehistorica Posnaniensia; 2019, 24; 99-123
0239-8524
2450-5846
Pojawia się w:
Folia Praehistorica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Death and life Valley. Environmental memory of the Pomeranian crime of 1939 in Chojnice
Dolina Śmierci i życia. Środowiskowa pamięć o zbrodni pomorskiej 1939 w Chojnicach
Autorzy:
Smykowski, Mikołaj
Kobiałka, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/20223621.pdf
Data publikacji:
2023
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
Second World War
Death Valley
execution site
mass graves
archaeology
environmental anthropology
environmental memory
II wojna światowa
Dolina Śmierci
miejsce kaźni
groby masowe
archeologia
antropologia środowiskowa
pamięć środowiskowa
Opis:
The article concerns the environmental histories of Death Valley, Chojnice, Poland, the execution site from the Second World War. The authors discuss the historical and archaeological evidence related to German mass crimes committed near the town during the war, especially in the environmental context of the killing sites. The main assumption is to show – based on an ethnographic field study – that Death Valley despite its designation, appears in local memory as a lively place. Through the lens of environmental anthropology, it is possible to identify those natural features of mass killing sites that not only have not yet been included in the mainstream of historical and archaeological research but also are essential to the present vernacular recognition of environmental specificity of Death Valley’s post-war landscape.
Artykuł dotyczy środowiskowych historii związanych z chojnicką Doliną Śmierci – miejscem kaźni z czasów II wojny światowej. Autorzy omawiają dotychczasowe historyczne oraz archeologiczne opracowania dotyczące dowodów niemieckich, masowych zbrodni dokonanych pod miastem, skupiając się na ich środowiskowym kontekście. Głównym założeniem jest pokazanie – w oparciu o wyniki etnograficznych badań terenowych – że Dolina Śmierci na przekór swej nazwie funkcjonuje w lokalnej pamięci jako miejsce pełne życia. Perspektywa antropologii środowiskowej umożliwia zidentyfikowanie naturalnych charakterystyk miejsc masowych mordów, które nie zostały ujęte w dotychczasowych badaniach historycznych i archeologicznych, a które są także istotne dla współczesnego oddolnego odczytania środowiskowej specyfiki powojennego krajobrazu Doliny Śmierci.
Źródło:
Lud; 2023, 107, 1; 170-201
0076-1435
Pojawia się w:
Lud
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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