Temat: imagination. - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: The Schizomorphism of the world of visions in Bruno Schulz’s prose
Autorzy:: Karwowska, Marzena
Powiązania:: https://bibliotekanauki.pl/articles/649536.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Bruno Schulz
Gilbert Durand
anthropological constructs of imagination
myth
myth criticism
Opis:: In the article, I undertake to interpret Bruno Schulz’s prose using the methodological proposals introduced in the humanities by Gilbert Durand, a French anthropologist of imagination. Based on the implemented research perspective, the aim of the hermeneutics of The Street of Crocodiles and Sanatorium Under the Sign of the Hourglass was to unveil and discuss the imagined figures which form the anthropological network of meanings. The purpose of the array of anthropological and myth-criticism research tools used for analysing and interpreting the literary works which constitute the core of Polish literature was to define the author as an imagination phenomenon that seems to fill a research gap visible in Polish Schulz studies.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 44, 6
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Autonarracyjne marzenia pamięci — o pismach antropologicznych Gastona Bachelarda
Auto-narrative dreams of the memory — on anthropological writings of Gaston Bachelard
Autorzy:: Karwowska, Marzena
Powiązania:: https://bibliotekanauki.pl/articles/690348.pdf
Data publikacji:: 2013
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: Gaston Bachelard
antropologia wyobraźni twórczej autobiografistyka
anthropology of creative imagination autobiographical studies
Opis:: The paper is devoted to anthropological writings of Frenchman Gaston Bachelard (1884–1962), an initiator of European research on creative imagination. The following publications are discussed: La psychanalyse du feu (1938); L’eau et les rêves (1942); L’air et les songes (1943); La terre et les rêveries de la volonté (1948); La terre et les rêveries du repos (1948); La poétique de l’espace (1957); La poétique de la rêverie (1960); La flamme d’une chandelle (1961), read in the palimpsest manner, as a semantically multi-layered text. The adoption of this perspective has enabled the finding of an extensive personal document under the surface layer of scientific discourse as Bachelard uses two plans of presentation in his anthropological writings. The first one, written in the scientific style, in the form of the discourse of ‘a meditating philosopher’, is a presentation of Bachelard’s conceptual system which paved the way for phenomena known in the humanities as: ‘new anthropology’, ‘post-Bachelardism’ or ‘Durandism’. The second presentation plan is part of the autobiographic trend, known in literary studies as the journal intime, and the researcher’s story becomes autonarration.
Źródło:: Prace Polonistyczne; 2013, 68; 177-188
0079-4791
Pojawia się w:: Prace Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Des hallucinations forestières. Essai sur l’imaginaire de Bolesław Leśmian
The forestry delusions. The essey of Boleslaw Lesmian’s imaginary
Autorzy:: Karwowska, Marzena
Powiązania:: https://bibliotekanauki.pl/articles/1035990.pdf
Data publikacji:: 2015
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: Bolesław Leśmian
Klechdy polskie
Skrzypek Opętany
Baśń o Rycerzu Pańskim
Gilbert Durand
anthropolgy of imagination
a symbol
antropologia wyobraźni twórczej
symbol
Opis:: The biography of Boleslaw Lesmian (1877–1937) shows a maladjustment of artist to reality. The Poet escapes to the world of imagination — an alternative reality where he could be settled. In Boleslaw Lesmian’s imaginary the human way leads to the archetypal forest. The image of the forest, implanted deeply in culture as a place for outlaws (Robin Hood), fugitives (Tristan and Isolde) and knights-errant (Parsifal) is transformed by Lesmian. In the Lesmian’s imaginary the forest takes a new semantic dimension and becomes one of the main symbols as the Epiphany of the Mother Earth (Tellus Mater, Pammetor Ge). The analyses, presented in this article, shows that act of wandering in the forest paths is the symbol of a human way which leads to self-knowledge. For Lesmian, who was lost in everyday life, an archetypal figure of Mother Earth has an important therapeutic value. A methodological framework for the discussion is based on the concepts offered by Gilbert Durand, a French philosopher of culture. Anthropology of imagination as a method of literary studies focuses on mundus imaginalis of the author, understood as a manifestation of symbolic powers of imagination and the artist is perceived as an imaginative phenomenon. In the anthropological and myth-critical studies a canonical definition of myth is adopted after Gilbert Durand, where myth is a dynamic system of symbols (mythical figures), archetypes and imagery constituting narrations permanently incorporated into the culture. In Durand’s perspective, mythical figure (figure mythique) is an archetype imagery (image archétype) capable of being expressed at the language level. Imagination is understood as the Consciousness Breeding Imagery. Imagery provide a structure capable of transformations, enabling decomposition and transformation of imagery in cultural texts and their literary palingenesis.
Źródło:: Prace Polonistyczne; 2015, LXX; 119-127
0079-4791
Pojawia się w:: Prace Polonistyczne
Dostawca treści:: Biblioteka Nauki

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