Temat: Text - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Symbolic signs under the conditions of new digital media
Znak symboliczny w cyfrowej komunikacji
Autorzy:: Kaźmierczak, Marek
Szczęsna, Ewa
Powiązania:: https://bibliotekanauki.pl/articles/964053.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: signs
symbolic sign
digital
communication
text
medium
Opis:: The article concerns the rdations between digital and symbolic signs. Digital technology shapes the forms of functioning of symbolic signs in contemporary culture. Semiotics was the theoretical background for our research.
Źródło:: Studia Europaea Gnesnensia; 2016, 14; 83-100
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Małe formy, wielkie sprawy. Deontologia a potoczność w przekazach audiowizualnych dostępnych na YouTube
Small Forms, Big Problems. Deontology and Commonness in the Audiovisual Texts Presented on the YouTube
Autorzy:: Kaźmierczak, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920010.pdf
Data publikacji:: 2012-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: deontology
small form commonness
audiovisual text
YouTube
Web 2.0
deontologia
potoczność
Opis:: This article concerns YouTube as the helpful service from the deontological perspective. There are many texts created by different users in this service. Big part of them refer to ethical issues. These texts are small forms which reveal big existential problems. There are six main topics of the article. First part concerns chances and threats in using of Web 2.0; YouTube is an example of this phenomenon. Social services on the Internet help to spread the official discourses, but also unofficial discourses. That is why we can observe the proliferation of commonness as the pattern of thinking and acting. Second part of the article refers to the philosophy of personalism. This kind of relection is important in the context of the social services on the Internet. Third part reveals some cultural phenomenons depended on the morality and immediacy. Fourth part consists of the interpretation of the peculiar example. The audiovisual text titled: For Jonah Mowry. Whats going on? became the source of many ethical explanations. The author of the article treats YouTube as the space of drama in the another part. The personal relations among users are shown in the perspective of the texts which are presented on this medium – it is the last topic of this article.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 43-56
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Images performed by words in Howard Jacobson’n novel Kalooki Nights. Remarks about intersemiotic relations among words and pictures
Autorzy:: Kaźmierczak, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920244.pdf
Data publikacji:: 2009-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Shoah
Holocaust
transframing
performing
literature
text
novel
representation
images
words
interpretation
Kalooki Nights
intersemiotic tension
Opis:: Images performed by words in Howard Jacobson’s novel “Kalooki Nights”. Remarks about intersemiotic relations among words and picturesThe article titled Images performed by words in Howard Jacobson’n novel Kalooki Nights. Remarks about intersemiotic relations among words and pictures concerns the intersemiotic tensions among words and pictures. The theoretical model is supported by the interpretation of Howard Jacobson’s novel titled Kalooki Nights. This novel redefines the limits of representation and reception of the Holocaust in the context of identity and contemporary world. Exploring the forms of “reading” (“looking at”) of the linguistic codes as the visual codes, such terms like “transframing” and “performing” refer to the patterns of creation the fictional worlds (constructed by the words which are treated as the images). The being of words still means looking through them, through their semantic flaws. This intersemiotic translations are rooted in the will of creation (Eros) and the will of destruction (Thanatos). The history of interpretations of these two sources of semiosphere touches the limits of questions: what can be shown in written wor(l).
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 325-336
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Broken images. "Auschwitz", nostalgia and modernity. The reception of the Holocaust in popular culture
Autorzy:: Kaźmierczak, Marek
Powiązania:: https://bibliotekanauki.pl/articles/919798.pdf
Data publikacji:: 2011-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Holocaust
Reception
Popular Culture
Text
Mass Media
Film
Images
Modernity
Historical and Social Facts
Nostalgia
Metonymy
Opis:: Broken images. "Auschwitz", nostalgia and modernity. The reception of the Holocaust in popular culture The reception of the Holocaust in popular culture is like a set of the broken images of the past. There are fluent differences between fiction and reality, beetween texts and facts, between knowledge and ignorance. This article concerns the forms of the influence of poplar culture on the representations of the Holocaust. Broken image can reveal a part of same event, the same fact. There are intellectual and axiological challenges between revealing and abusing the “Auschwitz” in the contemporary texts of culture. There are three main parts of the article: The contexts of the terms, Opened arguments and How instrumentally where are described the mechanisms of reduction, instrumentalization and mediatization of the reception of the Holocaust.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 8, 15-16; 101-120
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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