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    Wyświetlanie 1-2 z 2
    Tytuł:
    From Peritext to Text: Constructing Authorship in David Hare’s Selected Plays
    Autorzy:
    Kębłowska-Ławniczak, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2016103.pdf
    Data publikacji:
    2018
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    peritext
    authorship
    narrative
    verbatim drama
    David Hare
    Opis:
    The article examines the ways in which two autographic peritexts tie in with the main texts of two verbatim plays they precede. The discussion addresses the question of transactions between peritext and text in view of interrelated aspects. Invoking background knowledge and the context of other verbatim plays, the inquiry concentrates mainly on The Permanent Way and Stuff Happens, staged in the years 2003-2004. While the main inquiry concerns the broader subject of constructing authorship in peritext, the further question involves the use of narrative frameworks to connect the peritext with the main text. The analysis concentrates on the ways a writer asserts, or declares, and stages his authorship, sometimes his authority, originating the process with significant enunciations in the prefatorial zone. Dealing with verbatim plays, the article invites reflection on the nexus of authorship, authority, authorization or authentication and “truth”.
    Źródło:
    Academic Journal of Modern Philology; 2018, 7; 119-129
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    From Roots to Routes: Women Playwrights Negotiating their Authorship in Paratexts
    Autorzy:
    Kębłowska-Ławniczak, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2231474.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    authorship
    paratext
    Deborah Levy
    Djanet Sears
    Tanika Gupta
    Opis:
    For a range of reasons, there has been a tendency to preach a dearth of interest in the ways writers assert their authorship, constructing individual and collective writerly identities to voice their authorial intentions. While some theoreticians and philosophers, evoking the ghost of biographical positivism, promoted anti-authorialism, postmodernity was immersed in intertextual studies. Though the announced death of the author assumed a significance matching the earlier death of God, the author returns as “writer,” scriptor or “function” in the writing of Roland Barthes and Michel Foucault, as the process of becoming (Gilles Deleuze and Félix Guattari) or as a performative concept (Gérard Genette, Erika Fischer-Lichte). The aim of the article is to examine a narrow selection of writing authored and co-authored by three women playwrights—Deborah Levy, Djanet Sears and Tanika Gupta—who set out to speak on why they write, aiming in that way to articulate their authorship in essays, notes and conversations which have the status of diverse paratextual forms. The article starts by exploring the relevance of discussions on authorship as well as the implications of institutional policies in regard to women writing for the theatre. Further on, on a tropological level, the article analyses the figurative rendering of self-reflection as a passage from roots to routes, from a concept of fixed identity to mobile, performative concepts converging on epistemological alertness and openness to recognising the ontology of writerly identity as becoming.
    Źródło:
    Academic Journal of Modern Philology; 2020, 10; 145-156
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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