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Wyszukujesz frazę "popular music studies" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Nostalgia za dawnymi laty. Przypadek muzyki popularnej
Autorzy:
Jeziński, Marek
Powiązania:
https://bibliotekanauki.pl/articles/2050234.pdf
Data publikacji:
2014-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Nostalgia
popular culture
popular music
mass media
cultural studies
Opis:
The category of nostalgia is the element of artistic message frequently used in popular music, which influences the reception of a particular song. In their activity musicians refer to the musical past by employing cultural references and utilise fashions present in a certain environment for their own benefit. This category is present in lyrics and music, in the stage shows (performing live, festivals, TV shows) and promotional activities (interviews, promotional video clips for the songs). Such referring to tradition became a constant element of artistic communication, anchoring the music in the past and taking into account the cultural specificities. Definitional capturing of nostalgia is not entirely possible: research into this category require approaches which take into account the aspects of context important for decoding the cultural content. Interpretive tools used by semiology or cultural studies allow to depict the elements included in the form and content of music and lyrics. They indicate the presence of nostalgia as a category determining the reception of artistic work.
Źródło:
Kultura i Edukacja; 2014, 3(103); 248-262
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Idole – buntownicy – artyści. O rytualności i rolach artystycznych w muzyce rockowej
Idols – rebels – artists. On ritualism and artistic roles in rock music
Autorzy:
Jeziński, Marek
Powiązania:
https://bibliotekanauki.pl/articles/1944367.pdf
Data publikacji:
2021-06-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
rytualność
rock music studies
wizerunek artystyczny
kultura popularna
muzyka rockowa
rituality
artistic image
popular culture
rock music
Opis:
This article discusses the rituality of rock music and stage images adopted by rock artists as an element of the anthropology of popular culture. Rituality in this music genre emerges at the interface between a performer and the audience, and is manifested through image strategies adopted by artists as an essential aspect of their offer in the music market. This issue proved to be particularly evident in the last decades of the 20th century, when rock became a dominant genre in popular music: the marketing offer aimed at young people was frequently accompanied by social and aesthetic values, allowing audiences to perceive this music as a manifestation of ideas typical of the young generation, placed in opposition to older generations. Rock ethos is often a culture of rebellion where an individual – in this case a rock idol – rises above mediocrity. The mythology of popular music has created several artistic images of which the roles of ‘a rebel’, ‘a sensitive artist’, and ‘an attitude advocate/ideologue’ are the most significant for rock musicians’ activities and their ritualisation. The rituals accompanying rock music perform numerous functions such as the expression of artistic values, the aesthetic function, communication, group integration, identification, and finally, the satisfaction of the need to be part of a group.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 114, 2; 103-119
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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