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Wyświetlanie 1-2 z 2
Tytuł:
Od postkolonijalizma do transnacionalizma: izazovi postsocijalističke feminističke teorije
From Post-Colonialism to Transnationalism: the Challenges for Post-Socialist Feminist Theory
Autorzy:
Jambrešić Kirin, Renata
Powiązania:
https://bibliotekanauki.pl/articles/635612.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postcolonial studies
transnational feminism
post-Yugoslav feminisms
Madina Tlostanova
Biljana Kašić
Marina Gržini
Opis:
The article offers a reflection on the utility of postcolonial studies and transnational feminism for the analysis of women’s post-socialist experiences, with a special emphasis on Croatian academic and social space. After general considerations about the epistemological profile and etico-political agenda of transnational feminism – as illustrated by the results of the feminist seminar in Dubrovnik (2007–2015) – the author presents three theoretically most challenging feminist authors: Madina Tlostanova, Biljana Kašić and Marina Gržinić. Each of them in its own way demonstrates that theoretical voices from the “global South” are the most productive tool to oppose academic “global feminism” and to inspire “women’s struggles for sociopolitical justice, especially in colonial and neocolonial contexts” (Swarr, Nagar 2010: 4). The radical call for the decolonization of gender, human being and knowledge (Tlostanova 2013), the appreciation of woman’s public voices and counter-discourses (Kašić), and the critique of racialization in the production of knowledge (Gržinić 2015) are intertwined and linked to the final thesis about the importance of distinguishing the biopolitical form of women’s memory vs. the necropolitical formation of institutionalized history in post-socialist context.
Źródło:
Poznańskie Studia Slawistyczne; 2016, 11; 23-41
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Is There the Holocaust without a Film Music? Analyzing a Croatian and a Serbian Film about the Holocaust
Ima li holokausta bez filmske glazbe? Tragom jednog hrvatskog i jednog srpskog filma o holokaustu
Autorzy:
Jambrešić Kirin, Renata
Powiązania:
https://bibliotekanauki.pl/articles/635715.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the reception of post-Yugoslav films on the Holocaust
music and the Holocaust
affective regime
Lea Deutsch (1927–1943)
Filip David (1940)
Opis:
This article implies that the impact of cinematic fiction on the capability to imagine and comprehend the trauma of the Holocaust is formed at the intersection of aesthetic, moral, social and ideological frames in particular society. Cinema had a special role for the unification of the Holocaust memory since 1990. In the post-Yugoslav cinema two feature films (Lea and Darija, 2011 and When Day Breaks, 2012) represent the cinematic paradigm shift in dealing with the difficult heritage of the Holocaust in Croatia and Serbia following the break of communism. Although they suffer from apolitical approach to historical issues and mitigate the consequences of local collaboration with the Nazis, as well as take the child as „the figure of infantilization” of the Holocaust (Hirsch 2012), their influence on the “postmemory generation” and the pedagogy of trauma in the region is significant and socially relevant.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 181-195
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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