Temat: the art of - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Aktor jako cyfrowa marioneta, czyli Edward Gordon Craig w kinie przyszłości
An Actor as a Digital Marionet, or Edward Gordon Craig in the Cinema of the Future
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/921346.pdf
Data publikacji:: 2018-04-26
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: actor
character
acting
metamorphosis
virtual reality
digital phantom
the art of film
Opis:: Screen actor as a digital puppet? From one point of view, that potentially becomes an interesting platform for modern way of spectacularity and for communications. From another, it’s something destructive and dangerous for the film art. Marek Hendrykowski’s essay analyzes possible consequences of new era of digital actorship in the shadow of its fundamental question and challenge: what happens with man in this form of moving pictures creation.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Poetyka etiudy Klary Kochańskiej Lokatorki
The poetics of Klara Kochańska’s film etude Lodgers
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/923079.pdf
Data publikacji:: 2018-04-26
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish Nation Filmschool in Łódź
student film
film etude
short feature
film style
poetics
narrative
narration
voice-over
social drama
hero
character
the art of the short film
style
fiction
direction
author
authorship
Opis:: The article provides a comparative analysis of the style and composition of Klara Kochańska’s student short feature film Lodgers. (produced by the Polish Nation Filmschool in Łódź in 2015) as an example of film narrative practices typical of the academic exercises of students today.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Etiudy Andrzeja Brzozowskiego
Andrzej Brzozowski’s Film Etudes
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/919841.pdf
Data publikacji:: 2011-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: excersise
student film
student étude
image
sound
composition
music
film direction
cinematography
film style
film poetics
film art
documentary
fiction
35 mm tape
experiment
laboratory work
aesthetics
artistic values
the art of the short
Opis:: Marek Hendrykowski presents in his study the earliest fiction and documentary films made by Andrzej Brzozowski (1932-2005), excellent Polish filmmaker, 1971-2005 professor of the famous Film School in Łódź (PWSFTviT). “Sunflowers” (1953), “Escape” (1954/55), “Legend” (1957), “Jazz Talks” (1957) – these short films, preserved in the collection of Film School Archive, are almost unknown for wider audience in Poland and abroad. In the second part of his study Hendrykowski gives also an accessible overview of the historical evolution of the filmmaker through the close examination of another two outstanding short films made by him: By the Railway Track (1963) and Medallions (1966). Last two were adaptations of short stories written in 1945 by Zofia Nałkowska, a masterpiece of antinazi world lterature. The article deals with the most important values and close-reading thematic and stylistic areas of Brzozowski’s early works: those developing in the 1950’s and early 1960’s but having deep impact in the poetics of academic short film in Poland, whose form and course they have fundamentally redirected.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 137-158
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Muzy w intymnym świetle. O przemianach w sztuce Odwilży i Października
Muses in the intimate light. Transformation of Arts in the Years of “Thaw” and “Polish October 56”
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920315.pdf
Data publikacji:: 2009-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: history of modern art
aesthetics
poetics
Polish art of the 1950s.
literature
poetry
drama
novel
film
music
peinture
sculpture
Man
existentialism
individual
intimacy
interdisciplinary
comparative reflexion on arts
socialist realism
Październik '56
odwilż
socrealizm
Opis:: The study assesses the changing nature of the Polish art in the period of liberalization after Stalin’s death. It includes detailed analysis of various (social, political, philosophical and especially aesthetic) implications for important issues such as: poetry, drama, cinema, peinture, sculpture, song, popular culture etc.Marek Hendrykowski provides case studies that lead to alternative ways of viewing current conceptual frameworks of aesthetics and its consequences for interdisciplinary reflexion on arts.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 169-179
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Na dnie oka. Dziesiąta Muza z perspektywy stulecia
At the bottom of the eye. The Tenth Muse from the perspective of a century
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/32052781.pdf
Data publikacji:: 2022
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: The Tenth Muse
aesthetics
cinema
film
art of moving picture
correspondence of arts
film culture
ready-mades
Źródło:: Przestrzenie Teorii; 2022, 37; 145-157
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Autobus Linkego jako parodia PRL. Studium intertekstualne
Linke's "Autobus" as a parody of the Polish People's Republic. Intertextual study
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/917993.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: parody
caricature
comic effect
surrealism
texture
stereotype
symbole
style
poetics
aesthetics
turpism
art of the 1950s
image
reality
personal and social experience
Linke
panorama
intertext
allusion
distance
point of view
counterpoint
tragedy
catharsis
Opis:: Marek Hendrykowski’s study is concerned with the close-reading analysis and interpretation of the Autobus (1955–1961) oil on canvas painted by Bronisław Wojciech Linke. This masterpiece of Polish peinture of the 1950s is deeply related to history and conditions of human life in Poland and other East European countries after World War II where everyday life is based on ideology imposed on society. Linke’s peinture gives emblematic ironic image of it created as an anti-social realist protest based on paradigm of Polish culture and art of the period.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 65-79
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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