Temat: ideology. - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Kino pod presją
Cinema under pressure
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/921196.pdf
Data publikacji:: 2016-10-09
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: cinema
film art
politics
ideology
political correctness
moral correctness
censorship
Opis:: The article contains a synthetic look at the issue of film censorship, taking into account its various forms. The author combines the perspective of a contemporary synchronous with the diachronic perspective, dating back to the distant origins of cinema and filmmaking, in conjunction with politics and ideology.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 19-32
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Sfera wolności. Zygmunta Mycielskiego uwagi o muzyce 1955
The sphere of freedom. Zygmunt Mycielski observations on music in 1955
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/921087.pdf
Data publikacji:: 2016-10-09
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: art
music
politics
ideology
social realism
freedom
ethos
Zygmunt Mycielski
Opis:: The article profiles one of the most interesting music critics of the communist period. Zygmunt Mycielski's journalism is one of the most valuable phenomena of Polish postwar musical culture. What was important for him were fixed points, imponderables keeping human thinking in check and truly creative activity in the sphere of sound. He did not share Carl Dahlhaus’ idea of the death of aesthetics, which was fashionable in the early twentieth century He was convinced that the aesthetic value of a musical work shape musical and non-musical reality, and that the microenvironment which these values form and unify remains particularly important for a man enslaved by the totalitarian system.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 259-279
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Dramat Andrzeja Wróblewskiego
Andrzej Wróblewski’s Drama
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/920935.pdf
Data publikacji:: 2016-11-03
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: artist
socialist realism
ideology
art
painting
abstraction
personal experience
revolution
society
war
new world
drama
Opis:: Andrzej Wróblewski (1927-1957) was one of the most important Polish modern painters of his time, closely connected both with key issues of the 20th-century European avant-garde in art, as well as socialist realism in post- war Poland. The article is a sui generis glossa to Wróblewskis retrospective exhibition “Recto/Verso” presented in Winter-Spring 2015 by the Museum of Contemporary Art in Warsaw.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 292-299
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

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