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    Wyświetlanie 1-4 z 4
    Tytuł:
    Ikonostas w cerkwi wojskowej w Kozienicach. Zabytek na tle dziejowym
    The Iconostasis in the Orthodox Church in Kozienice. The Monument on the Background of the History
    Autorzy:
    Gronek, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/2171230.pdf
    Data publikacji:
    2015
    Wydawca:
    Akademia Supraska
    Tematy:
    Kozienice
    ikonostas
    prawosławie
    cerkiew
    Opis:
    In the National Museum in Krakow there is a project of the iconostasis made in watercolor on cardboard with signature MNK III-r.a. 18617. The handwritten inscription in its upper left corner says that it has been prepared in 1911 by the “Krzywicki and Morawski” company from Radom. This company was chosen to create the architectural structure of the oak-carved iconostasis to the Orthodox Church of the Protection of Virgin in Kozienice. This church on the Warsaw street in 1905-1906 was funded by the 25th Smolensk Regiment. After the transfer of troops, from the 1911 this Orthodox Church started function as a parish, and in 1915 was abandoned. In the following year it was the catholic church of The Queen of the Polish Crown, for Polish legionaries. After the a brief using by the Polish Catholics after the first world war, in the years 1938-1939 this degradable building was demolished. The project of the iconostas preserved in Krakow is a valuable source for research into the original interior of the Orthodox Church. Thanks to this project I could find fragments of the original iconostas and main altar in the church in Brzeźnica. Today, these fragments are the part of two retables: in the sanctuary and in the north chapel. In the oak structure of former iconostas preserved several of the original icons, which in conjunction with the architectural project allowed to recreate the original altar barrier program.
    Źródło:
    Latopisy Akademii Supraskiej; 2015, Cerkiew w drodze, 6; 53-67
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obrzezanie Jezusa w Kościele wschodnim dawnej Rzeczypospolitej. Święto, treść, ikonografia
    Circumcision of Jesus in the Orthodox Church in the Polish-Lithuanian Commonwealth. The Feast, Content, Iconography
    Autorzy:
    Gronek, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/2171238.pdf
    Data publikacji:
    2020
    Wydawca:
    Akademia Supraska
    Tematy:
    sztuka cerkiewna
    Cerkiew prawosławna
    obrzezanie
    obrzędy żydowskie
    święta prawosławne
    Opis:
    The beginnings of the celebration of the Circumcision of Jesus feast, in the octave of Christmas, January 1st, date back to the 6th century in the West and probably 8th century in the East. Although this feast was marked as a great in the Orthodox liturgical calendar, it was not included in the dodekaorton. The oldest representation in art are known only from the post-iconoclastic period, and its compositions resemble The Presentation of the Lord in the Temple. In the Ruthenian churches of the Polish-Lithuanian Commonwealth it appeared in the XVI century. Circumcision of Jesus in the Christian Church has acquired a liturgical character and is celebrated as the moment when the Child is given the name Jesus. However, the content of this event is much deeper, based on the parallel between circumcision and baptism, as well as the idea of prefiguration and anticipation of the passion of Christ as the first and voluntary sacrifice of blood. The article will describe the depiction of the Circumcision of Jesus in Orthodox old art from the territory of the former Polish Republic. On the basis of liturgical texts and the homily of religious writers of the 17th and 18th centuries, the main content of this event will also be discussed.
    Źródło:
    Latopisy Akademii Supraskiej; 2020, Dzieci w kulturze duchowej Prawosławia, 11; 105-126
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Nie mogę się w cerkwi modlić, bo to takie ruskie”. Wkład duchownych rzymskokatolickich w zachowanie zabytków cerkiewnych na południu Polski
    «Я не могу молиться в церкви, потому что она такая русская». Вклад римско-католического духовенства в сохранение церковных памятников на юге Польши
    Autorzy:
    Gronek, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/2171290.pdf
    Data publikacji:
    2017
    Wydawca:
    Akademia Supraska
    Tematy:
    Cerkiew grecko-katolicka w Polsce
    opieka nad cerkwiami
    duchowieństwo katolickie
    ochrona zabytków
    Opis:
    После насильственного перемещения православного и греко-католического населения в 1944–1946 гг. в СССР, и 1947–1950 г. в рамках акции «Висла» – в северные и западные земли Польши, заброшенные деревни официально перешли к государству. Коммунистические власти не были заинтересованы в сохранении храмов, которые находились в этих деревниях. Они были опустошены, разграблены, брошенные ветшали. О имущество греческо-католической церкви, которой государство официально не признавало, требовалa католическaя церковь. Постепенно, не без труда, она взяла на себя больше храмов, которые стали служить новым жителям перемещенных деревень. Кажется, что в те времена, это был единственный реальный способ спасти эти, иногда очень ценные, памятники. Их сохранениe в значительной степени зависело от мудрости, готовности и решимости священников. Имеются случаи преднамеренного разрушения старых храмов, их непрофессионального ремонта и реконструкции, но также известны примеры образцове. Мечислав Чехай, несомненно, принадлежал к таким благородным священникам, благодаря которым на юге польского государства многие церкви сохранились.
    Źródło:
    Latopisy Akademii Supraskiej; 2017, Cerkiew a asymilacja- swój i obcy, 8; 179-186
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dzieje konserwacji malowideł w cerkwi pw. św. Onufrego w Posadzie Rybotyckiej
    HISTORY OF CONSERVATION OF PAINTINGS IN THE VENERABLE ONUPHRIUS ORTHODOX CHURCH IN POSADA RYBOTYCKA
    Autorzy:
    Gronek, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/538267.pdf
    Data publikacji:
    2011
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    cerkiew pw. św. Onufrego w Posadzie Rybotyckiej
    posada Rybotycka
    malowidła ścienne
    Wojciech Kurpik
    Janusz Lehmann
    Małgorzata Wesołowska-Nowosielska
    freski
    malowidła temperowe
    technika temperowa
    pudrowanie warstw malarskich
    technika wykonania malowideł
    Opis:
    In May 1966 the conservation workshop of the Museum of Folk Architecture in Sanok under the guidance of Wojciech Kurpik started to examine the recently discovered Ruthenian paintings in the Venerable Onuphrius Orthodox Church in Posada Rybotycka. Uncovering and conservation works were continued in the summer of 1966 and in the autumn of 1967. Large parts of paintings were uncovered, the composition scheme was identified, the technique was determined as a mixed fresco 6c tempera technique, and even the paintings time of creation (16th century) was identified. Traces of two major renovations were also discovered. Significant stylistic differences between paintings in the presbytery and in the aisle were noticed. It was determined that, apart from mechanical reasons, the main causes of destruction of the paintings were the humidification of walls caused by the destruction of the roof and the use of organic binder, which had been decomposed by microorganisms and the powdered paint had dropped off the primer. The discovery and identification of inscriptions scratched in plaster on the vestibule walls was a matter of key importance. These are mainly names and year dates, e.g. the oldest dates: 1501 and 1506, which suggest that the time of erection of the Orthodox church should be shifted at least to the 15th century. At the same time, archaeological research was carried out around the church and in the church hill, and anthropological research was carried out at the church cemetery. Wojciech Kurpik finished his work in October 1967 and further research was to lie continued by the Historic Object Conservation Workshop in Krakow under the direction of Władysław Zalewski; however, documents contain no records that would prove the undertaking of any further polychrome- -related works. In 1977 the Orthodox church was taken over by the District Museum in Przemyśl. In the years 1983-1985 conservation works were carried out by Plastyka, a Warsaw-based company, under the direction of Małgorzata Wesołowska-Nowosielska. At that time, polychrome was uncovered, partly cleaned and secured in the entire church; the missing plaster was supplemented with lime mortar in the presbytery, and lime 6c sand trims were installed in the aisle. In 1884 Dr Janusz Lehmann carried out stratigraphie and laboratory research. The structure, mineral and chemical constitution of the plaster layer, which paint layers were placed on, is similar to those used in Europe in Renaissance times, but the technique is consistent with the late Byzantine tradition and paintings of south-eastern Orthodox Europe. In 1986 Małgorzata Wesołowska-Nowosielska included results of conservation works in her doctoral dissertation presented at the Academy of bine Arts in Warsaw. The paintings did not constitute the primary decoration of the church interior. The walls were originally covered with a double layer of zinc white, which was only later covered with polychrome. The same original plaster covers all church walls, the vault and both sides of the templon, which indicates that it had been present since the very beginning. The mineral composition ol the plaster is not consistent with the tradition of Byzantine- -Ruthenian painting. This means that craftsmen laying the brown coat represented local techniques rather than eastern or southern techniques. Conservation works were continued in the years 1986-1988 under the direction of Barbara Kaniewska. At that time, frescos in the presbytery were cleaned thoroughly, cement 6c lime patches were removed, and the missing plaster was supplemented. Finally, retouching works were performed for consolidation purposes. Conservation works were closed in 1991, when Józef Steciriski completed the protection of painting residues over the church vestibule. Additionally, the passage leading from the inside of the main church aisle was reconstructed and stone stairs leading to it from the outside were demolished. Uncovering and conservation works that were finished towards the end of the 1980s were not continued later. Scaffolds in the aisle are the only things left of them.
    Źródło:
    Ochrona Zabytków; 2009, 4; 5-16
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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