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Wyświetlanie 1-2 z 2
Tytuł:
Is it possible to reduce loads of the locomotor system during the landing phase of dance figures? Biomechanical analysis of the landing phase in Grand Jeté, Entrelacé and Ballonné
Autorzy:
Gorwa, Joanna
Michnik, Robert
Nowakowska-Lipiec, Katarzyna
Jurkojć, Jacek
Jochymczyk-Woźniak, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/306735.pdf
Data publikacji:
2019
Wydawca:
Politechnika Wrocławska. Oficyna Wydawnicza Politechniki Wrocławskiej
Tematy:
biomechanika
taniec
analiza kinematyczna
masa ciała
biomechanics
dance figures
kinematic analysis
landing phase
loads
Opis:
The objective of the work was to determine biomechanical parameters influencing loads affecting the musculoskeletal system and shock absorption during the landing phase in Grand Jeté, Entrelacé and Ballonné. Methods: Motion kinematics measurements of the landing phase in GrandJeté, Entrelacé and Ballonné were carried out using the optical APAS system, and measurements of the GRF components – using Kistler platform. The research was carried out for three professional dancers. Kinematic and kinetic parameters of the landing were analysed. Results: The mean maximum GRF value in relation to the classical dancer amounted to 8.16 ± 1.37 N/BW. During landing, the joints of the lower limb are affected by external force moments of high values (ankle – 3.04 ± 0.54 [Nm/BW], knee – 7.56 ± 5.53 [Nm/BW], hip – 10.97 ± 6.80 [Nm/BW]). The maximum value of the external force moments in the joint were strongly negatively correlated with the value of the angle in the hip joint at the moment of the first contact with the ground. It was noticed that the obtainment of maxGRF was preceded by a decrease in kinetic energy of approximately 50%. Conclusions: Factors affecting loads present in the musculoskeletal system during the shock absorption of a leap are: GRF values, the values of external force generated inside the joints and a change in the value of kinetic energy. The safe shock absorption after landing is influenced by properly positioned limb at the moment of the first contact, a greater range of movements in the joints and longer time from the moment of the first contact to the obtainment of maxGRF.
Źródło:
Acta of Bioengineering and Biomechanics; 2019, 21, 4; 111-121
1509-409X
2450-6303
Pojawia się w:
Acta of Bioengineering and Biomechanics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Which of the five classical ballet positions is the most demanding for the dancer’s body? An electromyography-based study to determine muscular activity
Autorzy:
Gorwa, Joanna
Kabaciński, Jarosław
Murawa, Michał
Fryzowicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/27324094.pdf
Data publikacji:
2020
Wydawca:
Politechnika Wrocławska. Oficyna Wydawnicza Politechniki Wrocławskiej
Tematy:
motion capture
electromyography
ballet
muscles
turnout
classical dance
przechwytywanie ruchu
elektromiografia
balet
mięśnie
rozjazd
taniec klasyczny
Opis:
The study aimed to determine which of the five classical ballet positions is the most demanding regarding muscular activity, values of external rotation in the hip joints, angular values of foot progression as well as the inclination (tilt) of the pelvis in the sagittal plane. Methods: In this cross-sectional study, 14 female pre-professional ballet dancers (aged 11–16) participated. Participants were tasked with the sequential adoption of five classical ballet positions (CP1–CP5). The electromyographic activity of the muscles of the trunk and the lower limb was recorded with surface electrodes. Kinematic data including hip and knee external rotation, foot progression angle and pelvic tilt were collected using a motion capture system. Results: Symmetric positions CP1 and CP2 were not as demanding as asymmetric CP3–CP5. Higher values of hip and foot external rotation without greater muscular effort in CP2 than CP1 was noticed. Considering asymmetric positions, CP3 did not trigger a greater activity of hip or foot muscular groups than CP4 and CP5. CP4 was characterised by the greatest pelvic anterior tilt and the lowest activity of GM in the forward lower limb. In CP5, forward lower limb entailed a higher activity of muscles supporting the foot than in the remaining positions. Conclusion: In terms of biomechanics, the most demanding classical ballet position in pre-professional dancers is CP4, followed by CP5, CP3, CP1 and CP2. This finding can be applied in educational methodology of dancers, figure skaters, synchronized swimmers, acrobatic gymnasts, rhythmic gymnasts or cheerleaders.
Źródło:
Acta of Bioengineering and Biomechanics; 2020, 22, 4; 3--14
1509-409X
2450-6303
Pojawia się w:
Acta of Bioengineering and Biomechanics
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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