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Wyświetlanie 1-3 z 3
Tytuł:
Między minimalizmem a melodramatem. Przestrzeń filmowa w kinie rumuńskiej nowej fali
Between minimalism and melodrama. Film space in the Romanian New Wave cinema
Autorzy:
Domalewski, Adam
Powiązania:
https://bibliotekanauki.pl/articles/1047193.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Romanian cinema
communism and motion pictures
motion pictures – semiotics
motion pictures – political aspects
Opis:
The starting point for considering the means of creating and designing a film space in Romanian New Wave cinema is the thesis that Romanian film art in the 21st century is an artistic response to the times of communism and that images of the post-socialist architectural space – their multi-faceted functionalization in film mise-en-scéne – are the key method of evoking memories of the past. The article discusses, via the example of movies by Crisitian Mungiu, Corneliu Porumboiu and Cristi Puiu, (1) ways of depicting the “closing” of film characters in the cramped interiors of their apartments and (2) film images of individuals’ alienation in public spaces, both of them allusively referring to the times of the oppressive Nicolae Ceaușescu regime. The most important cinematographic devices used bythe authors of the Romanian New Wave cinema include: seemingly static shots, which, however, are filmed with a camera that is constantly gently moving and observing, and tableau shots. A common feature of all the considered works is the panopticism of the film world: the private and public spaces designed in them easily become a place of constant, panoptical observation. In the summary, theauthor remarks on and briefly discusses the coexistence of the aesthetics of minimalism / realism with the melodramatic elements in the cinematic structure of Romanian New Wave films.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 71-92
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Główne nurty w badaniach nad filmem i religią
Main directions in film and religion studies
Autorzy:
Domalewski, Adam
Powiązania:
https://bibliotekanauki.pl/articles/2135406.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
motion pictures – religious aspects
religion in motion pictures
postsecularism
film theory
Opis:
The article is a meta-study and provides an original typology of research on film and religion, based on Polish and English academic sources. The author proposes to divide this field of research into four main domains, which he names successively: substantial-theological, anthropological-mythological, socio-cultural and post-secular. The following descriptive criteria were used to introduce this division: the relationship between religion and culture adopted (usually implicitly) in a given direction of research, the concept of both human and religion emerging from them, and the established subject and scope of research, as well as the basic set of tools used within them. The proposed systematic is intended to help capture the significant differences between the main types of research on film and religion, both in terms of research assumptions, methods of analysis, and set goals.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 5-25
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Portret młodego pisarza oraz nawiązania do twórczości Antona Czechowa w Dzikiej gruszy Nuriego Bilge Ceylana
Portrait of a Young Writer and References to European Literature in Nuri Bilge Ceylan’s The Wild Pear Tree
Autorzy:
Domalewski, Adam
Powiązania:
https://bibliotekanauki.pl/articles/1039174.pdf
Data publikacji:
2019-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ceylan
Nuri Bilge (1959– )
Turkish cinema
Motion pictures and literature
Trojan war
film analysis
Opis:
Domalewski Adam, Portret młodego pisarza oraz nawiązania do twórczości Antona Czechowa w Dzikiej gruszy Nuriego Bilge Ceylana [Portrait of a Young Writer and References to European Literature in Nuri Bilge Ceylan’s The Wild Pear Tree]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 343–355. ISSN 1644-6763. DOI 10.14746/pt.2019.32.18. The article focuses on topics related to literature, especially to the works of Anton Chekhov, in the latest film by Nuri Bilge Ceylan The Wild Pear Tree. Its main character, Sinan, is a young writer, while the film is set in the province of Çanakkale, where ancient Troy was located. The analysis of the picture shows that the director refers to the historicity of the myth of the Trojan War with distrust. Instead, Ceylan portrays a local community immersed in intellectual stagnation and creates his hero as an extremely unlikeable misanthropist, to whom literature cannot bring fulfillment. The character of his father, Idris, introduces another ancient motif to the film – the figure of Sisyphus. The relationship between father and son, which deepens in the finale, brings an unexpected note of optimism to the picture, which in its dramaturgy resembles Anton Chekhov’s literary worlds.
Źródło:
Przestrzenie Teorii; 2019, 32; 343-355
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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