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Wyszukujesz frazę "Taboo" wg kryterium: Wszystkie pola


Wyświetlanie 1-2 z 2
Tytuł:
O dwóch zakresach działania tabu językowego w Polsce epoki Baroku
On Two Ranges of Action of Linguistic Taboo in Poland in the Time of Baroque
Autorzy:
Cybulski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/2127766.pdf
Data publikacji:
2002
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
tabu językowe
język polski
wiek XVII-XVIII
barok
linguistic taboo
Polish language
seventeenth-eighteenth centuries
Baroque
Opis:
The paper discusses the bans on any mention about death and one's own escape from battle field: the former ban stems from the fear of death, and the latter in the shame that one feels because of this fear. Generally, one can say that in the 17th-18th centuries both bans were weaker than it is today. A detailed analysis has shown considerable differences. They are conditioned especially by the emissive-perceptual and the genre of expression. For instance, in the past the future death of the recipient was treated in a different manner than the death of the third person; the expression of an individual sender and of the collective one were shaped in a different way. A single man could speak about his fear, and the collective about its escape, but rather not the other way round (our ancestors would rationalize the collective reiterate from the battle field, treating it as a tactic manoeuvre). Death was spoken about differently in a conversation, and yet in another way in writing, or in a diary (where, for instance, the principle de mortuis nil nisi bene was not respected). The customs in particular milieus were different as well, e.g. the magnate milieu was the earliest to have seen a very delicate manner in which to inform about a close person's death. Generally, the periphrastic style was dominant. The ostentation with which the ancient Poles wrote and spoke about death make us think that they used periphrases not to hide the unpleasant fact or word, but to stress and leaven death.
Źródło:
Roczniki Humanistyczne; 2002, 49-50, 6; 83-95
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O tabu językowym w Trylogii Henryka Sienkiewicza
On the language taboo in Trylogia (The Trilogy) by Henryk Sienkiewicz
Autorzy:
Cybulski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/2170481.pdf
Data publikacji:
2018
Wydawca:
Towarzystwo Kultury Języka
Opis:
The taboo was identifi ed in the content plan and in the expression plan applicable in the 19th century and in the described period, i.e. in the 17th c. Emphasis was put on the linguistic exponents of the examined phenomenon. It was stated that Sienkiewicz did not care about a pedantic faithfulness to the language and custom of the described period. He selected such a manner of expression as was comprehensible to Polish readers and at the same time hidden from the Russian censorship. The major scopes of the language taboo is the Polish-Russian war and human sexual behaviours. The methods of disguising political contents are persistently repeated, probably in order to draw the reader’s attention. Camoufl aging the Muscovy invasion consists in blending Russia, named with the use of euphemisms, with the background of nationalities which are similar to Russians in some respects, in pars pro toto metonymy, in a metaphor of fl ood and/or fi re that blurs facts, and in periphrases. There is h ardly any periphrasis and manner of concealment in the presentation of eroticism, metaphors derive their vocabulary from various fi elds and various stylistic genres, the metonymy of the effect of an action instead of the action is used frequently.
Źródło:
Poradnik Językowy; 2018, 753, 4; 49-60
0551-5343
Pojawia się w:
Poradnik Językowy
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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