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    Wyświetlanie 1-2 z 2
    Tytuł:
    Z badań nad literaturą staropolską tworzoną przez protestantów. Wybrane metodologie
    The old polish literature written by protestants. Selected methodologies
    Autorzy:
    Chemperek, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/2048360.pdf
    Data publikacji:
    2021-10-27
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Protestantism
    methodology
    Aesopian speech
    sermon
    hymn-books
    epigram
    protestantyzm
    metodologia
    mowa ezopowa
    kazanie
    kancjonał
    epigramat
    Opis:
    The article presents four research methods that find application in the study of literary works written by Polish Protestants in the Old Polish epoch. The first one is a reconstruction of the theological (religious, ethical) programme of the writers who openly declare that they are Evangelicals or Anti-Trinitarians. What serves as a liminal case are funeral works about high-ranking people and addressed to Christians in general – here Protestant writers use the principle of denominational modesty, although in the terms of inventio their rhetoric is different from that of Catholics. The second method consists in examining the religious background of ludic works (e.g. epigrams) from the perspective of cultural hermeneutics – an analysis of symbolism, and historical and moral references. A researcher must go even deeper when analysing parenteral or didactic works addressed to general readers and promoting the Protestant ethos, usually in a subtle and consistent manner. The fourth method is usually used when studying anonymous poems (from the 17th century) or those in which the religious declaration is vague. These texts can be successfully examined using the philological method of tracking phrases from denominational Bibles and songs from popular Protestant hymn-books (“biblical and song pebbles” inlaid into the mosaic of the work). Yet, the researcher also needs to pay attention to subtle theological allusions (sometimes in Aesopian speech) that are characteristic of Protestantism.
    Źródło:
    Prace Polonistyczne; 2021, 76; 121-132
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Od „śmierdzącego dudka” po banialuki. Obraz ptaków w literaturze renesansu i baroku – rekonesans
    From ‘smelly hoopoe’ to baloney. The image of birds in the literature of Renaissance and Baroque – a reconnaissance
    Autorzy:
    Chemperek, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1036416.pdf
    Data publikacji:
    2020-12-20
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    birds
    Old-Polish literature
    ornitology
    symbolography
    hunting
    ptaki
    literatura staropolska
    ornitologia
    symbolografia
    polowanie
    Opis:
    Birds function in Polish literature of Renaissance and Baroque in three paradigms. Mostly they appear as creatures gifted with a symbolic (allegoric) meaning, seen through the prism of the tradition reaching to Aristotle’s Zoology, Physiologist, and later symbological compendia. The second category is describing birds as food or pests (especially in hunting and agricultural literature). Apart from this ‘practical’ paradigm, there is also a third one: birds as a source of an aesthetic thrill, fascination with them includes both lyricism and a ludic element. The first two categories fit into a more general utilitarian paradigm. Handbooks, treaties, sermons, fairy tales, paroemias and animal epigrams showcase birds almost exclusivelyas tools of moral, religious and conventional reflection, or as objects to be obtained and consumed. Interestingly, the symbological activity of the creators does not cease in the Renaissance and Baroque periods, the representatives of avifauna are burdened with new meanings, while the fantastic creatures slowly disappear from the creators’ fields of view. In the third group of works distinguished here, one can notice the phenomenon of the emancipation of birds as objects of interest just as they are, although their voice is heard mostly in the digressions scattered throughout the big epic works. The autonomy of birds in the literature of Renaissance and Baroque is not linear, the way of perceiving them is determined by the individual sensitivity of the authors, the most prominent of whom are Hieronim Morsztyn (early 17th century) and an anonymous translator of the Italian Adon (2nd half of the 17th century).
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2020, 20; 76-96
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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