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Wyświetlanie 1-3 z 3
Tytuł:
Body and Social Interaction—The Case of Dance. Symbolic Interactionist Perspective
Autorzy:
Byczkowska-Owczarek, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/1024364.pdf
Data publikacji:
2020-10-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Symbolic Interactionism
Body
Interaction
Sociology in Poland
Grounded Theory Methodology
Dance
Identity
Opis:
The article aims at presenting the symbolic interactionism as a useful and flexible theoretical perspective in research on the human body. It shows the assumptions of symbolic interactionism in their relation to the human body, as well as explains how basic notions of this theoretical perspective are embodied—the self, social role, identity, acting, interacting. I depict the unobvious presence of the body in the classical works of George H. Mead, Anselm Strauss, Howard Becker, Erving Goffman, and in more recent ones, such as Bryan Turner, Ken Plummer, and Loïc Wacquant. I also describe the Polish contribution to the field, including research on disability, hand transplant, the identity of a disabled person, together with the influence of sport, prostitution as work, yoga, climbing, relationships between animals and humans based on gestures and bodily conduct, the socialization of young actors and actresses, non-heteronormative motherhood, and the socialization of children in sport and dance. In a case study based on the research on ballroom dancers, I show how to relate the theoretical requirements of symbolic interactionism with real human “flesh and bones.” I depict three ways of perceiving own bodies by dancers: a material, a tool, a partner; and, two processes their bodies are subjected to: sharpening and polishing a tool. I draw the link between the processual character of the body, of the symbolic interactionist theoretical perspective, and process-focused grounded theory methodology.
Źródło:
Qualitative Sociology Review; 2020, 16, 4; 164-179
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Analytical Procedures of Grounded Theory Methodology in Research on the Human Body
Autorzy:
Byczkowska-Owczarek, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/1372499.pdf
Data publikacji:
2019-08-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
grounded theory methodology
sociology of the body
analysis
axial coding
conditional matrix
Opis:
The purpose of this article is to look into the problem of grounded theory methodology (GTM) application in social research on the human body. First, the theoretical roots of GTM in symbolic interactionism are enumerated and their consequences for applying the research strategy are described. The author presents examples of her research as an illustration of how GTM procedures enable the researcher to ingrain the body in social processes, and explains what it actually means to embed physical body in social phenomena and processes. The conclusions concerning the practice of GTM research are based on a series of empirical studies conducted by the author in the fields of dance, physical therapy, and medical work. The author argues that GTM expounds on specific procedures, which offer both methodological discipline and flexibility that is necessary for studying as challenging phenomenon as that of the human body.
Źródło:
Przegląd Socjologii Jakościowej; 2019, 15, 3; 56-69
1733-8069
Pojawia się w:
Przegląd Socjologii Jakościowej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Socially Constructed Individualist: An Interactionist Study of Role-Making among Orchestral Conductors
Autorzy:
Byczkowska-Owczarek, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/32222584.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Sociology of Music
Conductor
Orchestra
Grounded Theory Methodology
Role-Making
Social Role
Opis:
The paper analyzes the role-making of an orchestral conductor. It is framed by the symbolic interactionist perspective and focuses on Ralph Turner’s role-making theory and the works of Alfred Schütz and Howard S. Becker and associates. The research project is based on grounded theory methodology. The applied techniques include semi-structured interviews, video-elicited interviews, observations of teaching conducting and opera rehearsals, video analysis, and secondary data analysis. The results reveal how the process of role-making is shaped during secondary socialization and indicate the social features of the role, such as high social prestige, awareness of the body, an exclusive social group, and teamwork. The role-making process is based on permanent interactions and negotiations with social actors: the composer and the musical score, the orchestra, soloists, ballet, and the audience. Additionally, it is influenced by cultural factors, such as the conductor’s gender, age, nationality and international experience, competencies, as well as the type of professional contract. At the same time, conductors need to actively maintain the image of determined and resolute individualists, as expected by the social actors they interact with.
Źródło:
Qualitative Sociology Review; 2022, 18, 4; 132-152
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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