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    Tytuł:
    Ad fontem Sonam (Ep 2) Macieja Kazimierza Sarbiewskiego. Opowieść o źródłach
    Maciej Kazimierz Sarbiewski’s Ad Fontem Sonam (Ep 2). Reflexion on the Sources
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/28409073.pdf
    Data publikacji:
    2015
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Metapoetic poetry
    Intertextuality in Neo-Latin Poetry
    Sarbiewski's poetry
    Opis:
    The aim of this study is to discuss the rhetorical strategies and literary sources in Epode 2, Ad fontem Sonam. In patrio fundo, dum Roma rediisset by Maciej Kazimierz Sarbiewski (Casimir). It opens the possibility of an intertextual reading of the text (Catullus 31, Horace III 13, Ovid Metamorphoses III (407-417). My thesis is that the text, like the Horatian ode, demands a metapoetic reading. The “source Sona” and its waters, wherever located in fact, stand for an allegory of poetic inspiration, to be identified, again as in Horace, with both the poet and his poetry, but probably also with God’s grace. Thus the image of the poet’s motherland takes on a symbolic dimension and may be understood as an expression of the poetic identity of his own, a hallmark of the poet and of his individuality. In this way the poem becomes a kind of prayer and a performative act of speech.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2015, 6; 39-55
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Imitacja horacjańska w łacińskiej twórczości Jana Kochanowskiego
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/636433.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Neo-Latin poetry, Horatian imitation, Jan Kochanowski’s poetry
    Opis:
    Horatian Imitation in Jan Kochanowski’s Latin PoetryThe aim of this study is to show how Kochanowski imitated Horace in various ways and at different levels of his poetry. As to this moment, the matter has been discussed, mainly in regard to the Lyricorum libellus, by Zofia Głombiowska and Józef Budzyński. In this paper, the author briefly summarises their statements and comments upon them expressing her own view. She also mentions some other publications dealing with the Horatianism of the Polish poet to a lesser degree. The text is divided into four sections. In the first one, the author makes a brief comparison between Kochanowski and Petrarca in the context of their mental kinship with Horace that resulted in poetry which is “Horatian” not only in terms of the verba but also some ideas. The second section is devoted to the Horatianism of Kochanowski’s collection of odes (Lyricorum libellus). The author begins with a brief summary of the previously mentioned scholars’ views. She also demonstrates that some of these views may oversimplify the question of Horatian imitation in case of at least several of Kochanowski’s poems. To illustrate this, she presents an analysis of ode XI (In equum) in the context of its Horatian models; the conclusion is that in this poem, as well as in the entire collection, Kochanowski imitates Horace in a sophisticated and polyphonic way. The third part of the text, after a brief mention of the “loci Horatiani” in Kochanowski’s elegies, shows the interplay of ideas between Horatian poetry and Kochanowski’s Elegy III 1. The author puts emphasis on the fact that Kochanowski adapted some of the elegiac themes to the Horatian rhetoric. Concluding her disquisition, the author argues that Kochanowski’s Horatian imitation is neither superficial nor confined to the imitation verborum, but reaches deep in the structures of Horace’s poetry.
    Źródło:
    Terminus; 2014, 16, 2(31)
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Klemensa Janicjusza sztuka wymówki
    Clemens Ianicius’ Art of the Recusatio
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/1046591.pdf
    Data publikacji:
    2017-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the recusatio in poetry
    rhetorical strategies in poetry
    neo-Latin elegy
    Clemens Ianitius’ poetry
    Piotr Kmita’s patronage
    renaissance in Poland
    Opis:
    Rhetorical strategy called the recusatio, starting from the rejection of the epic in the Hellenistic period, developed in diverse ways in Roman poetry (Tibullus, Vergil, Horace, Martial and others). It was often connected with the poet’s declaration of his literary interest, hierarchy or program. The author’s aim is to confront these topoi with Clemens Ianicius’ realization of this strategy in three elegies: Tristia III (Excusat Petro Cmitae, Viro Illustri, Patrono suo, silentium suum Patavinum…), Variae elegiae VI (Verecunde a Petro Cmita petit, ut ei ad Italica studia subsidio sit) and Variae elegiae XI (A Franciscano quodam rogatus, ut in Scotum quiddam scriberet, se illi excusat).
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 1; 103-120
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Medycyna i ułomności ciała w lirykach i epigramatach Alberta Inesa
    Medicine and body disabilities in the poems and epigrams by Albert Ines
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/1397838.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Polska Akademia Nauk. Instytut Historii Nauki im. Ludwika i Aleksandra Birkenmajerów
    Tematy:
    poezja nowołacińska
    poezja jezuicka
    Albert Ines
    medycyna w literaturze
    neo-Latin poetry
    Jesuit poetry
    medicine in literature
    Opis:
    Albert Ines (1619–1649) was one of the most important Polish-Latin poets of the 17th century. The subject of this text is the handling of the themes of medicine, health and disease in his work on the example of odes (“Lyricorum centuria”) and the collection of epigrams. The article analyses his disparaging jokes about physicians, popular in Roman and Greek tradition, and onomastic jokes about health and caricatural imagery of the body, i.e. obesity, lack of teeth, baldness or wigs. It also points at the figures of speech pertaining to the portrayal of the frailty of the human condition.
    Źródło:
    Analecta. Studia i Materiały z Dziejów Nauki; 2020, 29, 2; 167-183
    1509-0957
    Pojawia się w:
    Analecta. Studia i Materiały z Dziejów Nauki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wzloty, odchylenia i lamenty, czyli imitatorzy wobec potrzeby nowości
    Surges, Deviations, and Laments, That Is, Imitators Versus the Need for Novelty
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/534698.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    imitation and creation
    Jesuit neo-Latin poetry
    Józef Bartłomiej Zimorowic
    Albert Ines
    Andrzej Kanon
    Opis:
    Precursors and forerunners, when they seek for novelty, establish some norms and frameworks which, in turn, become defining for poetical genres and currents. So, what is the right of an imitator to search for new paths? The subject of the article are meta-poetic declarations of creators, who willingly and consciously follow in the footsteps of their great predecessors. The author points to the metaphors by means of which the poets defend their “space of freedoms” or concede to their powerlessness. The cases of the following poets are considered: Józef Bartłomiej Zimorowic in relation to Szymon Szymonowicz, Albert Ines and Andrzej Kanon in relation to Maciej Kazimierz Sarbiewski. Especially close attention was given to problematics and contexts of Albert Ines’s words prefacing a collection of poems that are quoted and translated in the article.
    Źródło:
    Śląskie Studia Polonistyczne; 2019, 14, 2; 45-66
    2084-0772
    2353-0928
    Pojawia się w:
    Śląskie Studia Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Forma gatunkowa ody w łacińskiej poezji Jana Kochanowskiego (Lyricorum libellus)
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/636389.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    neo-Latin poetry, works of Jan Kochanowski, Horatian imitation, poetic genres, ode and its variations
    Opis:
    The ode as a genre in the Latin poetry of Jan Kochanowski (Lyricorum libellus)The aim of this study is to establish the place of Jan Kochanowski’s Lyricorum libellus (1580) in the history of Polish Renaissance Neo-Latin ode presented against a wider European background. The development of this genre in this historico-literary period in Poland has received only fragmentary reporting, e.g. in relation to Horatianism in literature or as a background for the vernacular ode. Yet, as Carol Maddison argues in her Apollo and the Nine, the Neo-Latin ode is, in a sense, a new genre revived and newly “devised” by Renaissance humanists. In her fundamental work, Maddison also presents the development of the ode and its variations in Italy and France. According to ancient patterns used by poets, Horatian odes (including Kochanowski’s odes) can be divided into the “pindaric” and the “anacreontic-sapphic.” To some extent this division coincides with the classification of odes as “political” or “private.” Similar categorisation criteria adopted by various researchers (Zofia Głombiowska, Jacqueline Glomski, Józef Budzyński) may result in individual odes being assigned to several different categories. The first part of the paper, therefore, emphasises the identity of the Neo-Latin ode and its status as a new genre strongly related to Renaissance Humanism. In the second part, the author attempts to assign particular poems from Lyricorum libellus to patterns indicated by Maddison, and deals with previous attempts at classification based on differentiating between political and private odes. She also underlines that Kochanowski frequently imitated both pindaric and anacreontic patterns through Horace. In the third part, the author analyses the strophic organisation of individual odes and their metre as well as their logical-rhetorical structure. The odes are here classified with regard to these criteria and interpreted in accordance with their historical context. The author pays close attention to the genre’s borderline between ode and hymn, stylistic “nobilitation” of lyrical poems and the outright Horationism of the collection. Lastly, she presents conclusions concerning the role of Lyricorum libellus in the development of the ode. Before Kochanowski, a significant role in the evolution of the genre was played by the so-called “university ode,” which was popular in Silesian and German poetic circles, as well as in odes by Paweł z Krosna. Kochanowski’s odes, however, bear little resemblance to this stage of the development of the genre in Poland. Imitating Horace in the spirit of such poets as Michal Marullus or Giovanni Pontano, Kochanowski demonstrates a mature awareness of the Neo-Latin ode, formed at the meeting-point of ode and hymn and constituting an element of a cycle organised in accordance with a certain idea.
    Źródło:
    Terminus; 2014, 16, 1(30)
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Semiotics of Old Age in Polish Neo-Latin Poetry. Samboritanus, Cochanovius, Treter, Sarbievius, Ines
    Semiotyka starości w polskiej poezji nowołacińskiej. Grzegorz z Sambora, Kochanowski, Treter, Sarbiewski, Ines
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/1046575.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Neo-Latin poetry
    old age in literature
    Jan Kochanowski
    Gregory of Sambor
    Thomas Treter
    Maciej Kazimierz Sarbiewski
    Albert Ines
    Opis:
    The main aim of this paper is to analyze several early-modern Neo-Latin poems written by Polish authors; the poems deal (in different ways) with old age. The poets undertake a kind of intertextual game with the reader, applying various stereotypes and clichés. On can speak about a “semiotic landscape” of old age. The authors taken into consideration are Jan Kochanowski, Grzegorz of Sambor, Thomas Treter (16th century) and Maciej Kazimierz Sarbiewski, Albert Ines (17th century).
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 2; 85-101
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Genologia i finezja. Najkrótsze pieśni Jana Kochanowskiego
    Genology and finesse: The shortest songs by Jan Kochanowski
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/1036420.pdf
    Data publikacji:
    2020-12-20
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Jan Kochanowski
    Renaissance poetry in Poland
    horatianism
    petrarchism
    small lyrical forms
    poezja renesansowa w Polsce
    horacjanizm
    petrarkizm
    małe formy liryczne
    Opis:
    The purpose of this paper is the analysis of the shortest songs from Jan Kochanowski’s collection Pieśni. These include a petrarchist Pieśń II 21, and above all, four horatian‑origin works Pieśń: I 11 (Stronisz przede mną, Neto nietykana), II 7 (Słońce pali, a ziemia idzie w popiół prawie), II 16 (Nic po tych zbytnich potrawach…) and II 23 (Nie zawżdy, piękna Zofija…). Following a short review of previous attempts at classifying Kochanowski’s Pieśni, which were made by Polish scholars, as well as considering other options of categorising lyrical songs, the author indicated the contexts of particular works, described their rhetorics and emphasised the mastery of the poet, which is manifested through the construction of such sophisticated forms. A song, under Kochanowski’s pen, became a brief but comprehensive genre. It comprised solemnity and joy, elegiac mood and frivolous joke.  
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2020, 20; 59-75
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kołczan miłości, czyli o metamorfozach starej alegorii
    The quiver of love or on transformations of an old allegory
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/2012657.pdf
    Data publikacji:
    2016-06-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    miłość świecka i święta
    alegorie miłości
    Jan Kochanowski
    Elizeusz od św. Maryi
    poezja religijna
    secular and sacred love
    allegories of love
    Elisaeus a Sancta Maria
    religious poetry
    Opis:
    The aim of this paper is to show how the allegory of an arrow piercing the heart, as an element of erotic discourse, functioned in early-modern Polish poetry (both secular and religious). The author analyses two poems: a vernacular poem by Jan Kochanowski, from his collection of Songs (I 4), published in 1585 in Krakow, and its Latin paraphrase written in 17th century by Elisaeus a Sancta Maria OCD, who was the author of a verse collection De vita, gestis ac miraculis sanctae matris nostrae Theresiae a Iesu, Seraphicae virginis Lyricorum libri IV, epodon liber unus duoque epigrammatum, published in 1650 in Krakow as well. Elisaeus calls his paraphrase a “palinody” because of its polemic tendencies. The analysis of Kochanowski’s song focuses on finding the dominant elements of each stanza for the purpose of demonstrating that the Carmelite poet saved their order, but presented them in a completely different dimension, in a new ideological context, opening a metaphysical perspective.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 211-222
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Romanticism and the Baroque – Władysław Syrokomla as a translator of Maciej Kazimierz Sarbiewski’s poetry: Theory and practice
    Między romantyzmem a barokiem. Władysław Syrokomla jako tłumacz poezji Sarbiewskiego – teoria i praktyka
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/2088449.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 17th and 19th century
    New Latin poetry
    translation theory and practice in the Age of Romanticism
    Władysław Syrokomla (1823–1862)
    Maciej Sarbiewski (1595–1640)
    Władysław Syrokomla (Ludwik Kondratowicz)
    teoria i praktyka przekładu w dobie romantyzmu
    przekłady poezji polsko-łacińskiej
    Maciej Kazimierz Sarbiewski
    Opis:
    This article outlines the approach adopted by Władysław Syrokomla (the pen name of Ludwik Kondratowicz) in his translation of Latin verse and examines, by analyzing some of the poems he translated into Polish, how it worked in practice. He believed that the translator should strive for an empathic attunement to the writers voice (Einfühlung) while ‘remaining oneself’ and that abandoning ‘slavish imitation’ was the best way to animate a poem (an approach much criticized by philological authorities). These ideas are discussed in the fi rst part of the article; the second part contains analyses of his translations of Latin odes written by Maciej Sarbiewski, i.e. Ode I 19 (Ad caelestem adspirat patriam), II 3 (Ad suam testudinem), and IV 12 (Ad Ianum Libinium. Solitudinem suam excusat). Syrokomla does not engage in any intertextual games with the ancients; instead, he adapts the original to the formal and stylistic conventions of his time, most notably the Romantic concept of the poem as a projection of a poetic consciousness (‘ego’). In effect, Sarbiewski’s (neo) classical poetic personas become versions of the Romantic hero, most conspicuously in the case of Ode IV 12.
    Źródło:
    Ruch Literacki; 2019, 3; 289-299
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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