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    Wyświetlanie 1-4 z 4
    Tytuł:
    Świat ptaków w staropolskich kolędach i pastorałkach (na materiale Kantyczek karmelitańskich z XVII i XVIII wieku)
    The realm of birds in old-Polish Christmas carols and Christmas festivity songs (based on the material of Kantyczki karmelitańskie [Carmelite canticles] from the seventeenth and the eighteenth centuries)
    Autorzy:
    Borejszo, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/1375135.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Christmas
    Christmas carol
    song
    bird
    Opis:
    The article discusses the image of birds as documented in Kantyczki karmelitańskie [Carmelite canticles] from the 17th and the 18th centuries published by Barbara Krzyżaniak in 1980. Birds are to be found in more than 30 lyrics of Christmas carols (for the total number of 357 contained in the set under scrutiny). These include mainly domestic birds, very well-known both to the authors of the canticles and to the recipients and users of Polish Christmas carols and Christmas festivity songs. In total, about 60 species of birds are specified, including two exotic birds (the canary and the parrot). The bird’s realm was used in Christmas carols for different purposes, e.g. in the descriptions of the Bethlehem shed that is inhabited by petty birds, mentioned on account of the enumeration of gifts given to Jesus by shepherds, in accounts of the Flight to Egypt by the Holy Family, and in descriptions of the joy of the whole of the world of nature at the birth of the Saviour. It is worth noting that creators of Christmas carols did not limit themselves to just mentioning names of particular species of birds, but also provide a description of characteristics, sometimes a detailed one, such as the appearance and behaviour of its particular representatives. The carols include, for example, information on the habitat of birds, type and colouring of the plumage, common sounds made by various birds, staple food of birds, the shape of the beak and the size of the gullet. The birds pictured in the Christmas carols were either members of a village band up in the air (some sort of flying band), joyfully proclaiming Good News to the world (a motif often made used of in old-Polish Christmas carols and festive songs), or gathered at the manger to perform menial services and functions in real word reserved only for humans. Birds take on typically human behaviour, show human dispositions and fancies, customs and habits (e.g. wine or beer drinking in the nuptials).
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2011, 18, 1; 89-106
    1233-8672
    2450-4939
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polskie realia w kolędach i pastorałkach XVII i XVIII wieku (na materiale tzw. Kantyczek karmelitańskich)
    The Image of the World in Christmas Carols and Songs of the 17th and 18th Century (Based on the So-called Kantyczek karmelitańskich [“Carmelite Canticles”])
    Autorzy:
    Borejszo, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/1045540.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Enlightenment
    religious lyric poetry
    song
    Christmas carol
    Opis:
    The object of research for the author of the article has been the ancient realities recorded in the texts of carols from the 17th and 18th centuries. The material originates from an extensive manuscript collection of Christmas carols and songs, comprising 357 texts, owned by the cloister of Carmelite nuns in Cracow. This invaluable written monument of religious lyric poetry was published in print by Barbara Krzyżaniak in 1980. The image of the world presented in the Old-Polish carols reflects – in a careful and detailed manner – the realities of the Baroque and the Enlightenment periods, especially the realities of poor Polish rural areas, which the authors of Christmas carols must have known firsthand. Specific saturation of Christmas songs with lay motifs can be observed in the central and closing part of the studied collection.In the lexicon found in Kantyczki karmelitańskie, which describes Old-Polish realities, two basic categories can be distinguished: one of them is composed of proper names (mainly the names and nicknames of shepherds and the names of nuns), the second – much more extensive and internally diversified – comprises the names of all kinds of objects that appear in the descriptions of shepherds’ preparations prior to their journey or merry-making at Christ’s crib. They are, for example, the information about the clothes worn by shepherds, farming implements and household objects, the means of transportation, foodstuffs, dishes, the animals reared or living free, the plants cultivated by people or growing naturally, musical instruments etc. 
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2014, 21, 1; 11-34
    1233-8672
    2450-4939
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz pasterzy w staropolskich kolędach i pastorałkach (na materiale tzw. „Kantyczek karmelitańskich” z XVII i XVIII wieku). Cz. II
    Autorzy:
    Borejszo, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/777035.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    religious lyric
    religious song
    Christmas carol
    Baroque
    Age of Enlightenment
    Opis:
    This article is an attempt at reconstructing the image reflected in Old Polish Christmas carols of the activities pursued by shepherds following the news of the Saviour’s birth. The analysed material comes from the so-called “Carmelite Canticles” written in the 18th century for the Krakow female Carmelites. The research results suggest that a large part of the stories included in the Carmelite manuscripts of Christmas carols were modelled on the compositional structure of a classic Polish Christmas carol. This consisted of three elements: 1) the angels notifying the shepherds that the Saviour was born; 2) the confusion among the awoken shepherds, their preparations for leaving and the trip to Bethlehem; 3) paying homage to the Infant Jesus on arrival, presenting their gifts, shared celebrations at the manger and the shepherds’ return home. The analysed works demonstrate that the described events bear a strong Polish touch. In old Polish carols the shepherds were presented as a group of impoverished yet well-organized members of a rural society, capable of rational decisions and specific activities in unaccustomed circumstances. Special attention should be paid to the hierarchy among shepherds; it favoured the elder and best educated individuals, collective decision-making and care for all members of the shepherding community, including those less physically fit. The image of the shepherds preserved in the carols is very realistic, diversified and dynamic. Their quite detailed descriptions give an indication of how the poor lived in Polish villages of the 17th and 18th centuries and how well these communities were organized.
    Źródło:
    Slavia Occidentalis; 2013, 70/1; 21-34
    0081-0002
    Pojawia się w:
    Slavia Occidentalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz pasterzy w staropolskich kolędach i pastorałkach (na materiale tzw. „Kantyczek karmelitańskich” z XVII i XVIII wieku)
    Autorzy:
    Borejszo, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/776810.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literature
    the Enlightenment
    religious lyric poetry
    song
    Christmas carol
    pastoral Christmas carol
    religion
    Christmas
    Opis:
    The image of shepherds in old Polish Christmas carols and pastoral Christmas carols (based on the material provided by the so-called Carmelite Canticles “Kantyczki karmelitańskie” from the 17th and the 18th centuries) Summary The article discusses the images of shepherds, that have come to be identified with Christmas, as they were created in Christmas carol songs written by Polish authors through the seventeenth and the eighteenth centuries. The study covers 358 songs included in the so-called “Kantyczki karmelitańskie” (Carmelitan Canticles) compiled and written down in the eighteenth century (presumably from the 1720s to the end of the century) for the use of the Cracow-based Carmelite nuns. In 1980, the collection of songs was published by Barbara Krzyżaniak (see Kantyczki karmelitańskie. Rękopis z XVIII wieku, przygotowała do wydania B. Krzyżaniak, Kraków 1980, 419). A thorough analysis of the collection has made it possible to identify that a large portion of the Christmas carols that introduce the pastoral thread make up for the bulk of the manuscript under scrutiny (about 46 per cent of the texts). These are original songs, deeply embedded in Old Polish social and natural reality (with mainly pastoral and rustic setting), and thus easily reaching a wide audience of the time. The image of shepherds reconstructed on the basis of the works in the collection includes such elements as: 1) Christian names, surnames (patronymics), and nicknames of shepherds (in all, more than 140 anthroponyms, included in the appendix); 2) characteristic physical and psychological features attributed to particular members of the community of shepherds; 3) the set of social rules governing the relations within the group; 4) particular distinctive and characteristic elements of represented world in which the community operated (e.g. shepherd’s attires, home utensils and equipment to be used for agricultural production, food and dairy products, farm animals and musical instruments). The author claims that the informative nature of the texts clearly indicates that the image of shepherds preserved in Christmas carols had been succumbed to a far-reaching Polonisation process. The settings for the Christmas carol songs were thus purposefully and consistently embedded in Polish local and authentic reality, which undoubtedly gave them mass appeal to people across a wide spectrum of social sectors. Keywords: literature, the Enlightenment, religious lyric poetry, song, Christmas carol, pastoral Christmas carol, religion, Christmas
    Źródło:
    Slavia Occidentalis; 2012, 69; 23-44
    0081-0002
    Pojawia się w:
    Slavia Occidentalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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