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    Wyświetlanie 1-3 z 3
    Tytuł:
    The Feature in Radio – the Elusiveness of the Genre’s Determinants. Notes on the Prix Europa Festival in the Years 2012 and 2013 in the Context of Literary Genetics
    Autorzy:
    Bachura-Wojtasik, Joanna
    Klimczak, Kinga
    Powiązania:
    https://bibliotekanauki.pl/articles/649677.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    feature
    artistic radio
    Prix Europa Festival
    Opis:
    The goal of the article is to answer the question: what do radio broadcasters in the West understand to be a ‘feature’? A lack of clarity in terminology in this respect was especially visible during the Prix Europa 2012 and 2013 festivals. The article begins with an outline of the term ‘feature’, followed by discussion of relevant festival categories, and ending with a presentation of several selected audio examples that indicate both the characteristics of the genre and cases where, in spite of divergences from these qualities, the term ‘feature’ continues to function.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 35, 5
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Feature” w radiu – wymykanie się wyznacznikom gatunku. Uwagi genologiczne po festiwalu Prix Europa w latach 2012 i 2013
    The ‘feature’ in radio – the elusiveness of the determinant genre’s features. Notes on the Prix Europa Festival in the years 2013 and 2014 in the context of literary genetics
    Autorzy:
    Bachura-Wojtasik, Joanna
    Klimczak, Kinga
    Powiązania:
    https://bibliotekanauki.pl/articles/967284.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    feature
    artistic radio
    Prix Europa Festival
    Opis:
    The goal of the article is to answer the question: what do radio broadcasters in the west understand to be a ‘feature’? A lack of clarity in terminology in this respect was especially visible during the Prix Europa 2012 and 2013 festivals. The article begins with an outline of the term ‘feature’, followed by discussion of relevant festival categories, and ending with a presentation of several selected audio examples that indicate both the characteristics of the genre and cases where in spite of divergences from these qualities, the term ‘feature’ continues to function.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 23, 1
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Słuchowisko dokumentalne a rzeczywistość
    Documentary Radio-play and Reality
    Autorzy:
    Bachura-Wojtasik, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1068793.pdf
    Data publikacji:
    2021-03-11
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    radio-play
    taxonomy of the documentary radio-plays
    the Festival Two Theaters in Sopot
    Opis:
    The article attempts to classify documentary radio-play. The research material came from 2001–2019 and included radio-plays, which were produced in the Polish Radio Theatre and in the sixteen regional Polish Radio stations, presented during the Two Theaters Festival in Sopot. The author used a quantitative and qualitative method of analyzing the medium content. The number of documentary radio-plays in relation to the number of all radioplays presented during the Two Theaters Festival in 2001–2019, then the percentage ratio of the three categories of documentary radio-plays and the percentage ratio of documentaryplays from the Polish national radio stations and regional radio stations are presented in the charts prepared by the author. In deliberating on the essence of the documentary radio-plays the author posed the following research questions: what is the interest of the authors in documentary radio-plays in relation to other radio-plays in the last twenty years?; what kind of topics are the most interested for the authors?; what historical events are reflected in the radio plot?; do artists critically review the past?; what is the formal structure of documentary radio-plays?; do the authors reach for reporter’s recordings?; and finally — what formal and compositional procedures do the creators use to influence the audiences’ involvement? However, the attitude to reality in the discussed documentary radio-plays allowed the author to divide them into the following categories: firstly — these are radio-plays based on documents, memoirs, letters, archival materials; secondly — radio plays based on documents, memories, letters, archival materials but enriched with contemporary reporter’s materials, conversations with real characters; thirdly — radio-plays about history, events, authentic characters, in which the past is the starting point for telling the author’s story.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2020, 63, 4; 71-88
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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