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Wyświetlanie 1-3 z 3
Tytuł:
Czas a tożsamość w perspektywie kulturowej — na przykładzie powieści Lisy See „ Kwiat Śniegu i sekretny wachlarz ”
Autorzy:
BRZOZOWSKA, DOROTA
Powiązania:
https://bibliotekanauki.pl/articles/957638.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Opolski
Tematy:
time
culture
identity
novel
emininity
footbinding
China
Opis:
The aim of the paper is to show the relationship between different aspects of time and the way they are built in the construction of a narrator’s identity. To highlight the cultural specific dimension of identity a book describing life in ninetieth century China has been chosen. The main heroine ofLisa Sees’s novel Snów Flower and the Secret Fan Lily is telling her life story and presents in a detailed way certain roles she has taken and the things she has had to suffer from (among them the painful footbinding) before she became who she is. The relationship between her and her laotong ‘the same’ is the core of the novel and is also vital for Lily’s self-identification. The ways in which the identity is con- structed out of cultural bound details is shown altogether with the features that make it universal no matter which culture representative they concem. The ąuestion of various types of womanhood is also vital for the paper. The elementary units proposed by Wierzbicka in relation to time are taken into consideration to describe the portrait of the novel’s heroine. The results of the analysis show that the category of NOW is of the greatest im- portance as far as identity issues are concemed.
Źródło:
Stylistyka; 2007, 16; 235-245
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kulturowe uwarunkowania tekstów humorystycznych
Autorzy:
BRZOZOWSKA, DOROTA
Powiązania:
https://bibliotekanauki.pl/articles/954191.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Opolski
Tematy:
Poles
Chinese
stereotypes
humor
culture dimensions
Opis:
The aim of the paper is to present the results of an analysis of the “Chinese Soup” comic sketch performed by the Polish “Ani Mru Mru” comedy group. The text shows in a very condensed way the (auto-, hetero- and meta-) stereotypes dealing with the culture perce- ived as the most distant one. The oppositions between Asian and European cultures be- long to the most often debated issues in a period when the cultures have morę opportuni- ties than ever to melt and meet. The appearance of new characters in the discussed genre is only a reflection of larger changes and a growing interest in oriental cultures.The theoretical framework is based on the concept of cultural dimensions (Kluckhohn, Strodtbeck 1961; Hofstede 2000; Trompenaars, Hampden-Tumer 2002) and language and cultural relations (Duszak 1998; Kramsch 1998; Wierzbicka 1999). The study of humor was conducted with the use of tools proposed in the semantic theory of humor (Raskin 1985) and in the generał theory of verbal humor (Attardo 1994).The major features present in the humorous text may be divided into three groups. The first one is connected with the language which is perceived as very difficult and incom- prehensible, and totally different from the Polish language or any other European language. The second focuses on differences in manners - especialły food habits. The third ca- tegory pinpoints visual differences and strangeness.
Źródło:
Stylistyka; 2009, 18; 337-349
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prawda i fałsz w humorystycznych opowiadaniach chińskich
Autorzy:
BRZOZOWSKA, DOROTA
Powiązania:
https://bibliotekanauki.pl/articles/615265.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Opolski
Tematy:
Chinese
culture
humour
stories
truth
dao
Opis:
The aim of the paper is to explain the differences between the concepts of truth and lie in European and Chinese cultures and to verify if the differences are visible in particular humorous stories. Another objective is to see what the consequences of lying in those stories are, and what they say about the pictured value systems. Pursuing dao was the main task in the scholarship of most of the ancient Chinese philosophers, while the Ancient Greek philosophers considered pursuing truth as their ultimate goal. Dao is a polysemous word in the ancient Chinese language, with multiple meanings of ‘way’, ‘road’, ‘walk’ and ‘speak,’ etc.To check the humorous potential of the Chinese stories, one hundred texts coming from different sources and various time spans have been taken into consideration. Some of them were old and traditional; others came from the pages of the texts for learners of Chinese as a foreign language, and still some other stories were taken from a contemporary anthology. Only five per cent of the stories deal with the subject of truth and lie, and the distribution was not equal in various sources.
Źródło:
Stylistyka; 2015, 24; 389-401
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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