- Tytuł:
- Glam “Heroines”. Gaps in Glam Historicisation from Black Self-Feminised Musicians to the Herstory of Glam Rock
- Autorzy:
- Alexi, Katharina
- Powiązania:
- https://bibliotekanauki.pl/articles/2057127.pdf
- Data publikacji:
- 2021-06-30
- Wydawca:
- Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
- Tematy:
-
historia glam rocka
glamowe piosenkarki
czarnoskóre glamowe piosenkarki
kanon muzyczny
archiwa cyfrowe
glam rock history
female glam singers
Black glam singers
musical canon
digital archives - Opis:
- The narration of glam music, especially glam rock, as queer is countered by a canonisation of male white icons in pop musicology, which is illuminated and expanded in this article. Early glam performances by self-feminised Black musicians (Ward 1998) as well as the music making of female agents of glam rock are at the center of this exploration. Firstly, an outline of the current gender and race specific remembrance of glam rock is given. Secondly, the “glamorous” origins of glam music are questioned with Ward; musical canon of glam is also re-arranged regarding the category of gender by adding the basic biographies of two further female heroines, Bobbie McGee and Cherrie Vangelder-Smith. They are present in digital (DIY) media within practices of affective archiving (Baker 2015), which enable lyrics interpretation in this paper.
- Źródło:
-
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2021, 13, 2; 7-20
2083-7275 - Pojawia się w:
- Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
- Dostawca treści:
- Biblioteka Nauki
Artykuł