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    Wyświetlanie 1-4 z 4
    Tytuł:
    Words to Be Watched
    Autorzy:
    Sitko, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/1833840.pdf
    Data publikacji:
    2019-03-22
    Wydawca:
    Mazowiecka Uczelnia Publiczna w Płocku
    Tematy:
    visual poetry
    concrete poetry
    visual perception
    materiality
    things
    Opis:
    Visual and concrete poetry reduced ad absurdum current communication conventions and refused to take for granted what is only seemingly obvious. Visual poetry “forces us to look at the text before we read it, that is, to acknowledge its physical authority.” [Willard Bohn, 1986] In the previous century, as well as in the present one, the visual, or if you will, the “scopic régime,” brought about a change of attitude to a written word. Poetry and visual arts accentuated the materiality of writing.
    Źródło:
    Społeczeństwo. Edukacja. Język; 2019, 8; 49-65
    2353-1266
    2449-7983
    Pojawia się w:
    Społeczeństwo. Edukacja. Język
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Od akrostychu do akrokonstrukcji (z historii rosyjskiej poezji wizualnej)
    From acroverse (acrostic) to acroconstruction (from the history of Russian visual poetry)
    Autorzy:
    NDiaye, Iwona Anna
    Chudasov, Ivan
    Powiązania:
    https://bibliotekanauki.pl/articles/481062.pdf
    Data publikacji:
    2010-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    acroverse
    acrostic
    acroconsttruction
    visual poetry
    Opis:
    From time, when verses begun to be written down, sound involuntarily began to be united with the letter, but if to remind hieroglyphic literature, also with the picture. Does not surprise therefore fact, that with the flow of time appeared verses, exclusively adjusted on optic reception. Among them particularly popular fixed itself acrostic - versified compositions, in which certain from the columns of letters, syllables or words created additionally the all words, sentence or opinion. Most often such columns are read from the bottom, from the top, or alternatively, were created by the first or last succeeding letters of the verse, or also could be described through so called middle, that is to say other elements of the verses inside division. In Russian literature acrostic were applied from 17th century. In the former history of literature acrostic did not enroll as the kind of high literature, at least examples we can find in poetry of S. Połocki, W. Brusow, I. Siewierianin, N. Gumilow, B. Pasternak and many other Russian poets. As a consequence of these past methods to the sphere of refined poetry and poetic tricks, and in such state are found up to now. In principle acrostic in this form, in what it still existed, was used up. However in new poetry acrostic can renew itself in the new quality within the framework, for example, of non logical verse. Besides that, the practical use of acrostic has large perspectives. We can suppose, that this form of poetic recording has before itself future in the sphere of dedication, greetings and advertisings.
    Źródło:
    Acta Polono-Ruthenica; 2010, 1, XV; 43-60
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La lettre et la figure dans Calligrammes de Guillaume Apollinaire
    The verbal and the visual in Calligrammes
    Autorzy:
    Abdelhakim, Moucherif
    Powiązania:
    https://bibliotekanauki.pl/articles/483709.pdf
    Data publikacji:
    2015
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    Guillaume Apollinaire
    visual poetry
    calligram
    verbal text
    polysemy
    painting
    Opis:
    This article is devoted to Guillaume Apollinaire original poetic experience’s who tried to found a synthetic art combining heterogeneous semiotic systems such as painting and poetry. We propose, then, to study the various complementary relationship, polysemy or counterpoint established between the letters, poetic text and pictorial images.
    Źródło:
    Quêtes littéraires; 2015, 5; 109-118
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Écrire l’image dans l’espace – transgression des formes poétiques au début du XXème siècle
    Write the image in space – transgression of poetic forms in the early twentieth century
    Autorzy:
    Kukuryk, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/483711.pdf
    Data publikacji:
    2015
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    French modernism
    graphic signs
    ideogram
    bilingual masterwork
    visual poetry
    Opis:
    The aim of this article is to present the connections between literature and art, as well as a graphic and artistic sing. The main subject of the study is the problem of typography, pictography, calligraphy and the visualisation as a sign created from the merging of a verbal code and a drawing representation. The dialogue of two sisters, due to which poetry has become a verbal painting /pictura loquens/, exhibits the variety of artistic creations based on the selected French literature of the early 20th century. The new tendencies which provoked the writers and painters, they could define the plasticity of words and pictures, as well as discover similarities of these two layers. The study attempts to discuss the co-existence and co-implication of the verbal codes and pictorial codes.
    Źródło:
    Quêtes littéraires; 2015, 5; 99-108
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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