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Wyświetlanie 1-2 z 2
Tytuł:
Unknown Аrchaic Тranslation of Sermon 5 from John of Sinaya’s Scala Paradisi, in a Serbian Manuscript from the 14th Century
Неизвестен архаичен превод на слово 5 от Лествицата на Йоан Синайски в сръбски ръкопис от XIV век
Autorzy:
Спасова, Мария
Powiązania:
https://bibliotekanauki.pl/articles/635904.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
translation
variant
edit
version
grammatical archaism
innovation
Opis:
The subject of this research is an unknown Slavic translation of Sermon 5 John of Sinaya’s Scala Paradisi (Lestvica) in a Serbian Menaion and Triodion Panagyric, rewritten from an old Bulgarian antigraph which has preserved the archaic grammatical traits of the prototranslation. In the sermon’s text, forms of asigmatic aorist and first sigmatic aorist with a preserved “s” are being registered, as well as non-contrahered forms for imperfect, forms of past active I participle formed with suffix -ьш- from verbs with a base ending on -и-, possessive adjectives as a translation of the Greek genitive case for possession, usage of a local prepositionless, excessive prepositionless usage of ablative case, descriptive future with a preponderance of forms of хотѣти + infinitive, dual number forms, non-contrahered forms of complex (determinative) adjectives, etc. The translation of the sermon of the transcript in NHM24 includes rare lexemes that attribute it to the early translations of Cyril and Methodius. It demonstrates similarities to the Glagolitic translations of the hand-written cannon of 10th–11th century.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 14
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sacred music by Amandus Ivanschiz: attributions and variants of extant compositions
Autorzy:
Jochymczyk, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/780363.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Amandus
Ivanschiz
Ivancic
eighteenth-century church music
Mass
litany
sources
variant
version
Opis:
The Pauline father Amandus Ivanschiz (1727-1758) was a composer whose music heralded the style of the early Classical period. He worked mainly in Austria (Wiener Neustadt and Mariatrost), as well as in Rome (it has recently been established that he spent three years there). His sacred music, especially masses, litanies and cantata-style pieces to non-liturgical texts, has been preserved in numerous manuscripts (over 260 items) held in eight countries of Central Europe (Austria, the Czech Republic, Germany, Poland, Slovakia, Slovenia, Switzerland and Hungary). Comparative analysis of all the manuscripts allows one to distinguish several problems commonly encountered in research into eighteenth-century musical sources, such as variants, multiple versions of works and contradictory attributions of authorship, further exacerbated by the lack of originals. This article focusses on the most recent findings relating to Ivanschiz’s life and religious music, as well as discussing and illustrating discrepancies between various copies of the same compositions by reference to selected works. We will also consider the differentiation of authorial variants from variant versions arising from custom.
Źródło:
Interdisciplinary Studies in Musicology; 2012, 11; 251-264
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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