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Wyświetlanie 1-3 z 3
Tytuł:
Djangan, njô… tida boleh njô! – Zu den Translationsmodalitäten im Hinblick auf Elemente der dritten Kultur
“Djangan, njô… tida boleh njô!” – On the translation modalities with regard to the third culture elements
Autorzy:
Gąska, Michał
Powiązania:
https://bibliotekanauki.pl/articles/51975416.pdf
Data publikacji:
2021-11-11
Wydawca:
Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
translation modalities
fidelity
freedom
foreignness
third culture elements
Opis:
The present article aims to scrutinize the translators’ strategic approaches to the third culture elements. The analysis is being conducted in the light of the translation modalities according to Żmudzki (2015a; 2015b): the possible fidelity to the source-text and the necessary freedom from the source-text. For this purpose the novel Rubber (1931) written by the Dutch writer Madelon Székely-Lulofs and its renderings into English (1933) by Gustaaf Johannes Renier and Irene Clephane and into German (1934) by Walther Hjalmar Kotas have been analysed. The confrontative analysis of the translation techniques used with regard to the third culture elements shows two different approaches of the translators. Furthermore, in case of the English rendering the question arises, whether the limit of the necessary freedom from the source-text has not been exceeded, i.e. whether the English version can still be considered a translation or rather an adaptation.
Źródło:
Studia Translatorica; 2021, 12; 41-56
2084-3321
2657-4802
Pojawia się w:
Studia Translatorica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Orientalizmy jako elementy trzeciej kultury w tłumaczeniu „Sonetów krymskich” na język niemiecki
Orientalisms as third culture elements in the translation of The Crimean Sonnets into German
Autorzy:
Gąska, Michał
Powiązania:
https://bibliotekanauki.pl/articles/1191837.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
The Crimean Sonnets
third culture elements
orientalism
translation technique
rendering
Opis:
“The Crimean Sonnets” written by Adam Mickiewicz, which are the literary fruit of the poet’s journey to the Crimea, express his admiration of the peninsula, which the poet called “the East in miniature”. The fascination with the Orient in the Crimean cycle manifests itself not only in applying oriental motifs, which were taken from Arabic or Persian literature, but also in rich vocabulary referring to elements of Turkish, Arabic, Tatar, and Persian culture. Given the fact that in the translation process of “The Crimean Sonnets” from Polish into German these elements are foreign to both the source and target culture, they can be defined as the third culture elements according to Dorota Urbanek. The purpose of this article is to analyse translation techniques used to convey selected orientalisms in “The Crimean Sonnets” in the rendering by Martin Remané and Dirk Strauch. The analysis of the techniques allows to determine whether the translators retained the local colour of the oriental Crimea by preserving the foreign elements or whether they tried to domesticate their rendering.
Źródło:
Studia Translatorica; 2019, 10; 205-221
2084-3321
2657-4802
Pojawia się w:
Studia Translatorica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Der indirekten Translation auf der Spur – Koelie von Madelon Székely-Lulofs in polnischer Übersetzung
On the trail of the indirect translation – Koelie written by Madelon Székely-Lulofs rendered into Polish
Autorzy:
Gąska, Michał
Powiązania:
https://bibliotekanauki.pl/articles/1191709.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
indirect translation
literary translation
third culture elements
translation technique
rendering
Opis:
The present article deals with the indirect translation, which is conceived by many translation theoreticians as an inadvisable practice. The aim of the paper is to prove that the Polish rendering of the novel “Koelie” by the Dutch writer Madelon Székely-Lulofs is in fact an indirect translation. The case study draws on a triangulation method consisting of peritextual, epitextual and comparative analysis. The epitextual analysis enabled to advance a hypothesis, that the translator of the novel into Polish – Herminia Bukowska – might have rendered indirect either via the German or English version. On the basis of the comparative analysis of the source text with its renderings into German, English and Polish carried out with regard to the so-called third culture elements, was it possible to verify this hypothesis. The comparison revealed quite a few unambiguous similarities between the Polish and German rendering in the translators’ approach in relation to the mentioned translation units, which in turn differ from the source text.
Źródło:
Studia Translatorica; 2020, 11; 9-26
2084-3321
2657-4802
Pojawia się w:
Studia Translatorica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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