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Wyświetlanie 1-3 z 3
Tytuł:
Ślązacy a teoria sztuki ogrodniczej od XVI do XVIII w. w świetle zbiorów Biblioteki Uniwersyteckiej we Wrocławiu
The Silesians and theories of garden art from the 16th to the 18th century with new research from the Wroclaw University Library collection
Autorzy:
Brzezowski, W.
Powiązania:
https://bibliotekanauki.pl/articles/294224.pdf
Data publikacji:
2013
Wydawca:
Politechnika Wrocławska. Oficyna Wydawnicza Politechniki Wrocławskiej
Tematy:
teoria
sztuka ogrodowa
Śląsk
theory
gardening
Silesia
Opis:
O randze, jaką nadawano ogrodom w okresie renesansu i baroku, świadczyć mogą nie tylko realizacje, ale także liczba poświęconych im traktatów. W kolekcji starodruków Biblioteki Uniwersyteckiej we Wrocławiu znajduje się pokaźny zbiór dzieł poświęconych agronomii, botanice i sztuce ogrodowej. Znaczna ich część była w użyciu na Śląsku w XVII i XVIII w., pochodzą one bowiem ze zbiorów dawnych bibliotek wrocławskich czy śląskich bibliotek klasztornych. Ale Ślązacy byli nie tylko biernymi odbiorcami dzieł poświęconych ogrodom, mieli także swój udział w rozpowszechnianiu wiedzy o sztuce ogrodniczej. Już w 1590 r. ukazało się dzieło poświęcone agronomii autorstwa Martina Grossera, proboszcza z podwrocławskiej miejscowości Szewce (Schewitz). W 1664 r. wydano w Brzegu traktat Johanna Christofa Hibnera, ogrodnika książęcego w Oławie, zatytułowany Horticultura [...]. Znajduje się tam pierwsza w historii Śląska wzmianka o ziemniaku. Praca ta zawiera także wykaz roślin ogrodowych zajmujący ponad 40 stron. Wydaje się mało prawdopodobne, by w owym czasie wszystkie z wymienionych przez Hibnera roślin były uprawiane w Śląskich ogrodach i tekst ten jest raczej wyrazem idealnej wizji. Niemniej miał on niewątpliwy wpływ na rozpowszechnienie nowych tendencji w sztuce ogrodowej. Podobną funkcję pełniło drugie z XVII-wiecznych dzieł śląskich ogrodników – opublikowany w 1692 r. traktat Georga Herbsta Des Schlesischen Gärtners Lustiger Spatziergang. Autor pełnił funkcję ogrodnika księcia oleśnickiego Christiana Ulricha von Würtemberga. Wydarzeniem wykraczającym poza teren Śląska było wydanie we Wrocławiu w 1708 r. niemieckiego tłumaczenia dzieła Curiositez de la nature et de l’art sur la végétation, którego autorem był Pierre le Lorrain de Vallemont. Tłumaczem dzieła był członek wrocławskiej rady miejskiej Ferdinand Ludwig von Breßler und Aschenburg. Wymienić tu także trzeba wydrukowane w 1727 r. w drukarni wrocławskiego kolegium jezuickiego poświęcone ogrodnictwu dzieło Jacques’a Vanière’a Praedium rusticum. We wrocławskich zbiorach znajduje się obecnie także wiele innych traktatów ogrodniczych. Znaki własnościowe i dawne numery inwentarzowe wskazują, że większość z nich należała do dawnych bibliotek śląskich, a więc była tu znana i z całą pewnością oddziaływała na poziom sztuki ogrodniczej na Śląsku.
The importance endowed upon gardens in the period of the Renaissance and the Baroque may be witnessed not only in realizations but also in the number of treatises devoted to them. In the collection of old prints of the Wroclaw University Library there is a substantial collection of works devoted to agronomy, botany and garden art. A considerable part of them was used in Silesia in the 17th and 18th centuries, as they originate from collections of old Wroclaw libraries or Silesian monastic libraries. But the Silesians were not only passive recipients of works devoted to gardens, they also participated in propagating the knowledge of garden art. As early as 1590 there appeared a work devoted to agronomy, whose author was Martin Grosser, a parish priest from Szewce (Schewitz) near Wroclaw. The treatise of Johan Christof Hibner, Horticultura [...], was published in 1664. Hibner was a gardener of the duke of Oława. For the first time in the history of Silesia the potato was mentioned in this work. It also contains a register of garden plants of over 40 pages. However, it seems hardly possible that at that time all the plants mentioned by Hibner were cultivated in Silesian gardens and this text is more of an expression of an ideal vision, nevertheless, no doubt, it had an influence on spreading new tendencies in the art of gardening. A similar function was performed by another 17th century work of Silesian gardeners – the treatise of Georg Herbst Des Schlesischen Gartners Lustiger Spatziergang, published in 1692. The author performed the function of the gardener of duke Christian Ulrich von Würtemberg. An event which went beyond the area of Silesia was the publishing in Wrocław in 1708 the German translation of the work called Curiositez de la nature et de l’art sur la végétation, written by Pierre le Lorrain de Vallemont. The translation of this work was carried out by Ferdinand Ludwig von Bresler und Aschenburg, a member of the Wrocław municipal counsel. The work of Jacques Vanière Praedium rusticum devoted to gardening and published in 1727 by the printing house of the Jesuit College, should also be mentioned here. There are many other garden treatises in the collections of Wrocław. Ownership signs and one-time inventory numbers indicate that most of them belonged to former Silesian libraries and so this points to the fact that it was known and with all certainty influenced the art of gardening in Silesia.
Źródło:
Architectus; 2013, 1(33); 3-10
1429-7507
2084-5227
Pojawia się w:
Architectus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogród Europy – Valtice-Lednice
European Garden - Valtice-Lednice
Autorzy:
Liszewski, M.
Wodzicki, R.
Powiązania:
https://bibliotekanauki.pl/articles/1186538.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
sztuka ogrodowa
ogród
Europa
gardening art
garden
Europe
Opis:
Gardening art is an important element of the national culture of various countries but it is also a common European heritage. A good example supporting that thesis is the landscape complex Valtice-Lednice, situated in Moravia in the Czech Republic. This 150 ha area on the border of Czech, Slovakia and Austria was for almost 700 years shaped by the Liechtenstein family. The power of the family progressed throughout years and found its emanation in a form of a bombast palace in Valtanice which became the main seat of the family in 1608. Lednice, situated 7 km farther, were a summer estate of princes. Experiments on gardening art were run in the park situated there. At the beginning of the 17th century Charles the 1st starts, and his son continues the rebuilding of the palace in Lednica and development of a garden in a baroque style. Supervised by European experts in the field of architecture and gardening art, terraces richly decorated with flower beds, sculptures and fountains. At the end of the 17th century, Fisher von Erlach builds a manieristic building of a Riding School in the surroundings of a baroque palace. In the 18th century, the park was reorganized in a French baroque style, according to rules by Le Nôtre, reducing decorative flower beds and opening visual axes to the surrounding landscape. Also in that period were created the first elements (i.e. monumental lane) which connect Valtice and Lednice in one vast area of a landscape park. The important changes in Lednice occur in 1805-1811, when prince John Joseph he 1st, with a great amount of funds and work, creates an enormous pond with islands in the park and the river Dyje runs along a different bed. In that period the whole area between Lednice and Valtice is connected into one complex of a landscape park, created a so-called decorative farm, where usable and decorative functions of the garden were skillfully connected. In the middle of the 19th century the palace in Lednice is rebuilt in the English neo-gothic style. A orangery of cast iron was also created where a rich collection of tropical plants was placed. For creating an appropriate surrounding, the next owner of the estate ? John Joseph the 2nd- buys, and next demolishes a part of a village to the south of the palace, where a baroque garden is created according to the design of Florentine, Vicenzo Michelli. The garden is divided by two main axes, vertical to each other. Among flower beds and bosquets, two collections of plants were founded: rosary on the east side and pintum ( a collection of pine trees), and arboretum and perrenial garden on the west. A precursory method to replant trees of considerable sizes was used to prevent the differences in age and height of the trees in comparison to the rest of the park. Valtice-Lednice complex can be divided in two parts: sentimental part-garden set in Lednice and the remaining area, shaped into a romantic landscape park. The whole is preserved in good shape and in 1996 both places together with their surroundings were included on the List of World Heritage of Culture and Nature UNESCO.
Źródło:
Architektura Krajobrazu; 2006, 3-4; 42-47
1641-5159
Pojawia się w:
Architektura Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stan zachowania historycznych ogrodów Czech, Niemiec i Anglii
State of Preservation of Historical Gardens in the Czech Republic, Germany and Great Britain
Autorzy:
Liszewski, M.
Powiązania:
https://bibliotekanauki.pl/articles/1186551.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
ogród
sztuka ogrodowa
historia
Czechy
Niemcy
Anglia
garden
gardening art
history
preservation
Czech Republic
Germany
Great Britain
Opis:
Gardening art is an important element of national culture. It often consolidates and unites societies of various nations. It also provides historical continuity in the history of separate countries. We can see it for ourselves while traveling around neighbouring countries: The Czech republic, Germany and Great Britain. The place worth seeing in our southern neighbours is a Baroque garden situated in the former health resort of Kuks, where the most celebrated representatives of mid-European aristocracy and the world of art spent their time between the 17th and 18th century. On the other hand the great family of French aristocratic elite - Rohans settled in the Czech Paradise. Royals of Austria and France visited their estate and admired this most beautiful park in the English style. Czech Prague can pride itself on marvelous architectonical works of art from the Renaissance period, i.e. Belveder on Hradcan hill. In Großsedlitz near Dresden is situated the most wonderful garden of King Augustus the Strong - Saxon Elector and King of Poland. The most celebrated architects and designers of European gardens of those times, such as : Heinrich Brühl, Matthäus Daniel Pöppelmann, or Carl Friedrich Pöppelmann worked for the Saxon court. In the capital of Prussia - Berlin, we can find the traces of work by famous French garden designers, S. Godeau and J.P. Lenné, who created the palace - garden set - Charlottenburg. In the times of Prussian prosperity, the castle and Rococo garden of Sanssouci in Potsdam was created. The spiritual capital of England still remains Canterbury together with its medieval Cathedral, but Windsor and Hampton Court Palace can be seen as a symbol of laic authority. Queen Victoria made Windsor, the old Gothic fortress, her main abode and there she buried her husband, Prince Albert. The castle is surrounded by great Windsor park. Hampton court had its blooming period during the Tudor reign. The Pond Gardens and The Knot Gardens are examples of gardens from the times of Henry VIII. The Privy Garden is an original garden set in the Dutch style modeled on a private garden of William II. But the best known garden-park set in England is London Kew Gardens also known as the Royal Botanic Gardens. About 50.000 plant species were gathered in a 120 ha park, and such famous architects as Chambers and Nesfield took part in its creation. London Greenwich Park and French Versailles are connected by the name of a famous garden designer - Le Nôtre. We can conclude from that short trip around Europe that gardening art had no borders, and it's inspirations were common to the sponsors and creators from those days irrespective of their origin.
Źródło:
Architektura Krajobrazu; 2006, 3-4; 96-101
1641-5159
Pojawia się w:
Architektura Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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