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Wyszukujesz frazę "suicide in literature" wg kryterium: Wszystkie pola


Wyświetlanie 1-2 z 2
Tytuł:
Les tourments de l’absence dans Gazole de Bertrand Gervais
The torments of absence in Bertrand Gervais’s Gazole
Autorzy:
Kapołka, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/483659.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Quebec literature
suicide
death
absence
identity
Opis:
In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touched by her partner’s newly developed indifference to her, delves into an investigation into the causes of Lancelot’s suicide. Being increasingly fascinated by the figure of Lancelot, Gazole reconstructs a new picture of him. Pieces of memories conjured up by those who knew Lancelot, like incomplete pieces of a puzzle, make Gazole form a romantic image of his absence. The mysterious and tragic figure of the young poet who chose to extinguish himself fires the woman’s imagination, who fantasizes about a sentimental and erotic relationship with him. An emptiness created by the suicide forces the woman to ponder over the nature of death, an eternal absence. Obsessed with this imaginary presence of Lanelot, Gazole has to set herself free from its influence, which causes her to flirt with a razorblade in a bathtub. The foray into Lancelot’s suicide gives Gazole an insight into her own true identity. Gazole discovers her internal feminine strength and frees herself from the shackles of Lancelot’s mental and sexual hold.
In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touched by her partner’s newly developed indifference to her, delves into an investigation into the causes of Lancelot’s suicide. Being increasingly fascinated by the figure of Lancelot, Gazole reconstructs a new picture of him. Pieces of memories conjured up by those who knew Lancelot, like incomplete pieces of a puzzle, make Gazole form a romantic image of his absence. The mysterious and tragic figure of the young poet who chose to extinguish himself fires the woman’s imagination, who fantasizes about a sentimental and erotic relationship with him. An emptiness created by the suicide forces the woman to ponder over the nature of death, an eternal absence. Obsessed with this imaginary presence of Lancelot, Gazole has to set herself free from its influence, which causes her to flirt with a razorblade in a bathtub. The foray into Lancelot’s suicide gives Gazole an insight into her own true identity. Gazole discovers her internal feminine strength and frees herself from the shackles of Lancelot’s mental and sexual hold.
Źródło:
Quêtes littéraires; 2012, 2; 152-161
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dzieci przez matkę odrzucone. „Zbędni ludzie rewolucji” w prozie Mykoły Chwylowego
Children Abandoned by Their Mother. Redundant Revolutionaries in Prose Works by Mykola Khvylovye
Покинутые дети. "Лишние люди революции" в прозе Мыколы Хвыловего
Autorzy:
Nowacki, Albert
Powiązania:
https://bibliotekanauki.pl/articles/50386523.pdf
Data publikacji:
2014-08-24
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
лишние люди
Николай Хвылевый
обломовщина
лишние революционеры
украинская литература
zbędni ludzie
Mykoła Chwylowy
obłomowszczyzna
zbędni rewolucjoniści
literatura ukraińska
rozczarowanie
“redundant people”
Mykola Khvylovy
oblomovism
“redundant revolutionaries”
Ukrainian literature
disillusionment
suicide
Opis:
The article takes up the subject of „redundant people” in the interwar Ukrainian literature. Although this literary image originated in English literature, it evokes almost immediate associations with Russian literature, including writings by Alexander Pushkin, Ivan Turgenev, or Ivan Gonczarov. The present article proves that this literary motif can also be traced in Ukrainian literature, especially in the writings by Mykola Khvylovy. The author of the article makes an attempt to prove that Khvylovy did not limit himself to draw from Russian literature, but forwarded his own idea of a “redundant man.” In his own view, the idea referred to a “redundant revolutionary” — a former participant of the revolution, who — after it has ended — feels abandoned, which in fact deepens his frustration and disillusionment.
Źródło:
Rusycystyczne Studia Literaturoznawcze; 2014, 24; 157-168
0208-5038
2353-9674
Pojawia się w:
Rusycystyczne Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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