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    Wyświetlanie 1-3 z 3
    Tytuł:
    Речевой жанр комплимента в современной российской коммуникации
    Autorzy:
    ВОРОНЦОВА, ТАТЬЯНА А.
    Powiązania:
    https://bibliotekanauki.pl/articles/615340.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    compliment
    speech genre
    speech etiquette
    colloquial style
    Opis:
    Unlike the majority of linguistic researchers, we consider the compliment as a speech genre, and a praise as a speech tactic of a positive assessment of the addressee. This tactic is the main and only speech tactic designed to serve the complimentary purpose, which expresses a positive attitude towards the interlocutor. Specifics of the compliment as a speech genre are defined by it possessing communicative independence and completeness. Unlike other genres of speech etiquette, the compliment is not attached to a certain situation and represents a facultative element of phatic communication. The etiquette essence of a compliment presupposes a certain convention of its contents, therefore theoretically it is supposed that the stated positive assessment shouldn’t be verified by the addressee. However, the importance of the category of sincerity for the Russian language consciousness determines the fact that in modernRussian communicative culture there is a special style of compliment which is caused by an aspiration of the sender to evoke trust of the interlocutor to the contents of a statement made. Markers of this style are various language emotional and estimated means and the structural-syntactic features particular to spontaneous informal conversation.
    Źródło:
    Stylistyka; 2015, 24; 271-282
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    СТИЛЬ И СЛОВО
    Style and the word
    Autorzy:
    Duskajeva, Lilia
    Salimowskij, Wladymir A
    Powiązania:
    https://bibliotekanauki.pl/articles/615369.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    style
    Gajda
    word
    speech genre
    language games
    Opis:
    The reorientation of linguistics to the study of the regularities of its functioning in stylistics, manifested in the fact that functional style has been regarded as a type of language in any sphere of human activity, regards language in the aspect of differentiation and modification in the basic speech varieties. It is not by chance that text samples from different areas of communication are used in frequency dictionaries. Understanding style as a way to integrate speech performance first put forward the questions of the compositional-semantic organization of the text, the realization of its categories, constructive principles, and techniques. In functional stylistics studies the two main areas – the use of language and the organization of a speech performance – are analyzed as complementary, but cohesion requires understanding the regularities of the functioning of language units in a text with many objectives, updated in texts of the given sphere. To resolve this problem, it is reasonable to rely on the notion of speech genres, each of which is a sequence of standard cognitive-communicative actions – structural elements acting as an object in the text of spiritual socio-cultural activities. The analysis of these actions has revealed and systematized lexical units in communicative composition of language material (Gasparov 2010). This text-centered study of functioning of lexical and other means is of interest not only for the theory of style (and, more broadly, in speech study), but also to practice learning the language in its functional varieties.
    The reorientation of linguistics to the study of the regularities of its functioning in stylistics, manifested in the fact that functional style has been regarded as a type of language in any sphere of human activity, regards language in the aspect of differentiation and modification in the basic speech varieties. It is not by chance that text samples from different areas of communication are used in frequency dictionaries. Understanding style as a way to integrate speech performance first put forward the questions of the compositional-semantic organization of the text, the realization of its categories, constructive principles, and techniques. In functional stylistics studies the two main areas – the use of language and the organization of a speech performance – are analyzed as complementary, but cohesion requires understanding the regularities of the functioning of language units in a text with many objectives, updated in texts of the given sphere. To resolve this problem, it is reasonable to rely on the notion of speech genres, each of which is a sequence of standard cognitive-communicative actions – structural elements acting as an object in the text of spiritual socio-cultural activities. The analysis of these actions has revealed and systematized lexical units in communicative composition of language material (Gasparov 2010). This text-centered study of functioning of lexical and other means is of interest not only for the theory of style (and, more broadly, in speech study), but also to practice learning the language in its functional varieties.
    Źródło:
    Stylistyka; 2017, 26; 25-39
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gatunek pamięci zbiorowej. Rekonesans
    Collective Memory genre. Reconnaissance
    Autorzy:
    Wójcicka, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/615316.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    collective memory
    speech genre
    memory genre
    sign
    language style
    Opis:
    Collective memory, defined as ‘acollection of imagesof community members about their past which are included in cultural texts,’ (Wójcicka 2015: 68), ‘images about the past activated in the process of social communication in order to meet the cul-tural and political needs of the present’ (Czachur 2018: 11), is unavailable directly. It can be reached only through representation of the past expressed in different kinds of signs. Thus, collective memory has the character of a sign. Based on that assumption, the author presents the style and genre diversity of collective memory. She shows the role of language style in collective memory and puts forward a ques-tion about what function speech genre has in remembering, recalling, reminding and forgetting. She presents complex relations between memory and speech genre, which she treats as a sign of oblivion. In the last part of the article, the author offers a typology of memory genres distinguishing primarily (intentionally) mnemonic and secondarily(functionally) mnemonic genres.
    Źródło:
    Stylistyka; 2019, 28; 79-90
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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