Wszystkie pola: Beata, Tarnowska - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Nostalgia za Początkiem. „Mały Tel Awiw” i jego audiosfera w Tel Awiw haKtana Natana Altermana
Autorzy:: Tarnowska, Beata
Powiązania:: https://bibliotekanauki.pl/articles/458527.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: audiosphere
space
city
nostalgia
Natan Alterman
Opis:: The subject of this article is the image of old Tel Aviv and its phonic space in Natan Alterman’s prose. A characteristic quality of the Tel-Aviv audio-sphere is mutual permeation of sounds which are part of the world of nature and those generated by people and their civilizational activity. On the one hand, the poet expresses his pride of the growing city, whose noise, interpreted as a manifestation of youthful dynamism, becomes a sign of transformation into a big metropolis, but, on the other hand, reveals a nostalgia for the past: both connected with the origins of the city, as well as with the distant diaspora.
Źródło:: Białostockie Studia Literaturoznawcze; 2014, 5
2082-9701
2720-0078
Pojawia się w:: Białostockie Studia Literaturoznawcze
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Kamień i ból. Obraz Jerozolimy w poezji Jehudy Amichaja
Pain and Stone. Jerusalem in Jehuda Amichai Poetry
Autorzy:: Tarnowska, Beata
Powiązania:: https://bibliotekanauki.pl/articles/951657.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: poetry
space
city
Jerusalem
Jehuda Amichai
Opis:: The article presents the image of the Holy City of Jerusalem in the poetry of one of the most distinguished Israeli artists, Jehuda Amichai. Here, the imagery includes the dominant motifs of stone, water, and light. Stone, as shown in the images of soaring temples and houses, symbolizes, on the one hand, power and stability; it guards the past and expresses religious zeal. On the other hand, however, it emerges as if from “below” to represent decay, chaos, oblivion, and death. Mourning associates stone with water – through the image of tears or sea – and with artificial light, which again is semantically negative. Furthermore, while the light, for example, helps to reveal the nocturnal glory of ancient architecture, it becomes associated with the lightning – the biblical symbol of God’s wrath. Eventually, it warns us and, at the same time, foresees the impending catastrophe.
Źródło:: Białostockie Studia Literaturoznawcze; 2015, 6
2082-9701
2720-0078
Pojawia się w:: Białostockie Studia Literaturoznawcze
Dostawca treści:: Biblioteka Nauki

Artykuł

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