Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Short story" wg kryterium: Wszystkie pola

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 40
Tytuł:
The Petty Theft of Fiction – V. S. Pritchett and the Moderate Short Story
Autorzy:
Wojtyna, Miłosz
Powiązania:
https://bibliotekanauki.pl/articles/888636.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
V. S. Pritchett
short story
recalcitrance
crime
closure
eventfulness
Opis:
The article presents the most important formal and thematic characteristics of V. S. Pritchett’s short stories, and attempts to provide an analytical paradigm for what seems to be an original form of social realist short fiction. By analysing themes (crime, above all others), characterisation, eventfulness, and rhetorical closures of selected stories, the author of this article draws attention to the importance of stasis and recalcitrance in the texts, and aims to address the problem of the relative neglect V. S. Pritchett’s short fiction has suffered from in the critical debates of the last few decades.
Źródło:
Anglica. An International Journal of English Studies; 2016, 25/1; 109-123
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dwa zapomniane opowiadania
Two Forgotten Short Stories
Autorzy:
Zarębińska-Broniewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/699650.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
opowiadanie
Maria Zarębińska-Broniewska
short story
Opis:
Two short stories by Maria Zarębińska-Broniewska
Dwa opowiadania Marii Zarębińskiej-Broniewskiej
Źródło:
Narracje o Zagładzie; 2020, 6; 327-331
2450-4424
Pojawia się w:
Narracje o Zagładzie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hrvatska kratka priča i Antun Gustav Matoš
Croatian Short Story and Antun Gustav Matoš
Autorzy:
Sablić Tomić, Helena
Powiązania:
https://bibliotekanauki.pl/articles/635730.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
modernism
short story
Antun Gustav Matoš
plot
citation
Opis:
Antun Gustav Matoš has affirmed the Croatian short story and that is why his short story collections have initiated a major „breakthrough” in terms of this genre’s reception. His narrative oeuvre includes the following collections: Iverje (Wood Shavings, 1899), Novo iverje (New Wood Shavings, 1900) and Umorne priče (Tired Tales, 1909). Depending on the type of motif, his short stories have been read as follows: 1. stories about local people and events; 2. humorous stories about people at home and abroad; 3. stories about unusual, unbelievable „unreal” events; 4. stories of enchanting and yearning love; 5. lyrical cadenzas. His symbolic-grotesque-fantastic story Moć savjesti (The Power of Conscience) marked his entry into the world of narrative literature. In this story, the binary relationship between the theme and the motif is recognised in the gap between the world of wakefulness and the world of dreams, reality and fantasy, what is real and what is unreal, the actual life and the ideal life, the object and the subject. At the same time, however, Matoš is trying to unite these opposites. In his other short stories, unusual plots become an expression of a deep ontological crisis which engulfed the European culture and art during modernism. The maxim of modern art at the turn of the century is „the world is a text”: art is a subjective reconstruction of the world and therefore plots, with all their logical cause and effect relationships, are no longer important since they cannot express other spheres of consciousness. In his short stories, the bizarre plots were used by Matoš to join two worlds, the world of outward reality and the world of imagination, the empirical and the fantastic, the possible and the impossible.
Antun Gustav Matoš has affirmed the Croatian short story and that is why his short story collections have initiated a major „breakthrough” in terms of this genre’s reception. His narrative oeuvre includes the following collections: Iverje (Wood Shavings, 1899), Novo iverje (New Wood Shavings, 1900) and Umorne priče (Tired Tales, 1909). Depending on the type of motif, his short stories have been read as follows: 1. stories about local people and events; 2. humorous stories about people at home and abroad; 3. stories about unusual, unbelievable „unreal” events; 4. stories of enchanting and yearning love; 5. lyrical cadenzas. His symbolic-grotesque-fantastic story Moć savjesti (The Power of Conscience) marked his entry into the world of narrative literature. In this story, the binary relationship between the theme and the motif is recognised in the gap between the world of wakefulness and the world of dreams, reality and fantasy, what is real and what is unreal, the actual life and the ideal life, the object and the subject. At the same time, however, Matoš is trying to unite these opposites. In his other short stories, unusual plots become an expression of a deep ontological crisis which engulfed the European culture and art during modernism. The maxim of modern art at the turn of the century is „the world is a text”: art is a subjective reconstruction of the world and therefore plots, with all their logical cause and effect relationships, are no longer important since they cannot express other spheres of consciousness. In his short stories, the bizarre plots were used by Matoš to join two worlds, the world of outward reality and the world of imagination, the empirical and the fantastic, the possible and the impossible.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La huida en el cuento cubano de los noventa
Autorzy:
Redruello, Laura
Powiązania:
https://bibliotekanauki.pl/articles/2080925.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
Revolution
short story
exile
Novísimos
Cuba
Opis:
The article is capturing the political, economic, and social content that gave birth to the massive immigration from the island. The text presents the differences that can be perceived in the literary works of two generations of Cuban writers that, although they lived during the same time period, reacted differently to the phenomenon of the departure and exile. The article explores the nuances that the concept of “the departure” has on the stories of a group of young writers, named “Novísimos”. These writers suffered the worst years of the economic crisis, the “Special Period” during the nineties. This generation wrote about “escaping” as a reoccurring theme in their literature to show how it was to live with that environment and the disenchantment with a Revolution that didn’t give them more options than disruption with an unsuccessful project.
Źródło:
Itinerarios; 2016, 24; 7-24
1507-7241
Pojawia się w:
Itinerarios
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La perte en filigrane Cet imperceptible mouvement d’Aude
Autorzy:
Kapołka, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/973582.pdf
Data publikacji:
2012
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
aude
short story
transformation
loss
death.
Opis:
Considered one of the most interesting Quebec writers, Aude released a collection of short stories entitled Cet imperceptible mouvement in 1997. What comes to the fore in that collection is the austerity of style intertwined with a unique emotional load, a combination which has raised critics’ eyebrows even if it is typical of Aude’s prose. One of the pivots of her stories is the notion of loss, looked at from various angles. The protagonists typically lose their dearest ones, be it because the latter leave, die or because they drown in mourning. Maimed with the loss, the protagonist reassesses his/her life, faces new challenges, makes constant choices. Excelling in the short story structure, Aude records the depth of loneliness and raises existential queries by means of what might at first sight seem simple gestures, common objects and insignificant situations.
Źródło:
Romanica Silesiana; 2012, 7
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Człowiek wobec żywiołów przyrody: ze stronic twórczości Aleksandra Kuprina
Man against the elements of nature: from the pages of Aleksandr Kuprin’s works
Autorzy:
Szymonik, Danuta
Powiązania:
https://bibliotekanauki.pl/articles/968622.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Aleksander Kuprin
opowiadanie
cykl opowiadań
człowiek
żywioły przyrody
short story
short story cycle
man
natural elements
Opis:
Tytułowy problem w niniejszym artykule omówiono na przykładzie dwóch opowiadań „Bagno” („Bołoto”, 1903) i „Czarna błyskawica” („Czornaja mołnija”, 1913) oraz cyklu „Lestrygonowie” („Listrigony”, 1911) autorstwa wybitnego prozaika rosyjskiego przełomu XIX i XX wieku, Aleksandra Kuprina. W wymienionych opowiadaniach funkcjonują obrazy czterech podstawowych żywiołów: ziemi, ognia, wody i powietrza. W cyklu „Lestrygonowie” Kuprin ukazał potęgę żywiołu morskiego, sprzężonego z niewyobrażalną siłą wiatru „bora”. W konfrontacji z żywiołem przedstawia Kuprin bałakławskich rybaków, którzy podejmują nierówną walkę z siłami natury. W cyklu „Lestrygonowie” występują też jawne analogie pomiędzy żywiołem przyrody i żywiołem natury ludzkiej. Natomiast wymienione opowiadania nie tyko obrazują najważniejsze pierwiastki rzeczywistości przyrodniczej, ale też zawierają określony wydźwięk społeczny.
The topic of this paper is discussed on the basis of two stories, ‘The Bog’ (‘Boloto,’ 1903) and ‘The Black Lightning’ (‘Chernaya molnia,’ 1913), and the short story cycle ‘The Laestrygonians’ (‘Listrigony’, 1911) by an eminent Russian writer of the turn of the 20th century, Aleksandr Kuprin. The stories bring images of the four basic natural elements – earth, fire, water and air. In particular, in ‘The Laestrygonians’ Kuprin shows the power of the sea, combined with the unimaginable force of the wind. The author presents man fighting a one-sided battle with the forces of nature. There are, as well, obvious analogies between the four elements and the elemental aspect of human nature. The stories under analysis not only depict the most important elements of the natural world, but also have particular social overtones.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2015, 08; 111-120
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kulturowe konteksty przemian gatunku (na przykładzie noweli i romansu)
Autorzy:
REJTER, ARTUR
Powiązania:
https://bibliotekanauki.pl/articles/615338.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Opolski
Tematy:
genre theory
discourse
culture
short story
romance
Opis:
The article is devoted to describing the problem of cultural contexts of genre transformations, taking the example of chosen literary forms: short story and romance. A few aspects of text model have been analyzed: structural, stylistic and functional. There are three basic cultural contexts of genre changes: 1. archaecultural, 2. macrocultural, 3. microcultural. Each of them is connected with various factors and aspects of the genres. The analysis allows treating the two chosen genres as “drifting” ones, because they are very “fluent”, they migrate from a discourse to a discourse during their historyfrom the Old-Polish period to contemporary times.
Źródło:
Stylistyka; 2013, 22; 351-364
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La fonction créative du stéréotype dans le récit bref en France au XVIe siècle
Creative Function of Stereotype in French Sixteenth’s Century Short Story
Autorzy:
Pietrzak, Witold Konstanty
Powiązania:
https://bibliotekanauki.pl/articles/1368345.pdf
Data publikacji:
2021-02-09
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
stereotype
short story
16th century
France
Opis:
In premodern literature, stereotype, called locus communis, had to play an important role inherited from Greek and Latin Antiquity’s rhetorics. In particular, it served as source of convincing arguments appropriate to discuss philosophical, theological or moral questions. The concept of common place has also found its use in short stories of 16th century. Firstly, in the realm of invention, when authors adapted narrative plots taken from written tradition; secondly, in the realm of elocution, when they employed topic images and sentences. The aim of this paper is to elucidate those two meanings of stereotype in French nouvelles published in that time.
Źródło:
Romanica Silesiana; 2019, 16, 2; 29-39
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Ultimus” Marii Konopnickiej – nowela o deprawacji
„Ultimus” by Maria Konopnicka: a short story on depravation
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/682659.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Maria Konopnicka
short story
„Ultimus”
realism
animals
nowela
realizm
zwierzęta
Opis:
In her early short story entitled Ultimus Konopnicka accomplished the concept of Falkentheorie by Paul Heyse in an original way, using the motif of a crane as the thematic and composition keystone. Inspired to a large extent by Orzeszkowa’s Romanowa, Konopnicka writes about moral depravation of a young nobleman, using parallelism: man-animal in two orders – naturalistic and symbolic. The empathic reception of the text diverging from previous interpretations allows to place Ultimus among texts which stand up for miserables personas.
W swojej wczesnej noweli Ultimus podjęła Konopnicka oryginalną realizację koncepcji Falkentheorie Paula Heysego, wykorzystując motyw żurawia jako tematyczny i kompozycyjny zwornik. Konopnicka, zainspirowana w dużej mierze Romanową Orzeszkowej, opowiada o deprawacji moralnej młodego szlachcica, wykorzystując paralelizm: człowiek-zwierzę w dwu porządkach: naturalistycznym i symbolicznym. Empatyczny odbiór lektury odbiegający od interpretacji dawnych pozwala usytuować Ultimusa w przestrzeni tekstów, które upominają się o miserables personas.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2018, 7; 311-322
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lieux ludiques: « Les Prisonniers » de Maupassant
Literary Topoi, Literary Play: “The Prisoners” by Maupassant
Autorzy:
Färnlöf, Hans
Powiązania:
https://bibliotekanauki.pl/articles/1368350.pdf
Data publikacji:
2021-02-15
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
topos
Maupassant
folktale
short story
“Les Prisonniers”
Opis:
This study examines the role of topoi in the short story “Les Prisonniers” (The Prisoners) by Maupassant. For historical reasons, the notion of topos is preferred to that of the stereotype, as the latter indicates a manner of conceiving reality from a 20th century perspective (and thus posterior to Maupassant’s authorship). The analysis of the topoi shows that the author brings to play intertextual references linked to the tradition of the folktale and the short story. In foregrounding the story, Maupassant prepares two opposing scenarios. Following the transgressive plot, the initially dominant features of the story are overthrown. The functionality of the narrative elements, entering as units in an elaborated plot, leads to a view of the story primarily as a fictional construction playing with topoi, rather than as an expression of Maupassant’s stereotyped vision of reality.
Źródło:
Romanica Silesiana; 2019, 16, 2; 82-92
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The implementation of inner speech in artistic discourse (based on the German-language short story)
Autorzy:
Kravchenko, Nataliia
Powiązania:
https://bibliotekanauki.pl/articles/2054292.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
inner speech
artistic
short story
intensity of affect expression
affective inner speech
Opis:
The study of inner speech is appropriate to carry out in the plane of interaction of various scientific studies. This approach allows us to analyze the specifics of functioning of inner speech at the level of artistic discourse. Such phenomenon as inner speech presents not only the protagonist's outlook, their emotional state or social aspects, but also demonstrates, under the influence of extraordinary factors, the intensity of affect expression in the addresser's speech activity. Inner speech in an emotive situation is marked by peculiar characteristics, which indicates its unique multidimensional essence.
Źródło:
Linguistica Silesiana; 2020, 41; 229-247
0208-4228
Pojawia się w:
Linguistica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La toile et le voile : l’art, la littérature et le sacré dans trois récits romantiques
The Canvas and the Veil: Art, Literature and the Sacred in Three Romantic Narratives
Autorzy:
Pinon, Esther
Powiązania:
https://bibliotekanauki.pl/articles/483470.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Romanticism
sacred
fine arts
novel
short story
Opis:
The literature of the Romantics, in the first part of the 19th century, is steeped in religious doubt. Moreover, the sacred was a taboo yet unavoidable subject especially in novels and short stories that were considered at the time profane genres. Romantic writers exploited certain covert strategies in order to speak of the unspeak-able and touch the untouchable. They resort, for instance, to their artistic culture with its centuries of pictorial tradition that render religious figures and events more familiar and accessible. Musset’s Le Tableau d’église, Vigny’s Daphné, and Gauthier’s La Toison d’or, all bear witness to a striking (meeting) harmony between iconoclastic and/or cavalier characters and sacred works of art that focus on the Passion. All three writers interweave aesthetic contemplation with mystical communion, thus revealing a new sense of the sacred that is often ambiguous, nay, subversive. And since sacred art is not in itself sacred, it allows writers to come very close to sacrilege in order to examine the fine line between the profane and the sacred.
Źródło:
Quêtes littéraires; 2013, 3; 58-65
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reportaż, felieton i wiadomości, czyli problem gatunków wczesnej twórczości Bolesława Prusa w świetle jej prasowego kontekstu
Reportage, column and press news or the problem of genres in the early writings of Bolesław Prus against the background of their press context
Autorzy:
Pietrzak, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/2012665.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
gazeta
opowiadanie
gatunek
newspaper
short story
genre
Opis:
The article concerns the series of texts by Bolesław Prus published in the daily newspaper „Kurier Warszawski” in 1874 as Szkice Warszawskie (The Warsaw Sketches). They represent heterogenic form including the elements of fiction (e.g. short story, novella) and journalistic genres (reportage, featured articles). The author of the study shows how those elements function in the context of the newspaper pages i.e. its language and subjects.  Instytut Literatury Polskiej,Uniwersytet Warszawski
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 55-68
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le motif du vagabondage dans quelques nouvelles « noires » d’Émile Zola
The motif of vagabondage in some of Emile Zola’s « dark » short stories
Autorzy:
Kaczmarek, Anna
Powiązania:
https://bibliotekanauki.pl/articles/483586.pdf
Data publikacji:
2014
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Zola
short story
vagabondage
mobility
happiness
bad luck
Opis:
The paper shows the importance of the motif of vagabondage recurrent in three of Zola’s short stories: For a Night of Love, Jacques Damour and The Death of Olivier Becaille. Their characters’ aimless wandering through the coutryside, through France or the entire world either means perfect happiness, time-filling strategy, or consequence of one’s past or bad luck. It is aways opposed to immobility of sleep or death.
Źródło:
Quêtes littéraires; 2014, 4; 38-46
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Each of Us Has a Thousand Lives”: Fragmented Selves in the Stories of Nadine Gordimer
Autorzy:
Pawlicki, Marek
Powiązania:
https://bibliotekanauki.pl/articles/27321545.pdf
Data publikacji:
2023-12-15
Wydawca:
Komisja Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu
Tematy:
Nadine Gordimer
short story
South African literature
modernism
Opis:
The aim of the article is to contribute to a critical debate on the modernist influences in Nadine Gordimer’s short fiction by exploring her understanding of human identity in early stories (“In the Beginning” and “The Talisman” (1949)) and showing how this understanding influenced her later works (“The Correspondence Course” (1984)). It is argued that her early stories are informed by two views on identity: one continuous, coherent, and unitary, the other discontinuous, fragmented, and multiple. The latter notion of selfhood is closely associated with Gordimer’s conception of the short story as a form uniquely qualified to describe the tensions and ruptures in the lives of her characters. As it is shown, this insight into the short story, discussed at length in Gordimer’s essay “The Short Story in Africa” (1968), was derived from post-Enlightenment and post-Romantic conceptions of the self, as expressed by the modernist writers that Gordimer read extensively in her youth. The notion of a non-unitary and non-homogenous self is then applied in an analysis of a later story that concentrates on the political development of a character. In this way, the article proceeds from non-political to political stories, making a connection between topics that are seldom juxtaposed by Gordimer’s critics.
Źródło:
Academic Journal of Modern Philology; 2023, 19; 245-255
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 40

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies