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Wyszukujesz frazę "Semiotics of Culture" wg kryterium: Temat


Wyświetlanie 1-7 z 7
Tytuł:
O semiotycznej i intersemiotycznej roli tematu głównego. Od syntezy dziejów narodu polskiego do malarstwa realistycznego i nowoczesnego
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1203382.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Opolski
Tematy:
semiotics
semiotics of culture
historical text
painting
image
verbal codes
visual codes
Opis:
In the article the problem of semiosis of the global topie in verbal and visual texts is taken into consideration. In the first section a theoretical framework is introduced, in the second verbal text (i.e. the genre of the synthesis of Polish national history) is elaborated, in the third the similar discussion on visual ‘texts’ is conducted, while in the fourth section finał remarks are provided with additional suggestions concerning further investigations.The opening remarks concern the very idea of the topie in verbal texts, notably in historical texts (the operational term finał—taken from semiotic works of Boris Uspienski - is introduced). The finał - interrelated with the global topie and genre - organizes the whole historical narration and establishes its cohesion; their overwhelming presence enables grasping the very act of data interpretation. Every event or historical figurę conceptualized in a historical narration (for instance the Prussian Homage in 1525 or Polish king Sigismund) receives its own meaning only insofar as it maintains its constant relation with the global topie expressed by the title (top-down and bottom-up mechanisms).There are some similarities that the title and global topie possess in the acts of interpretation of painting, notably realistic representations of historical events. For example a piece of Jan Matejko entitled Hołd Pruski (Prussian Homage) imposes on an observer a set of connotative features deeply rooted in the Polish imaginery encoded in language and structured by the national narration. This particular example opens up a discussion about the function of the verbal title and visual ‘text’ in pieces of Giorgione, Rene Magritte, Kazimierz Malewicz, Marek Rostworowski.The analysis is not finished; it only sketches a very generał problem of interrelation of verbal and visual codes that could be analyzed within the field of semiotics and semiotics of culture.
Źródło:
Stylistyka; 2011, 20; 213-232
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Europa jako znak w nowomowie jugosłowiańskich komunistów na przykładzie wystąpień Josipa Broza Tity
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/677816.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
semiotics of culture
language Communists of Yugoslavia
Josip Broz Tito language
Europe
Opis:
Europe as a sign in the Yugoslav Communist newspeak basing on the Tito’s addresses Although the Yugoslav Communist newspeak resembled the Polish one on the formal level, it significantly different conceptualized and evaluated the extra‑linguistic reality, including primarily notions referring to main subjects of the international politics. It resulted from a diverse place the Communist Yugoslavia had in the Cold War order and its role within the non‑allied countries. As a result semantic relations were different in this discourse. The aim of this article is a reconstruction of the content of one of the most important signs in this language – the sign of Europe basing on the Yugoslav dictator’s (Josip Broz Tito) addresses. The research demonstrates that the cultural and social‑political context imposed other connotative features on the notion of Europe. As the result it has completely different functions that its Polish equivalent. This in turn leads to different types semiosis of this sign in both cultures and other signs coming from the same semantic field.
Źródło:
Slavia Meridionalis; 2012, 12
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alienacja z kultury — dylematy interpretacyjne. Na przykładzie starego obrzędu
Alienation from culture — dilemmas of interpretation on the example of old rites
Отчуждение от культуры — интерпретационные дилеммы. На примере старообрядчества
Autorzy:
Kowalska-Stus, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/50392956.pdf
Data publikacji:
2016-08-21
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Old Believers
Russian Orthodox Christianity
methodology of cultural studies
medieval studies
semiotics of culture
Opis:
After G.W.F. Hegel’s The Phenomenology of Spirit and Ludwig Feuerbach’s The Essence of Christianity, the issue of alienation is considered to be a significant object of study. Sociology — which attempts to dominate studies on this concept — is a discipline which rather single-mindedly interprets the phenomena rooted in the religious reality, and one should not rely solely on its analyses. By the same token, semiotics should be treated with similar distrust, even though the impact of Old Believers on the development of Russian culture is widely emphasised in the works of Russian semioticians. The reason for that stems from the claim for being a universal method — which hence is forced to refer to a universal object — that semiotics has shared; the mentioned object has been culture. The idea of subsuming phenomena of different categories under a common denominator in the course of interpretation has led to a situation in which the semiotic means have turned to be but metaphors, even though semioticians have argued for their ontological statues. Precisely this aspect should be noted, as it proves that semiotics — with its universalist claims — appears to blur the boundaries between sociological stratum, and the one oriented towards philosophy and theology. From the point of view expressed by Orthodox Christianity, the true tragic alienation relies not on the distance separating one from culture and society, but rather on the one which detaches one from God — the creator of being. The case of Old Believers exemplifies a convoluted situation, as the bone of contention has been provided by liturgy, which is, in other words, the space in which a human being encounters God. If, therefore, this issue is related to culture, then it is so precisely through its metaphysical aspect. Neither sociology nor philosophy — and even not semiotics, recently withdrawing from cultural studies, which it used to dominate — has been capable of interpreting the phenomenon of Old Believers as thoroughly as theology and history of Church. Relying on the scientist methodology, the former group of disciplines has not included such significant aspects of the culture of Orthodox Christianity as anthropology, dogmatics, state theology, or liturgics. Without those aspects, any attempt which aims at explaining the issue of Old Believers happens to be inaccurate.
Źródło:
Rusycystyczne Studia Literaturoznawcze; 2016, 26; 11-24
0208-5038
2353-9674
Pojawia się w:
Rusycystyczne Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Podstawą obcowania jest pamięć”. Władysława Panasa semiotyczna wizja kultury wobec koncepcji Jurija Łotmana
„Memory as the Foundation of Coexistence”. Władysław Panas' Semiotic Conception of Culture in Debate With Yuri Lotman's conception
Autorzy:
Durkalewicz, Wiktoria
Powiązania:
https://bibliotekanauki.pl/articles/1902508.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Władysław Panas
Jurij Łotman
pamięć
Inny
semiotyka kultury
Yuri Lotman
memory
Other
semiotics of culture
Opis:
This paper is an attempt at reconstructing and recontextualizing the semiotic understanding of culture and literature as a key aspect of the theory of interpretation by Władysław Panas. Special emphasis is put on the debate on this aspect in the context of Panas' analysis of the semiotic discourse proposed by the Moscow-Tartu school, presented in his book W kręgu metody semiotycznej [In the realm of the semiotic method]. According to Panas, the Moscow-Tartu conception has it that semiotics comes into being as a holistic, constantly developing text, as the “Other” struggling for his/her memory and for multiplicity of voices.
Źródło:
Roczniki Humanistyczne; 2012, 60, 1; 179-192
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ZUR INTEGRATION EINIGER INTERDISZIPLINÄRER DIMENSIONEN DER PHRASEOLOGIE: ETYMOLOGIE, SPRACHGESCHICHTE, KULTURSEMIOTIK
ON THE INTEGRATION OF SOME INTERDISCIPLINARY DIMENSIONS OF PHRASEOLOGY: ETYMOLOGY, LANGUAGE HISTORY AND THE SEMIOTICS OF CULTURE
Autorzy:
Komenda-Earle, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1597131.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
phraseologische Methodologie
Etymologie
Sprachgeschichte
Kultursemiotik
semiotics of culture
language history
etymology
phraseological methodology
metodologia frazeologiczna
etymologia
historia języka
semiotyka kultury
Opis:
Der Beitrag enthält einen theoretischen und methodologischen Umriss der interdisziplinären Untersuchungen der Phraseologie, in dem wissenschaftliche Erkenntnisse der Etymologie und Kultursemiotik integriert werden. Das angebotene Modell platziert Phraseologismen in den Kontext der sprachhistorischen Recherche, die eins der größten Defizite der aktuellen Phraseologieforschung bildet. Die dargestellte Methodologie umfasst auch komparative interlinguale Forschungsaspekte.
The paper contains a theoretical and methodological outline of research into phraseology which integrates evaluations of etymology and the semiotics of culture. The research model presented places the phraseological units in the context of the historical research of language which is one of the most remarkable deficits in the contemporary research into phraseology. The methodology presented covers also some comparative interlingual aspects.
Artykuł zawiera zarys teoretyczny i metodologiczny badań interdyscyplinarnych nad frazeologią, integrujący rozpoznania naukowe etymologii i semiotyki kultury. Opisywany model plasuje frazeologizmy w kontekście badań historycznojęzykowych, które stanowią jeden z najdotkliwszych deficytów współczesnej frazeologii. Przedstawiona metodologia obejmuje także komparatywne aspekty interlingualne.
Źródło:
Colloquia Germanica Stetinensia; 2015, 24; 149-170
2450-8543
2353-317X
Pojawia się w:
Colloquia Germanica Stetinensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obrzęd religijny w świetle semiotyki kultury
A religious ritual in the light of the semiotics of culture
Autorzy:
Żyłko, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/45890367.pdf
Data publikacji:
2024
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
obrzęd religijny
Boże Ciało
semiotyka kultury
tekst kultury
niematerialne dziedzictwo kulturowe
religious ritual
Corpus Christi
semiotics of culture
text of culture
intangible cultural heritage
Źródło:
Łódzkie Studia Etnograficzne; 2024, 63; 293-298
2450-5544
Pojawia się w:
Łódzkie Studia Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncepcja semiotycznej pamięci kultury Jurija Łotmana jako zasada generatywna w badaniach nad pamięcią społeczną
Yuri Lotman’s Concept of the Semiotic Memory of Culture as a Generative Principle in the Study of Social Memory
Autorzy:
Winiarski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1373007.pdf
Data publikacji:
2017-10-10
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
culture
social memory
semiotics of culture
semiosphere
language
social structure
sociology of culture
Yuri Lotman
kultura
pamięć społeczna
semiotyka kultury
semiosfera
język
struktura społeczna
socjologia kultury
Jurij Łotman
Opis:
For sociologically oriented research into memory, the finding of connections between cultural mechanisms of constructing the past and their socio-structural effects is important. In this context, a principle linking phenomena of memory, culture, and social structure should be of use. This article is devoted to Yuri Lotman’s concept of the semiotic memory of culture, which the author believes could serve as a generative rule for this type of research in the sociology of culture. In the case of studies on social memory, Lotman’s concept constitutes a methodological bridge between phenomena of social memory and the transmission of culture, enabling the question of how the memory of the individual participates in collective memory to be answered.
Źródło:
Kultura i Społeczeństwo; 2017, 61, 4; 147-167
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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