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Wyszukujesz frazę "myth of sacrifice" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Wybrane aspekty mitu w Hymnie homeryckim do Hermesa
Homeric hymn to Hermes: selected aspects
Autorzy:
Jarczyk, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1046816.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the Homeric hymn to Hermes
invention of the lyre
music and paideia
the myth and the ritual
sacrifice
Opis:
The paper discusses how the major plot elements of the Homeric Hymn to Hermes (inventing the lyre, stealing Apollo's cattle and especially slaughtering it) tie in together to instruct the (male) youth on their prospective roles as responsible, cultured family supporting adults, warriors and members in their community's cults. It thus highlights the educational and paedagogical aspects of the myths featured in the poem's narrative part.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 17-68
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Jericho to Argeș, Deva, Dynas Emrys, and Surami: the myth of construction between curse and sacrifice
Autorzy:
Ivancu, Emilia
Klimkowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/571836.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
myth of construction
sacrifice
ballads
Argeș
Deva
Dinas Emrys
Surami
Eliade
Trumbull
the blood covenant
the threshold covenant
Opis:
The present article aims at a comparative analysis amongst four legends constructed around the same myth i.e. the myth of construction that requires a sacrifice: the Romanian ballad about the construction of the monastery in Argeș, Wallachia; the Hungarian ballad about the construction of the fortress of Deva in Transylvania, Romania; the Welsh legend of Dynas Emrys; and the Georgian legend about the construction of the Surami fortress. The legends represent the sacrifice in different ways. In the Romanian ballad, a woman and her child are walled in a church; in the Hungarian version, a woman is burnt, and her ashes are walled in; in the Welsh legend, the sacrifice is avoided, and in the Georgian one, it is transformed into self-sacrifice. Moreover, through a comparative analysis of different versions of the Bible, we shall emphasise the importance of the building of the city of Jericho, the significance of curse and sacrifice in both the beginning and the proliferation of the myth. For our research, we shall use the methodology devised by Mircea Eliade in his book about the myth of sacrifice ("Meșterul manole. Studii de etnologie și mitologie"), as well as the works of Professor Trumbull, "The threshold covenant" and "The blood covenant". One of the main conclusions of our article is that nothing that is human-made has a soul, and it can only last if it only acquires a soul. Hence the need for sacrifice that has been part of human history since times immemorial. Any revisitation of this myth can only bring people together and thus emphasise the things people and peoples have in common, and that can only lead to a better understanding of the Other.
Źródło:
Acta Philologica; 2016, 49; 53-68
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Norwidowska reinterpretacja mitu prometejskiego
Norwid’s reinterpretation of the Promethean myth
Autorzy:
Kłobukowski, Miłosz
Powiązania:
https://bibliotekanauki.pl/articles/16729575.pdf
Data publikacji:
2020-05-07
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Prometeusz
mit
ofiara
praca
język
interpretacja
mit „adamicki”
mit upadku
mit wygnania
Hezjod
Ajschylos
Norwid
Paul Ricoeur
René Girard
Promethidion
Rzecz o wolności słowa
Prometheus
myth
sacrifice
work
language
interpretation
“Adam’s myth” of the fall
myth of exile
Hesiod
Aeschylus
On Freedom of Speech
Opis:
The author’s aim is to reflect on one of the rudimentary myths constituting the European identity, that is the Promethean myth, and on its interpretation present in Norwid’s works. Kłobukowski states that the author of Promethidion interprets the story of the good Titan in a way that is different from that in which most poets of the 19th century Europe interpreted it, that is by referring to ancient sources of the myth in works by Hesiod, and not by Aeschylus; and that this interpretation has a character of a manifesto. At the same time Norwid, interpreting the story of Prometheus, enters a polemic with Western Romantics as well as with Mickiewicz and the poetic anthropology present in the main current of Romanticism, that was first of all based on such features as rebellion, autonomy of an individual, self-determination, or self-deification. The poet suggests a different vision of human subjectivity; he Christianizes the myth, at the same time doing the work of a comparatist and an anthropologist – comparing the figure of the Titan and the Biblical Adam (Promethidion), suggesting that it is not rebellion, but work is man’s true vocation. Norwid also interprets the phenomenon of the language and its history in the context of the Promethean myth, which he perceives as a myth of the fall (On Freedom of Speech). Kłobukowski also analyzes one of the most important mythemes from the story of Prometheus – that of sacrifice, that, according to Western Romantics, was connected with creating an individualist “I”. Norwid interprets the meaning of sacrifice in a different way – namely, as a phenomenon showing the fullness of humanity and acceptance of the imperfection of the human condition.
Źródło:
Studia Norwidiana; 2015, 33; 77-108
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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