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    Wyświetlanie 1-2 z 2
    Tytuł:
    Veridizione e Verità nel Racconto di Luca
    Truth and Veridiction in Luke’s Narrative
    Autorzy:
    Crimella, Matteo
    Powiązania:
    https://bibliotekanauki.pl/articles/1053280.pdf
    Data publikacji:
    2017-04-19
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    analisi narrativa
    ricerca
    Cristologia
    verità
    veridizione
    Narrative criticism
    search
    Christology
    truth
    veridiction
    Opis:
    The article proposes the two itineraries inside the Gospel of Luke. The first one is gnoseologic as it tries to illumine the process of veridiction brought about by the narrative itself, according to the narrative pact established by Luke (cf. Luke 1,1-4). Here, the reader is called to a continuous interpretative exercise with respect to the person of Christ who is presented first in the Infancy narrative and then in the course of his ministry.  The second itinerary belongs to the “reception history” and it’s connected with the search for Jesus (ζητέω). It regards the anthropological turn, stemming from the same disclosure of the historical figure of the Nazarene, the turn that leads to the manifestation of God’s truth.
    Źródło:
    The Biblical Annals; 2017, 7, 2; 235-250
    2083-2222
    2451-2168
    Pojawia się w:
    The Biblical Annals
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’arredamento dell’Ambasciata d’Italia a Varsavia. Nuove acquisizioni documentarie
    The Furnishings of the Italian Embassy in Warsaw. New Documentary Acquisitions
    Autorzy:
    D'Agostino, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/15582186.pdf
    Data publikacji:
    2023
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    arte
    ambasciata
    Varsavia
    Italia
    arredamento
    patrimonio culturale
    ricognizione
    ricerca
    art
    embassy
    Warsaw
    Italy
    furniture
    cultural heritage
    reconnaissance
    research
    Opis:
    Il presente lavoro, volto a ricostruire la storia dell’arredamento dell’Ambasciata d’Italia a Varsavia, ha origine dallo studio dei documenti d’archivio del Fondo STRP (ex Servizio Tecnico di Ricognizione Patrimoniale) conservato presso la Direzione Generale Archeologia Belle Arti e Paesaggio del Ministero della Cultura (MIC). Il fondo è costituito dalla documentazione – perlopiù inedita – prodotta dal Servizio Tecnico, nato nel 1993 come Commissione, voluta dal Ministro Alberto Ronchey, con l’obiettivo di censire i beni culturali concessi in deposito esterno dai musei del demanio ad enti in Italia e all’estero. Nel 1995 la Commissione fu trasformata in Servizio alle dirette dipendenze del Segretariato Generale del Ministero stesso ma nel 2003 venne sospeso. Ben ventuno anni fa fu effettuata l’ultima ricognizione patrimoniale presso l’Ambasciata d’Italia a Varsavia e da allora più nessun controllo è stato fatto. Pertanto, questo lavoro, oltre ad analizzare la storia delle opere d’arte scelte per arredare l’Ambasciata fin dal 1922, ne aggiorna i dati e dà nuove interpretazioni sulle vicende che, sia prima che dopo la Seconda Guerra Mondiale, portarono al suo arredamento; inoltre, vuole essere uno spunto di riflessione sulla tutela di quel patrimonio artistico italiano che ancora oggi, fin dai primi decenni del secolo scorso, si trova in deposito esterno senza i dovuti controlli.
    The present essay, aimed at reconstructing the history of the works of art which furnish the Italian Embassy in Warsaw, originates from the study of archival documents from the STRP Fund (formerly the Technical Service of Patrimonial Reconnaissance) kept at the General Directorate of Archaeology Fine Arts and Landscape of the Ministry of Culture (MIC). The fund consists of the documentation, mostly unpublished, produced by the Technical Service, which was created in 1993 as a Commission, conceived by Minister Alberto Ronchey, with the aim of taking a census of cultural assets granted in external storage by state museums to entities in Italy and abroad, which in 1995 had been transformed into a Service reporting directly to the General Secretariat of the Ministry itself but was suspended in 2003. The last patrimonial reconnaissance was carried out at the Italian Embassy in Warsaw twenty-one years ago and since then no more checks have been done. Therefore, in addition to analyzing the history of the works of art chosen to furnish the Embassy since 1922, the essay updates the data and gives new interpretations on the events that, both before and after the 2nd World War, led to its furnishing; moreover, it is meant to be a food for thought regarding the protection of Italian artistic heritage which since the first decades of the last century until the present has been in external storage without due control.
    Źródło:
    Biuletyn Historii Sztuki; 2023, 85, 1; 117-144
    0006-3967
    2719-4612
    Pojawia się w:
    Biuletyn Historii Sztuki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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